Sonic fictions of America: literature and popular music in the U.S. 1950-2010
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Universitätsverlag Winter
2021
|
| Schriftenreihe: | American studies - a monograph series
volume 315 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 528 Seiten 21 cm x 13.5 cm |
| ISBN: | 9783825348625 |
Internformat
MARC
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| 264 | 1 | |a Heidelberg |b Universitätsverlag Winter |c 2021 | |
| 300 | |a 528 Seiten |c 21 cm x 13.5 cm | ||
| 336 | |b txt |2 rdacontent | ||
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Datensatz im Suchindex
| _version_ | 1804182950010421248 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION
11
SONIC
INVESTMENTS
(11)
+
THE
RETURN
OF
THE
VOICE
(16)
+
MUSIC:
A
NOUN?
(22)
+
A
SONIC
PUNCTUM
(27)
+
POPULAR
CULTURE,
THE
POPULAR,
AND
POP
(31)
+
LITERATURE
AS
A
SOCIAL
SYSTEM
(35)
+
FROM
PROTO-POP
TO
POP
PROPER:
AN
OUTLINE
(42)
PART
I:
THEORIES
OF
INTERMEDIALITY
1.
LITERATURE
AND
POPULAR
MUSIC:
ASSETS
AND
DRAWBACKS
OF
INTERMEDIAL
SCHOLARSHIP
53
1.1.
STUDYING
MUSICO-LITERARY
INTERMEDIALITY
54
1.2.
INTER-AND/OR
TRANSMEDIALITY
56
1.3.
WERNER
WOLF
AND
THE
TRADITION
OF
INTERMEDIAL
SCHOLARSHIP
62
1.4.
CORRECTIVE
READINGS
I:
COMPOSITIONS,
NOTATIONS,
READABILITY
72
1.5.
CORRECTIVE
READINGS
II:
TRANSMEDIALITY
&
PARALITERATURE
77
1.6.
CORRECTIVE
READINGS
III:
METAPHORICITY
84
1.7.
CORRECTIVE
READINGS
IV:
MEDIA
CHANNELS,
GENERIC
LIMITS
90
2.
MEDIAL
CONSTELLATIONS
&
POPULAR
IRRITATIONS:
A
SYSTEMS
THEORETICAL
READING
OF
INTERMEDIALITY
95
2.1.
LUHMANN
S
MEDIA
96
2.2.
ORNAMENTAL
GUIDANCE:
LITERATURE
AS
ART
102
2.3.
ART,
ADVERTISEMENT
&
ENTERTAINMENT
107
2.4.
POPULAR
LITERATURE
113
2.5.
POP
LITERATURE:
INTERMEDIAL
&
TRANSMEDIAL
120
2.6.
MEDIAL
CONSTELLATIONS
132
7
PART
II:
PRE-POP
EXCURSIONS
3.
OPERA
DIPLOMACY:
THE
AUTONOMY
OF
ART
AND
THE
ENIGMA
OF
THE
VOICE
IN
ANN
PATCHETT
S
BEL
CANTO
135
3.1.
OPERATIC
PRINCIPLES:
POPULARIZING
THE
CLASSIC
PARADIGM
136
3.2.
INTERMEDIALITY
IN
BEL
CANTO
145
3.3.
LANGUAGE
AND/VERSUS
MUSIC
162
3.4.
AESTHETICS:
UTOPIA,
AUTONOMY,
AND
RECONCILIATION
175
4.
DE-ACOUSMATIZATION
AND
SONIC
FIDELITY:
READING
RALPH
ELLISON
S
INVISIBLE
MAN
AS
JAZZ
PICARESQUE
191
4.1.
HIERARCHY
OF
BLACK
ARTS
192
4.2.
MEDIAL
CONSTELLATIONS
AND
METAPHORS
OF
BELONGING
197
4.3.
GENERIC
AFFINITIES:
JAZZ
PICARESQUE
OR
SYMPHONIC
BILDUNGSROMAN?
218
4.4.
