Silent films - loud music: new ways of listening to and thinking about silent film music
"Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of cre...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music"-- |
| Beschreibung: | xxii, 223 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 24 cm |
| ISBN: | 9781501366406 9781501369582 |
Internformat
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| 505 | 8 | |a Music for Silent Films : From Synchronicity to Polysynchronicity -- Scores for Silent Film : Then and Now -- Opportunities in Contemporary Scores for Silent Film -- Contemporary Scores for Silent Film : Four Case Studies -- The Application of Polysynchronicity : Five Case Studies -- Jazzin' the Silents : Jazz and Improvised Music in Contemporary Scores for Silent Film -- Imaginary Music : Scores for Modern Silent Films -- Wordless! Music for Comics and Graphic Novels Turns Time into Space (and Back Again) -- Silent Film Composers Speak! | |
| 520 | 3 | |a "Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music"-- | |
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Datensatz im Suchindex
| _version_ | 1804182948977573888 |
|---|---|
| adam_text | Contents List of Illustrations Acknowledgments Prelude x xii xiv 1 2 3 4 5 6 1 27 51 69 105 7 8 9 Music for Silent Films: From Synchronicity to Polysynchronicity Scores for Silent Film: Then and Now Opportunities in Contemporary Scores for Silent Film Contemporary Scores for Silent Film: Four Case Studies The Application of Polysynchronicity: Five Case Studies Jazzin’ the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Imaginary Authenticity: Scores for Modern Silent Films Wordless!: Music for Comics and Graphic Novels Turns Time into Space (and Back Again) Silent Film Composers Speak! Appendix 1: Scores Appendix 2: Contemporary Composer for Silent Film Interview References Index 123 139 161 173 187 198 202 211
|
| adam_txt |
Contents List of Illustrations Acknowledgments Prelude x xii xiv 1 2 3 4 5 6 1 27 51 69 105 7 8 9 Music for Silent Films: From Synchronicity to Polysynchronicity Scores for Silent Film: Then and Now Opportunities in Contemporary Scores for Silent Film Contemporary Scores for Silent Film: Four Case Studies The Application of Polysynchronicity: Five Case Studies Jazzin’ the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Imaginary Authenticity: Scores for Modern Silent Films Wordless!: Music for Comics and Graphic Novels Turns Time into Space (and Back Again) Silent Film Composers Speak! Appendix 1: Scores Appendix 2: Contemporary Composer for Silent Film Interview References Index 123 139 161 173 187 198 202 211 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Johnston, Phillip 1955- |
| author_GND | (DE-588)1240631162 |
| author_facet | Johnston, Phillip 1955- |
| author_role | aut |
| author_sort | Johnston, Phillip 1955- |
| author_variant | p j pj |
| building | Verbundindex |
| bvnumber | BV047589595 |
| classification_rvk | LR 53509 |
| contents | Music for Silent Films : From Synchronicity to Polysynchronicity -- Scores for Silent Film : Then and Now -- Opportunities in Contemporary Scores for Silent Film -- Contemporary Scores for Silent Film : Four Case Studies -- The Application of Polysynchronicity : Five Case Studies -- Jazzin' the Silents : Jazz and Improvised Music in Contemporary Scores for Silent Film -- Imaginary Music : Scores for Modern Silent Films -- Wordless! Music for Comics and Graphic Novels Turns Time into Space (and Back Again) -- Silent Film Composers Speak! |
| ctrlnum | (OCoLC)1285267694 (DE-599)BVBBV047589595 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1890-2020 gnd Geschichte 1890- gnd |
| era_facet | Geschichte 1890-2020 Geschichte 1890- |
| format | Book |
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| id | DE-604.BV047589595 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:35:47Z |
| indexdate | 2024-07-10T09:15:40Z |
| institution | BVB |
| isbn | 9781501366406 9781501369582 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032974794 |
| oclc_num | 1285267694 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xxii, 223 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 24 cm |
| psigel | BSB_NED_20220204 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
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| spelling | Johnston, Phillip 1955- Verfasser (DE-588)1240631162 aut Silent films - loud music new ways of listening to and thinking about silent film music Phillip Johnston London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic [2021] ©2021 xxii, 223 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Music for Silent Films : From Synchronicity to Polysynchronicity -- Scores for Silent Film : Then and Now -- Opportunities in Contemporary Scores for Silent Film -- Contemporary Scores for Silent Film : Four Case Studies -- The Application of Polysynchronicity : Five Case Studies -- Jazzin' the Silents : Jazz and Improvised Music in Contemporary Scores for Silent Film -- Imaginary Music : Scores for Modern Silent Films -- Wordless! Music for Comics and Graphic Novels Turns Time into Space (and Back Again) -- Silent Film Composers Speak! "Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music"-- Geschichte 1890-2020 gnd rswk-swf Geschichte 1890- gnd rswk-swf Stummfilm (DE-588)4058257-7 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Silent film music / History and criticism Silent film music / Analysis, appreciation Silent film music Criticism, interpretation, etc Stummfilm (DE-588)4058257-7 s Filmmusik (DE-588)4017129-2 s Geschichte 1890-2020 z DE-604 Geschichte 1890- z Erscheint auch als Online-Ausgabe 9781501366413 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032974794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Johnston, Phillip 1955- Silent films - loud music new ways of listening to and thinking about silent film music Music for Silent Films : From Synchronicity to Polysynchronicity -- Scores for Silent Film : Then and Now -- Opportunities in Contemporary Scores for Silent Film -- Contemporary Scores for Silent Film : Four Case Studies -- The Application of Polysynchronicity : Five Case Studies -- Jazzin' the Silents : Jazz and Improvised Music in Contemporary Scores for Silent Film -- Imaginary Music : Scores for Modern Silent Films -- Wordless! Music for Comics and Graphic Novels Turns Time into Space (and Back Again) -- Silent Film Composers Speak! Stummfilm (DE-588)4058257-7 gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4058257-7 (DE-588)4017129-2 |
| title | Silent films - loud music new ways of listening to and thinking about silent film music |
| title_auth | Silent films - loud music new ways of listening to and thinking about silent film music |
| title_exact_search | Silent films - loud music new ways of listening to and thinking about silent film music |
| title_exact_search_txtP | Silent films - loud music new ways of listening to and thinking about silent film music |
| title_full | Silent films - loud music new ways of listening to and thinking about silent film music Phillip Johnston |
| title_fullStr | Silent films - loud music new ways of listening to and thinking about silent film music Phillip Johnston |
| title_full_unstemmed | Silent films - loud music new ways of listening to and thinking about silent film music Phillip Johnston |
| title_short | Silent films - loud music |
| title_sort | silent films loud music new ways of listening to and thinking about silent film music |
| title_sub | new ways of listening to and thinking about silent film music |
| topic | Stummfilm (DE-588)4058257-7 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Stummfilm Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032974794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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