Music in cinema:
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
[2021]
|
| Schriftenreihe: | Film and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. |
| Beschreibung: | xiii, 380 Seiten Notenbeispiele 24 cm |
| ISBN: | 9780231198899 9780231198882 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047591200 | ||
| 003 | DE-604 | ||
| 005 | 20221013 | ||
| 007 | t | ||
| 008 | 211117s2021 gl|| b||| 00||| eng d | ||
| 020 | |a 9780231198899 |c (pbk.) |9 978-0-231-19889-9 | ||
| 020 | |a 9780231198882 |c (hbk.) |9 978-0-231-19888-2 | ||
| 035 | |a (OCoLC)1277287083 | ||
| 035 | |a (DE-599)BVBBV047591200 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 53509 |0 (DE-625)109546: |2 rvk | ||
| 100 | 1 | |a Chion, Michel |d 1947- |e Verfasser |0 (DE-588)122192478 |4 aut | |
| 240 | 1 | 0 | |a La Musique au cinéma |
| 245 | 1 | 0 | |a Music in cinema |c Michel Chion ; edited and translated by Claudia Gorbman |
| 264 | 1 | |a New York |b Columbia University Press |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a xiii, 380 Seiten |b Notenbeispiele |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Film and culture | |
| 520 | |a Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Motion picture music / History and criticism | |
| 653 | 0 | |a Motion pictures and music | |
| 653 | 0 | |a Motion picture music | |
| 653 | 0 | |a Motion pictures and music | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Filmmusik |0 (DE-588)4017129-2 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Gorbman, Claudia |d ca. 20. Jh. |0 (DE-588)1037207955 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-0-231-55285-1 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032976366&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20220201 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032976366 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |
Datensatz im Suchindex
| _version_ | 1804182951736377344 |
|---|---|
| adam_text | CONTENTS Translator’s Note Preface xi ix INTRODUCTION: MUSIC REDEFINED BY CINEMA 1 PART I: HISTORICAL PERSPECTIVES 1. DREAMS AND REALITIES: 1895-1935 23 2. CLASSICISM TO MODERNISM: 1935-1975 87 3. BACK TO THE FUTURE: 1975-1995 152 4. WHITHER FILM MUSIC? 1996-2020 184 PART II: THE THREE FACES OF MUSIC IN CINEMA 5. MUSIC AS ELEMENT AND MEANS 203 6. MUSIC AS WORLD 253 7. MUSIC AS SUBJECT, METAPHOR, AND MODEL BY WAY OF CONCLUSION Glossary 345 Notes 349 Index 365 340 297
|
| adam_txt |
CONTENTS Translator’s Note Preface xi ix INTRODUCTION: MUSIC REDEFINED BY CINEMA 1 PART I: HISTORICAL PERSPECTIVES 1. DREAMS AND REALITIES: 1895-1935 23 2. CLASSICISM TO MODERNISM: 1935-1975 87 3. BACK TO THE FUTURE: 1975-1995 152 4. WHITHER FILM MUSIC? 1996-2020 184 PART II: THE THREE FACES OF MUSIC IN CINEMA 5. MUSIC AS ELEMENT AND MEANS 203 6. MUSIC AS WORLD 253 7. MUSIC AS SUBJECT, METAPHOR, AND MODEL BY WAY OF CONCLUSION Glossary 345 Notes 349 Index 365 340 297 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Chion, Michel 1947- |
| author2 | Gorbman, Claudia ca. 20. Jh |
| author2_role | edt |
| author2_variant | c g cg |
| author_GND | (DE-588)122192478 (DE-588)1037207955 |
| author_facet | Chion, Michel 1947- Gorbman, Claudia ca. 20. Jh |
| author_role | aut |
| author_sort | Chion, Michel 1947- |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV047591200 |
| classification_rvk | LR 53509 |
| ctrlnum | (OCoLC)1277287083 (DE-599)BVBBV047591200 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03583nam a2200553 c 4500</leader><controlfield tag="001">BV047591200</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221013 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211117s2021 gl|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231198899</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-0-231-19889-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231198882</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-0-231-19888-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1277287083</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047591200</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53509</subfield><subfield code="0">(DE-625)109546:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Chion, Michel</subfield><subfield code="d">1947-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)122192478</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">La Musique au cinéma</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music in cinema</subfield><subfield code="c">Michel Chion ; edited and translated by Claudia Gorbman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 380 Seiten</subfield><subfield code="b">Notenbeispiele</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures and music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion picture music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures and music</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gorbman, Claudia</subfield><subfield code="d">ca. 20. Jh.</subfield><subfield code="0">(DE-588)1037207955</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-0-231-55285-1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032976366&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220201</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032976366</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
| id | DE-604.BV047591200 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:36:13Z |
| indexdate | 2024-07-10T09:15:43Z |
| institution | BVB |
| isbn | 9780231198899 9780231198882 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032976366 |
| oclc_num | 1277287083 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xiii, 380 Seiten Notenbeispiele 24 cm |
| psigel | BSB_NED_20220201 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Film and culture |
| spelling | Chion, Michel 1947- Verfasser (DE-588)122192478 aut La Musique au cinéma Music in cinema Michel Chion ; edited and translated by Claudia Gorbman New York Columbia University Press [2021] ©2021 xiii, 380 Seiten Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Film and culture Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson's performance in The Jazz Singer, the zither in The Third Man, Godard's patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors' attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars. Geschichte gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Motion picture music / History and criticism Motion pictures and music Motion picture music Criticism, interpretation, etc Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 Gorbman, Claudia ca. 20. Jh. (DE-588)1037207955 edt Erscheint auch als Online-Ausgabe, PDF 978-0-231-55285-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032976366&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Chion, Michel 1947- Music in cinema Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | Music in cinema |
| title_alt | La Musique au cinéma |
| title_auth | Music in cinema |
| title_exact_search | Music in cinema |
| title_exact_search_txtP | Music in cinema |
| title_full | Music in cinema Michel Chion ; edited and translated by Claudia Gorbman |
| title_fullStr | Music in cinema Michel Chion ; edited and translated by Claudia Gorbman |
| title_full_unstemmed | Music in cinema Michel Chion ; edited and translated by Claudia Gorbman |
| title_short | Music in cinema |
| title_sort | music in cinema |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032976366&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT chionmichel lamusiqueaucinema AT gorbmanclaudia lamusiqueaucinema AT chionmichel musicincinema AT gorbmanclaudia musicincinema |