TOWARDS
A
PARTICULAR
UNIVERSALISM
242
PART
III:
POP
FROM
ELVIS
TO
ALTAMONT
5.
POP
PATHOLOGIES
AND
FAKE
AUTHENTICITY:
INTERMEDIAL
STRATEGIES
IN
SHORT
FICTION
BY
JOYCE
CAROL
OATES,
JULIE
HECHT
AND T.C.
BOYLE
247
5.1.
REALIST
ALLEGORIES
OF
POP
DANGER:
J.
C.
OATES
S
WHERE
ARE
YOU
GOING,
WHERE
HAVE
YOU
BEEN
248
5.2.
OBSERVING
FAN
PATHOLOGY:
J.
HECHT
S
I
WANT
YOU
I
NEED
YOU
I
LOVE
YOU
267
5.3.
THE
INAUTHENTICITY
OF
PERFORMANCE:
T.C.
BOYLE
S
UNDERSTANDING
OF
POP
IN
ALL
SHOOK
UP
285
6.
PRIMAL
SCREAMS
AND
PRODUCT
PLACEMENTS:
INTERMEDIAL
STRATEGIES
IN
DON
DELILLO
S
GREAT
JONES
STREET
301
6.1.
PRODUCT
PLACEMENTS:
SELLING
IMAGES
303
6.2.
SONIC
ARCHITECTURE
320
6.3.
QUASI-RELIGIOUS
EPIPHANIES,
SECRET
RECORDINGS,
LYRICAL
REFLECTIONS
328
6.4.
METAPHORICAL
DEATHS:
GREAT
JONES
STREET
AS
POP
LITERATURE
336
8
PART
IV:
POP
FROM
MTV
TO
MP3
7.
FROM
INTERMEDIAL
REFLEXIVITY
TO
TRANSMEDIAL
AFFECT?
JONATHAN
LETHEM
AS
LITERARY
SEISMOGRAPH
OF
POP
COMMUNICATION
343
7.1.
TUNE
IN
344
7.2.
HEADLOCKED
IN
BROOKLYN:
THE
FORTRESS
OF
SOLITUDE
346
7.3.
RECKLESS
COVERS:
THE
NATIONAL
ANTHEM
356
7.4.
FROM
COVER
SONGS
TO COPYRIGHTS:
YOU
DON
T
LOVE
ME
YET
374
8.
THE
ANALOG
LOYALTIES
OF
IPOD
LITERATURE:
MUSIC,
MEDIA,
MEMORY
IN
ARTHUR
PHILLIPS
THE
SONG
IS
YOU
385
8.1.
PROUSTIAN
POP
386
8.2.
MUSIC
THROUGH
THE
AGES
391
8.3.
BIZARRE
POP
TRIANGLES
402
8.4.
DATA
ERASURE
AND
TOTAL
RECALL
412
8.5.
FADINGOUT
416
9.
LITERATURE
AND
THE
SHIFTING
ECONOMIES
OF
ATTENTION:
POP
AUTHORSHIP
IN
BRET
EASTON
ELLIS
419
9.1.
REMEDIATION,
AUTHORSHIP,
POP
LITERATURE
420
9.2.
LABELING
LESS
THAN
ZERO:
BRAT
PACK
&
MTV
429
9.3.
AMERICAN
PSYCHO:
PROVOCATION,
AFFIRMATION,
POST-SYMBOLIC
WRITING
443
9.4.
LUNAR
PARK
&
BEYOND:
FROM
AUTOFICTION
TO
POST-EMPIRE
TWEETS
463
9.5.
CODA
478
CONCLUSION:
UBIQUITOUS
POP
AND
LITERARY
FUTURES
479
FROM
AESTHETICS
TO
AESTHETICIZATION
(480)
+
MEDIA
INFRASTRUCTURE
&
RESILIENT
LITERATURE
(485)
BIBLIOGRAPHY:
SONIC
FICTIONS
OF
AMERICA
489
PRIMARY
TEXTS
(489)
+
SECONDARY
LITERATURE
(PRINT)
(490)
+
SECONDARY
LITERATURE
(INTERNET
RESOURCES)
(526)
9
|
| adam_txt |
CONTENTS
INTRODUCTION
11
SONIC
INVESTMENTS
(11)
+
THE
RETURN
OF
THE
VOICE
(16)
+
MUSIC:
A
NOUN?
