English rhythm and blues: where language and music come together
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 140 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 24 cm |
| ISBN: | 9781032037219 |
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| 653 | 0 | |a Blues (Music) / History and criticism | |
| 653 | 0 | |a Musical meter and rhythm | |
| 653 | 0 | |a Blues (Music) | |
| 653 | 0 | |a English language / Rhythm | |
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Datensatz im Suchindex
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| adam_text | Contents Introduction: Is the rhythm of blues the rhythm of English? 0.1 A dual purpose 0.2 The link between English and blues 0.3 The rhythm of English 0.4 The rhythm of blues 0.5 The project 1 1 2 3 4 4 PART I Linguistic rhythm 7 1 In the beginning is the word 1.1 Word stress 1.2 Syllable structure 1.2.1 Nature and representationof syllables 1.2.2 Syllable division 1.2.3 Syllable structure and syllable weight 1.3 The utterance 1.3.1 Monosyllabic word stress 1.3.2 The tonic syllable 1.4 Conclusion 9 9 14 14 15 17 19 19 20 22 2 The rhythm of English 2.1 Introduction 2.2 Rhythm 2.2.1 The notion of rhythm 2.3 Meter 2.3.1 Metric systems 2.3.2 The metrical foot 2.3.3 The English example 2.3.4 Measuring the rhythm 2.3.5 The ideal rhythmic structure 2.3.6 Ordinary speech rhythm 2.3.7 The African influence 24 24 25 25 26 26 28 28 31 32 33 34
viii 3 Contents 2.4 Violations of the principle of rhythmic alternation 2.4.1 Stress clashes 2.4.2 Stress lapses 2.5 Conclusion 35 The music of English 3. Í Introduction 39 35 36 37 39 40 3.2 Specific music 3.2.1 The speech—prosody relationship 3.2.2 The melodic line 3.2.3 Pitch variations 3.2.3.1 Thefalling melody 3.2.3.2 The ruing melody 40 40 41 41 42 3.2.4 The aesthetic point of view 3.3 Alternating heats 3.3.1 The framework 3.3.2 A language made of mixed features 3.3.3 The simultaneity axis 3.4 Intonation choices and values 44 44 44 47 48 49 3.4.1 Intonation choices 3.4.2 The function of intonation 3.4.3 Conclusion 49 50 52 і PART II Blues music 55 4 Origins and definition 57 4.1 Introduction 4.2 Historical background 57 57 4.2.1 Origins 4.2.2 The origin of the word “blues” 4.2.3 The African origins 4.3 The language of the blues 4.3.1 4.3.2 4.3.3 4.3.4 4.3.5 The form of blues The linguistic weight Sentence structure in blues music The themes The double entendre 4.4 The social role of blues 4.4.1 4.4.2 4.4.3 4.4.4 Work Religion Dance Conclusion 57 59 59 60 60 62 63 64 64 66 66 67 68 69
Contents ix 5 The composition of blues 5.1 Introduction 5.2 A brief lesson in music theory 5.2.1 Note values 5.2.2 Time periods 5.2.3 Rests 5.2.4 Tied notes 5.2.5 Dotted notes 5.2.6 The dotted eighth note and sixteenth 5.2.7 The triplet 5.3 Linguistic rhythm and musical rhythm 5.3.1 Linguistic rhythm 5.3.2 Musical rhythm 5.3.3 Setting words to music 5.3.4 The regularity of intervals 5.4 Ternary rhythm 5.4.1 Heart beat and speech rhythm 5.4.2 Binary rhythm and ternaryrhythm 5.4.3 The “notes inégales” 5.5 The syncopated rhythm 5.5.1 Beat and stress alignment 5.5.2 Syncopation 72 72 73 73 73 74 74 74 75 75 76 76 77 77 79 81 81 82 83 84 84 85 6 Restoring the rhythm 6.1 Introduction 6.2 Interpretation 6.2.1 Syncope resolution 6.2.2 The interpretation of stressed syllables 6.3 The rhythm of the melody 6.3.1 Perfect rhythm 6.3.2 Syllable addition 6.3.3 The variations 6.3.4 Sound duration 6.4 Conclusion 87 87 88 88 88 90 90 92 94 96 100 7 The language in relation to blues music 7.1 Introduction 7.2 Similarities and differences between language and music 7.2.1 Language sound references 7.2.2 Rhythmic references 7.2.3 Rhythmic and intonation patterns 7.2.4 The duration of alternatingperiods 7.2.5 The differences 7.2.6 The irregularities 7.2.7 Variable alternation 104 Ì 04 і 04 105 106 108 110 112 113 115
