Sacred sounds, secular spaces: transforming Catholicism through the music of Third-Republic Paris
"This book is the first comprehensive study that reevaluates music's role in the relationship between the French state and the Catholic Church at the end of the nineteenth century. As the divide between Church and State widened on the political stage, more and more composers began writing...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schriftenreihe: | AMS studies in music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book is the first comprehensive study that reevaluates music's role in the relationship between the French state and the Catholic Church at the end of the nineteenth century. As the divide between Church and State widened on the political stage, more and more composers began writing religious-even liturgical-music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions: a trend that coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike who have long accepted a somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, this book reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary. From the opera house and niche puppet theaters to Parisian parish churches and Montmartre's famed cabarets, composers and critics from opposing ideological factions used music in their effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church"-- |
| Beschreibung: | x, 355 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 25 cm |
| ISBN: | 9780197578056 |
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| 505 | 8 | |a The Catholic Church in Republican Musical Aesthetics -- Pious Puppets and the Limits of Symbolism -- Sincerity and the Limits of Symbolism -- Saint-Eustache : The Republic's Sacred Cathedral -- The Trocadéro : The Republic's Secular Cathedral -- The Republic's Righteous Woman at the Opéra-Comique : Jules Massenet's Grisélidis -- Conclusion -- Appendix A: "Les grands oratorios à l'église Saint-Eustache" : Programs -- Appendix B: Jules Massenet's La Terre promise : Biblical References -- Appendix C: Programs of the Ten concerts officiels at the 1900 Exposition Universelle | |
| 520 | 3 | |a "This book is the first comprehensive study that reevaluates music's role in the relationship between the French state and the Catholic Church at the end of the nineteenth century. As the divide between Church and State widened on the political stage, more and more composers began writing religious-even liturgical-music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions: a trend that coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike who have long accepted a somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, this book reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary. From the opera house and niche puppet theaters to Parisian parish churches and Montmartre's famed cabarets, composers and critics from opposing ideological factions used music in their effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church"-- | |
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Datensatz im Suchindex
| _version_ | 1804182941261103104 |
|---|---|
| adam_text | CONTENTS Acknowledgments ix Introduction 1 The Catholic Church in Republican Musical Aesthetics 2 Pious Puppets and the Limits of Symbolism 3 Sincerity and the Limits of Symbolism 4 Saint-Eustache: The Republic’s Sacred Cathedral 5 The Trocadéro: The Republic’s Secular Cathedral 6 The Repubhc’s Righteous Woman at the Opéra-Comique: Jules Massenet’s Grisêlidis Conclusion Appendix A: “Les grands oratorios à l’église Saint-Eustache”: Programs Appendix B: Jules Massenet’s La Terre promise: Biblical References Appendix C: Programs of the Ten concerts officiels of the 1900 Exposition Universelle de Paris Bibliography Index vii i 23 65 99 133 193 247 292 30$ 309 311 3x9 341
|
| adam_txt |
CONTENTS Acknowledgments ix Introduction 1 The Catholic Church in Republican Musical Aesthetics 2 Pious Puppets and the Limits of Symbolism 3 Sincerity and the Limits of Symbolism 4 Saint-Eustache: The Republic’s Sacred Cathedral 5 The Trocadéro: The Republic’s Secular Cathedral 6 The Repubhc’s Righteous Woman at the Opéra-Comique: Jules Massenet’s Grisêlidis Conclusion Appendix A: “Les grands oratorios à l’église Saint-Eustache”: Programs Appendix B: Jules Massenet’s La Terre promise: Biblical References Appendix C: Programs of the Ten concerts officiels of the 1900 Exposition Universelle de Paris Bibliography Index vii i 23 65 99 133 193 247 292 30$ 309 311 3x9 341 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Walker, Jennifer P. ca. 20./21. Jh |
| author_GND | (DE-588)1218709308 |
| author_facet | Walker, Jennifer P. ca. 20./21. Jh |
| author_role | aut |
| author_sort | Walker, Jennifer P. ca. 20./21. Jh |
| author_variant | j p w jp jpw |
| building | Verbundindex |
| bvnumber | BV047585043 |
| contents | The Catholic Church in Republican Musical Aesthetics -- Pious Puppets and the Limits of Symbolism -- Sincerity and the Limits of Symbolism -- Saint-Eustache : The Republic's Sacred Cathedral -- The Trocadéro : The Republic's Secular Cathedral -- The Republic's Righteous Woman at the Opéra-Comique : Jules Massenet's Grisélidis -- Conclusion -- Appendix A: "Les grands oratorios à l'église Saint-Eustache" : Programs -- Appendix B: Jules Massenet's La Terre promise : Biblical References -- Appendix C: Programs of the Ten concerts officiels at the 1900 Exposition Universelle |