(22)
+
A
SONIC
PUNCTUM
(27)
+
POPULAR
CULTURE,
THE
POPULAR,
AND
POP
(31)
+
LITERATURE
AS
A
SOCIAL
SYSTEM
(35)
+
FROM
PROTO-POP
TO
POP
PROPER:
AN
OUTLINE
(42)
PART
I:
THEORIES
OF
INTERMEDIALITY
1.
LITERATURE
AND
POPULAR
MUSIC:
ASSETS
AND
DRAWBACKS
OF
INTERMEDIAL
SCHOLARSHIP
53
1.1.
STUDYING
MUSICO-LITERARY
INTERMEDIALITY
54
1.2.
INTER-AND/OR
TRANSMEDIALITY
56
1.3.
WERNER
WOLF
AND
THE
TRADITION
OF
INTERMEDIAL
SCHOLARSHIP
62
1.4.
CORRECTIVE
READINGS
I:
COMPOSITIONS,
NOTATIONS,
READABILITY
72
1.5.
CORRECTIVE
READINGS
II:
TRANSMEDIALITY
&
PARALITERATURE
77
1.6.
CORRECTIVE
READINGS
III:
METAPHORICITY
84
1.7.
CORRECTIVE
READINGS
IV:
MEDIA
CHANNELS,
GENERIC
LIMITS
90
2.
MEDIAL
CONSTELLATIONS
&
POPULAR
IRRITATIONS:
A
SYSTEMS
THEORETICAL
READING
OF
INTERMEDIALITY
95
2.1.
LUHMANN
'
S
MEDIA
96
2.2.
ORNAMENTAL
GUIDANCE:
LITERATURE
AS
ART
102
2.3.
ART,
ADVERTISEMENT
&
ENTERTAINMENT
107
2.4.
POPULAR
LITERATURE
113
2.5.
POP
LITERATURE:
INTERMEDIAL
&
TRANSMEDIAL
120
2.6.
MEDIAL
CONSTELLATIONS
132
7
PART
II:
PRE-POP
EXCURSIONS
3.
OPERA
DIPLOMACY:
THE
AUTONOMY
OF
ART
AND
THE
ENIGMA
OF
THE
VOICE
IN
ANN
PATCHETT
'S
BEL
CANTO
135
3.1.
OPERATIC
PRINCIPLES:
POPULARIZING
THE
CLASSIC
PARADIGM
136
3.2.
INTERMEDIALITY
IN
BEL
CANTO
145
3.3.
LANGUAGE
AND/VERSUS
MUSIC
162
3.4.
AESTHETICS:
UTOPIA,
AUTONOMY,
AND
RECONCILIATION
175
4.
DE-ACOUSMATIZATION
AND
SONIC
FIDELITY:
READING
RALPH
ELLISON
'S
INVISIBLE
MAN
AS
JAZZ
PICARESQUE
191
4.1.
HIERARCHY
OF
BLACK
ARTS
192
4.2.
MEDIAL
CONSTELLATIONS
AND
METAPHORS
OF
BELONGING
197
4.3.
GENERIC
AFFINITIES:
JAZZ
PICARESQUE
OR
SYMPHONIC
BILDUNGSROMAN?
218
4.4.
TOWARDS
A
PARTICULAR
UNIVERSALISM
242
PART
III:
POP
FROM
ELVIS
TO
ALTAMONT
5.
POP
PATHOLOGIES
AND
FAKE
AUTHENTICITY:
INTERMEDIAL
STRATEGIES
IN
SHORT
FICTION
BY
JOYCE
CAROL
OATES,
JULIE
HECHT
AND T.C.
BOYLE
247
5.1.
REALIST
ALLEGORIES
OF
POP
DANGER:
J.
C.