x Contents 7.3 The imprint of the linguistic rhythm of a culture on the rhythm 8 of its music 117 7.3.1 A piece of folk music 7.3.2 The verb sing 117 118 7.4 Conclusion: between invariance anâ variations 120 General conclusion: Linguistic and musical evolution 122 8.1 Change in linguistic competence 123 8.1.1 The beginning 8.1.2 Learning the language 123 123 8.2 From the Negro’s shouts to blues songs 124 8.2.1 8.2.2 8.2.3 8.2.4 The endlessly repeated line A reference rhythm The role played by syncopation Mastering the English language 8.3 Language and blues evolution 8.3.1 8.3.2 8.3.3 8.3.4 References Index The music follows the text Other music forms and songs Words full of energy The soul of a culture 124 124 126 127 127 127 129 130 131 132 135
|
| adam_txt |
Contents Introduction: Is the rhythm of blues the rhythm of English? 0.1 A dual purpose 0.2 The link between English and blues 0.3 The rhythm of English 0.4 The rhythm of blues 0.5 The project 1 1 2 3 4 4 PART I Linguistic rhythm 7 1 In the beginning is the word 1.1 Word stress 1.2 Syllable structure 1.2.1 Nature and representationof syllables 1.2.2 Syllable division 1.2.3 Syllable structure and syllable weight 1.3 The utterance 1.3.1 Monosyllabic word stress 1.3.2 The tonic syllable 1.4 Conclusion 9 9 14 14 15 17 19 19 20 22 2 The rhythm of English 2.1 Introduction 2.2 Rhythm 2.2.1 The notion of rhythm 2.3 Meter 2.3.1 Metric systems 2.3.2 The metrical foot 2.3.3 The English example 2.3.4 Measuring the rhythm 2.3.5 The ideal rhythmic structure 2.3.6 Ordinary speech rhythm 2.3.7 The African influence 24 24 25 25 26 26 28 28 31 32 33 34
viii 3 Contents 2.4 Violations of the principle of rhythmic alternation 2.4.1 Stress clashes 2.4.2 Stress lapses 2.5 Conclusion 35 The music of English 3. Í Introduction 39 35 36 37 39 40 3.2 Specific music 3.2.1 The speech—prosody relationship 3.2.2 The melodic line 3.2.3 Pitch variations 3.2.3.1 Thefalling melody 3.2.3.2 The ruing melody 40 40 41 41 42 3.2.4 The aesthetic point of view 3.3 Alternating heats 3.3.1 The framework 3.3.2 A language made of mixed features 3.3.3 The simultaneity axis 3.4 Intonation choices and values 44 44 44 47 48 49 3.4.1 Intonation choices 3.4.2 The function of intonation 3.4.3 Conclusion 49 50 52 і PART II Blues music 55 4 Origins and definition 57 4.1 Introduction 4.2 Historical background 57 57 4.2.1 Origins 4.2.2 The origin of the word “blues” 4.2.3 The African origins 4.3 The language of the blues 4.3.1 4.3.2 4.3.3 4.3.4 4.3.5 The form of blues The linguistic weight Sentence structure in blues music The themes The double entendre 4.4 The social role of blues 4.4.1 4.4.2 4.4.3 4.4.4 Work Religion Dance Conclusion 57 59 59 60 60 62 63 64 64 66 66 67 68 69