| ctrlnum | (OCoLC)1281370240 (DE-599)BVBBV047585043 |
| era | Geschichte 1870-1940 gnd |
| era_facet | Geschichte 1870-1940 |
| format | Book |
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| geographic | Paris (DE-588)4044660-8 gnd |
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| id | DE-604.BV047585043 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:34:29Z |
| indexdate | 2024-07-10T09:15:33Z |
| institution | BVB |
| isbn | 9780197578056 |
| language | English |
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| physical | x, 355 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 25 cm |
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| spelling | Walker, Jennifer P. ca. 20./21. Jh. Verfasser (DE-588)1218709308 aut Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris Jennifer Walker New York, NY Oxford University Press [2021] © 2021 x, 355 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 25 cm txt rdacontent n rdamedia nc rdacarrier AMS studies in music series The Catholic Church in Republican Musical Aesthetics -- Pious Puppets and the Limits of Symbolism -- Sincerity and the Limits of Symbolism -- Saint-Eustache : The Republic's Sacred Cathedral -- The Trocadéro : The Republic's Secular Cathedral -- The Republic's Righteous Woman at the Opéra-Comique : Jules Massenet's Grisélidis -- Conclusion -- Appendix A: "Les grands oratorios à l'église Saint-Eustache" : Programs -- Appendix B: Jules Massenet's La Terre promise : Biblical References -- Appendix C: Programs of the Ten concerts officiels at the 1900 Exposition Universelle "This book is the first comprehensive study that reevaluates music's role in the relationship between the French state and the Catholic Church at the end of the nineteenth century. As the divide between Church and State widened on the political stage, more and more composers began writing religious-even liturgical-music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions: a trend that coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike who have long accepted a somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, this book reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary. From the opera house and niche puppet theaters to Parisian parish churches and Montmartre's famed cabarets, composers and critics from opposing ideological factions used music in their effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church"-- Katholische Kirche (DE-588)2009545-4 gnd rswk-swf Geschichte 1870-1940 gnd rswk-swf Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Republikanismus (DE-588)4115751-5 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Church music / Catholic Church / 19th century Church music / France / 19th century Sacred music / France / 19th century / History and criticism France / History / Third Republic, 1870-1940 Church music Church music / Catholic Church Sacred music France 1800-1940 Criticism, interpretation, etc History Paris (DE-588)4044660-8 g Republikanismus (DE-588)4115751-5 s Nationalismus (DE-588)4041300-7 s Katholische Kirche (DE-588)2009545-4 b Kirchenmusik (DE-588)4030736-0 s Geschichte 1870-1940 z DE-604 Erscheint auch als Online-Ausgabe 9780197578070 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032970354&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Walker, Jennifer P. ca. 20./21. Jh Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris The Catholic Church in Republican Musical Aesthetics -- Pious Puppets and the Limits of Symbolism -- Sincerity and the Limits of Symbolism -- Saint-Eustache : The Republic's Sacred Cathedral -- The Trocadéro : The Republic's Secular Cathedral -- The Republic's Righteous Woman at the Opéra-Comique : Jules Massenet's Grisélidis -- Conclusion -- Appendix A: "Les grands oratorios à l'église Saint-Eustache" : Programs -- Appendix B: Jules Massenet's La Terre promise : Biblical References -- Appendix C: Programs of the Ten concerts officiels at the 1900 Exposition Universelle Katholische Kirche (DE-588)2009545-4 gnd Kirchenmusik (DE-588)4030736-0 gnd Republikanismus (DE-588)4115751-5 gnd Nationalismus (DE-588)4041300-7 gnd |
| subject_GND | (DE-588)2009545-4 (DE-588)4030736-0 (DE-588)4115751-5 (DE-588)4041300-7 (DE-588)4044660-8 |
| title | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris |
| title_auth | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris |
| title_exact_search | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris |
| title_exact_search_txtP | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris |
| title_full | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris Jennifer Walker |
| title_fullStr | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris Jennifer Walker |
| title_full_unstemmed | Sacred sounds, secular spaces transforming Catholicism through the music of Third-Republic Paris Jennifer Walker |
| title_short | Sacred sounds, secular spaces |
| title_sort | sacred sounds secular spaces transforming catholicism through the music of third republic paris |
| title_sub | transforming Catholicism through the music of Third-Republic Paris |
| topic | Katholische Kirche (DE-588)2009545-4 gnd Kirchenmusik (DE-588)4030736-0 gnd Republikanismus (DE-588)4115751-5 gnd Nationalismus (DE-588)4041300-7 gnd |
| topic_facet | Katholische Kirche Kirchenmusik Republikanismus Nationalismus Paris |
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