OATES
'
S
"
WHERE
ARE
YOU
GOING,
WHERE
HAVE
YOU
BEEN
"
248
5.2.
OBSERVING
FAN
PATHOLOGY:
J.
HECHT
'S
"
I
WANT
YOU
I
NEED
YOU
I
LOVE
YOU
"
267
5.3.
THE
INAUTHENTICITY
OF
PERFORMANCE:
T.C.
BOYLE
'
S
UNDERSTANDING
OF
POP
IN
"
ALL
SHOOK
UP
"
285
6.
PRIMAL
SCREAMS
AND
PRODUCT
PLACEMENTS:
INTERMEDIAL
STRATEGIES
IN
DON
DELILLO
'
S
GREAT
JONES
STREET
301
6.1.
PRODUCT
PLACEMENTS:
SELLING
IMAGES
303
6.2.
SONIC
ARCHITECTURE
320
6.3.
QUASI-RELIGIOUS
EPIPHANIES,
SECRET
RECORDINGS,
LYRICAL
REFLECTIONS
328
6.4.
METAPHORICAL
DEATHS:
GREAT
JONES
STREET
AS
POP
LITERATURE
336
8
PART
IV:
POP
FROM
MTV
TO
MP3
7.
FROM
INTERMEDIAL
REFLEXIVITY
TO
TRANSMEDIAL
AFFECT?
JONATHAN
LETHEM
AS
LITERARY
SEISMOGRAPH
OF
POP
COMMUNICATION
343
7.1.
TUNE
IN
344
7.2.
HEADLOCKED
IN
BROOKLYN:
THE
FORTRESS
OF
SOLITUDE
346
7.3.
RECKLESS
COVERS:
"
THE
NATIONAL
ANTHEM
"
356
7.4.
FROM
COVER
SONGS
TO COPYRIGHTS:
YOU
DON
'
T
LOVE
ME
YET
374
8.
THE
ANALOG
LOYALTIES
OF
IPOD
LITERATURE:
MUSIC,
MEDIA,
MEMORY
IN
ARTHUR
PHILLIPS
'
THE
SONG
IS
YOU
385
8.1.
PROUSTIAN
POP
386
8.2.
MUSIC
THROUGH
THE
AGES
391
8.3.
BIZARRE
POP
TRIANGLES
402
8.4.
DATA
ERASURE
AND
TOTAL
RECALL
412
8.5.
FADINGOUT
416
9.
LITERATURE
AND
THE
SHIFTING
ECONOMIES
OF
ATTENTION:
POP
AUTHORSHIP
IN
BRET
EASTON
ELLIS
419
9.1.
REMEDIATION,
AUTHORSHIP,
POP
LITERATURE
420
9.2.
LABELING
LESS
THAN
ZERO:
BRAT
PACK
&
MTV
429
9.3.
AMERICAN
PSYCHO:
PROVOCATION,
AFFIRMATION,
POST-SYMBOLIC
WRITING
443
9.4.
LUNAR
PARK
&
BEYOND:
FROM
AUTOFICTION
TO
POST-EMPIRE
TWEETS
463
9.5.