Contents ix 5 The composition of blues 5.1 Introduction 5.2 A brief lesson in music theory 5.2.1 Note values 5.2.2 Time periods 5.2.3 Rests 5.2.4 Tied notes 5.2.5 Dotted notes 5.2.6 The dotted eighth note and sixteenth 5.2.7 The triplet 5.3 Linguistic rhythm and musical rhythm 5.3.1 Linguistic rhythm 5.3.2 Musical rhythm 5.3.3 Setting words to music 5.3.4 The regularity of intervals 5.4 Ternary rhythm 5.4.1 Heart beat and speech rhythm 5.4.2 Binary rhythm and ternaryrhythm 5.4.3 The “notes inégales” 5.5 The syncopated rhythm 5.5.1 Beat and stress alignment 5.5.2 Syncopation 72 72 73 73 73 74 74 74 75 75 76 76 77 77 79 81 81 82 83 84 84 85 6 Restoring the rhythm 6.1 Introduction 6.2 Interpretation 6.2.1 Syncope resolution 6.2.2 The interpretation of stressed syllables 6.3 The rhythm of the melody 6.3.1 Perfect rhythm 6.3.2 Syllable addition 6.3.3 The variations 6.3.4 Sound duration 6.4 Conclusion 87 87 88 88 88 90 90 92 94 96 100 7 The language in relation to blues music 7.1 Introduction 7.2 Similarities and differences between language and music 7.2.1 Language sound references 7.2.2 Rhythmic references 7.2.3 Rhythmic and intonation patterns 7.2.4 The duration of alternatingperiods 7.2.5 The differences 7.2.6 The irregularities 7.2.7 Variable alternation 104 Ì 04 і 04 105 106 108 110 112 113 115
x Contents 7.3 The imprint of the linguistic rhythm of a culture on the rhythm 8 of its music 117 7.3.1 A piece of folk music 7.3.2 The verb sing 117 118 7.4 Conclusion: between invariance anâ variations 120 General conclusion: Linguistic and musical evolution 122 8.1 Change in linguistic competence 123 8.1.1 The beginning 8.1.2 Learning the language 123 123 8.2 From the Negro’s shouts to blues songs 124 8.2.1 8.2.2 8.2.3 8.2.4 The endlessly repeated line A reference rhythm The role played by syncopation Mastering the English language 8.3 Language and blues evolution 8.3.1 8.3.2 8.3.3 8.3.4 References Index The music follows the text Other music forms and songs Words full of energy The soul of a culture 124 124 126 127 127 127 129 130 131 132 135 |
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| spelling | Larroque, Patrice Verfasser (DE-588)1247736539 aut English rhythm and blues where language and music come together Patrice Paul Larroque London ; New York Routledge 2021 X, 140 Seiten Illustrationen, Notenbeispiele (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Satzmelodie (DE-588)4179182-4 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Wort-Ton-Verhältnis (DE-588)7504909-0 gnd rswk-swf English language / Rhythm Blues (Music) / History and criticism Musical meter and rhythm Blues (Music) Criticism, interpretation, etc Englisch (DE-588)4014777-0 s Rhythmus (DE-588)4132330-0 s Satzmelodie (DE-588)4179182-4 s Wort-Ton-Verhältnis (DE-588)7504909-0 s DE-604 Erscheint auch als Online-Ausgabe 9781000440119 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032968828&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Larroque, Patrice English rhythm and blues where language and music come together Satzmelodie (DE-588)4179182-4 gnd Rhythmus (DE-588)4132330-0 gnd Englisch (DE-588)4014777-0 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd |
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| title_auth | English rhythm and blues where language and music come together |
| title_exact_search | English rhythm and blues where language and music come together |
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| title_full | English rhythm and blues where language and music come together Patrice Paul Larroque |
| title_fullStr | English rhythm and blues where language and music come together Patrice Paul Larroque |
| title_full_unstemmed | English rhythm and blues where language and music come together Patrice Paul Larroque |
| title_short | English rhythm and blues |
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| title_sub | where language and music come together |
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