CODA
478
CONCLUSION:
UBIQUITOUS
POP
AND
LITERARY
FUTURES
479
FROM
AESTHETICS
TO
AESTHETICIZATION
(480)
+
MEDIA
INFRASTRUCTURE
&
RESILIENT
LITERATURE
(485)
BIBLIOGRAPHY:
SONIC
FICTIONS
OF
AMERICA
489
PRIMARY
TEXTS
(489)
+
SECONDARY
LITERATURE
(PRINT)
(490)
+
SECONDARY
LITERATURE
(INTERNET
RESOURCES)
(526)
9 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Schinko, Carsten |
| author_GND | (DE-588)1248258355 |
| author_facet | Schinko, Carsten |
| author_role | aut |
| author_sort | Schinko, Carsten |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV047590190 |
| classification_rvk | HU 1121 HU 1691 |
| ctrlnum | (OCoLC)1266259677 (DE-599)DNB1239754701 |
| dewey-full | 810.9357 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 810 - American literature in English |
| dewey-raw | 810.9357 |
| dewey-search | 810.9357 |
| dewey-sort | 3810.9357 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1950-2010 gnd |
| era_facet | Geschichte 1950-2010 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047590190 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:35:58Z |
| indexdate | 2024-07-10T09:15:41Z |
| institution | BVB |
| institution_GND | (DE-588)2006799-9 |
| isbn | 9783825348625 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032975375 |
| oclc_num | 1266259677 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-188 DE-11 DE-19 DE-BY-UBM DE-12 DE-29 DE-739 DE-824 DE-20 |
| owner_facet | DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-188 DE-11 DE-19 DE-BY-UBM DE-12 DE-29 DE-739 DE-824 DE-20 |
| physical | 528 Seiten 21 cm x 13.5 cm |
| psigel | BSB_NED_20220118 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Universitätsverlag Winter |
| record_format | marc |
| series | American studies - a monograph series |
| series2 | American studies - a monograph series |
| spelling | Schinko, Carsten Verfasser (DE-588)1248258355 aut Sonic fictions of America literature and popular music in the U.S. 1950-2010 Carsten Schinko Heidelberg Universitätsverlag Winter 2021 528 Seiten 21 cm x 13.5 cm txt rdacontent n rdamedia nc rdacarrier American studies - a monograph series volume 315 Geschichte 1950-2010 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Vertonung (DE-588)4063269-6 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Vertonung (DE-588)4063269-6 s Popmusik (DE-588)4046781-8 s Geschichte 1950-2010 z DE-604 Rezeption (DE-588)4049716-1 s Intermedialität (DE-588)4605581-2 s Carl-Winter-Universitätsverlag (DE-588)2006799-9 pbl Erscheint auch als Online-Ausgabe 978-3-8253-8507-1 American studies - a monograph series volume 315 (DE-604)BV000005812 315 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=98bfe353ecdb49bf873b59f7cf5b2a73&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032975375&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20210825 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Schinko, Carsten Sonic fictions of America literature and popular music in the U.S. 1950-2010 American studies - a monograph series Literatur (DE-588)4035964-5 gnd Vertonung (DE-588)4063269-6 gnd Popmusik (DE-588)4046781-8 gnd Rezeption (DE-588)4049716-1 gnd Intermedialität (DE-588)4605581-2 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4063269-6 (DE-588)4046781-8 (DE-588)4049716-1 (DE-588)4605581-2 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Sonic fictions of America literature and popular music in the U.S. 1950-2010 |
| title_auth | Sonic fictions of America literature and popular music in the U.S. 1950-2010 |
| title_exact_search | Sonic fictions of America literature and popular music in the U.S. 1950-2010 |
| title_exact_search_txtP | Sonic fictions of America literature and popular music in the U.S. 1950-2010 |
| title_full | Sonic fictions of America literature and popular music in the U.S. 1950-2010 Carsten Schinko |
| title_fullStr | Sonic fictions of America literature and popular music in the U.S. 1950-2010 Carsten Schinko |
| title_full_unstemmed | Sonic fictions of America literature and popular music in the U.S. 1950-2010 Carsten Schinko |
| title_short | Sonic fictions of America |
| title_sort | sonic fictions of america literature and popular music in the u s 1950 2010 |
| title_sub | literature and popular music in the U.S. 1950-2010 |
| topic | Literatur (DE-588)4035964-5 gnd Vertonung (DE-588)4063269-6 gnd Popmusik (DE-588)4046781-8 gnd Rezeption (DE-588)4049716-1 gnd Intermedialität (DE-588)4605581-2 gnd |
| topic_facet | Literatur Vertonung Popmusik Rezeption Intermedialität USA Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=98bfe353ecdb49bf873b59f7cf5b2a73&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032975375&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005812 |
| work_keys_str_mv | AT schinkocarsten sonicfictionsofamericaliteratureandpopularmusicintheus19502010 AT carlwinteruniversitatsverlag sonicfictionsofamericaliteratureandpopularmusicintheus19502010 |