Stage Irish: performance, identity, cultural circulation
"Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing ‘Irishness’ from a twenty-first-century vantage. The time is ripe for such a...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Trier
WVT Wissenschaftlicher Verlag Trier
[2021]
|
| Schriftenreihe: | Irish Studies in Europe
volume 10 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing ‘Irishness’ from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how ‘Irishness’ has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and cliché, cultural production and negotiated reception." |
| Beschreibung: | 270 Seiten Illustrationen 225 cm x 155 cm, 511 g |
| ISBN: | 9783868219197 3868219196 |
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| 520 | 3 | |a "Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing ‘Irishness’ from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how ‘Irishness’ has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and cliché, cultural production and negotiated reception." | |
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Datensatz im Suchindex
| _version_ | 1825223147096375296 |
|---|---|
| adam_text |
C
ONTENTS
A
CKNOWLEDGMENTS
.
IX
PAUL
FAGAN,
DIETER
FUCHS,
TAMARA
RADAK
(UNIVERSITY
OF
VIENNA/SALZBURG
UNIVERSITY)
I
NTRODUCTION
:
T
RANSCULTURAL
R
EFRACTIONS
AND
R
ECEPTIONS
OF
I
RISHNESS
ON
P
AGE
,
S
TAGE
,
AND
S
CREEN
.
1
WHAT
ISH
MY
NATION?
CONSTRUCTING
IRISHNESS
FROM
ROMANTICISM
TO
MODERNISM
PAUL
FAGAN
(SALZBURG
UNIVERSITY)
G
ROVES
OF
B
LARNEY
:
F
AKE
S
ONGS
,
M
OCK
-H
OAXES
,
AND
S
TAGE
I
RISH
I
DENTITY
IN
W
ILLIAM
M
AGINN
AND
F
RANCIS
S
YLVESTER
M
AHONY
.
25
MARGUERITE
CORPORAAL
(RADBOUD
UNIVERSITY)
S
TAGING
I
RISHNESS
IN
THE
T
RANSNATIONAL
M
ARKETING
OF
L
OCAL
C
OLOUR
F
ICTION
.
45
ELKE
D'HOKER(K\J
LEUVEN)
S
TAGING
I
RISHNESS
IN
E
THEL
C
OLBURN
M
AYNE
'
S
"
T
HE
H
APPY
D
AY
"
.
61
RICHARD
BARLOW
(NANYANG
TECHNOLOGICAL
UNIVERSITY,
SINGAPORE)
D
ION
B
OUCICAULT
,
A
RRAH
-
NA
-P
OGUE
,
AND
S
TAGE
I
RISHRY
IN
F
INNEGANS
W
AKE
.
73
S
PECIAL
F
ORUM
(
CO
-
EDITED
WITH
I
GOR
M
AVER
)
EXPATRIATE
PERSPECTIVES:
STAGING
IRISHNESS
IN
VIENNA,
TRIESTE,
AND
LJUBLJANA
DIETER
FUCHS
(UNIVERSITY
OF
VIENNA)
A
USTRIA
AND
THE
I
RISH
P
ADDY
:
S
E
A
N
O
'
C
ASEY
'
S
J
UNO
AND
THE
P
AYCOCK
S
TAGED
IN
1930
AND
1934
V
IENNA
.
89
ELISABETTA
DERME
(TRIESTE)
"
A
ND
T
RIESTE
,
AH
T
RIESTE
.
.
S
TAGE
A
SCENDANCY
AND
C
HARLES
L
EVER
'
S
I
RISH
C
HARACTERS
.
107
IGOR
MAVER
(UNIVERSITY
OF
LJUBLJANA)
J
AMES
J
OYCE
AND
THE
S
LOVENIANS
:
A
UTO
-
AND
H
ETERO
-S
TEREOTYPES
.
123
POPULAR
PADDIES:
PARADING
IRISHNESS
ON
THE
SCREEN
AND
IN
THE
STREETS
MICHAEL
CONNERTY
(NATIONAL
FILM
SCHOOL
AT
IADT
DUBLIN)
"B
EGUILING
S
HENANIGANS
"
:
I
RELAND
AND
H
OLLYWOOD
A
NIMATION
1947-1959
.
135
MICHELLE
WITEN
(UNIVERSITY
OF
FLENSBURG)
O
BJECT
L
ESSONS
AND
S
TAGED
I
RISHNESS
IN
D
ARBY
O
'
G
ILL
AND
THE
L
ITTLE
P
EOPLE
.
149
EIMER
MURPHY
(ABBEY
THEATRE)
'
W
EAR
S
OMETHING
G
REEN
'
:
T
HE
R
E
-I
NVENTION
OF
THE
S
T
.
P
ATRICK
'
S
D
AY
P
ARADE
.
171
C
OLOUR
S
UPPLEMENT
.
187
VERONICA
MEMBRIVE
(UNIVERSITY
OF
ALMERIA)
D
ECONSTRUCTING
S
TEREOTYPES
AND
O
THERING
T
HROUGH
H
UMOUR
IN
L
ISA
M
C
G
EE
'
S
D
ERRY
G
IRLS
.
193
POLITICAL
THEATRE:
RENEGOTIATING
IRISHNESS
ON
THE
TWENTY-FIRST-CENTURY
STAGE
ANNE
FOGARTY
(UNIVERSITY
COLLEGE
DUBLIN)
R
ECONFIGURATIONS
OF
G
ENDER
IN
C
ONTEMPORARY
I
RISH
S
TAGE
A
DAPTATIONS
,
2019-2020:
D
EIRDRE
K
INAHAN
'
S
T
HE
U
NMANAGEABLE
S
ISTERS
,
E
DNA
O
'
B
RIEN
'
S
T
HE
C
OUNTRY
G
IRLS
,
M
ARINA
C
ARR
'
S
H
ECUBA
,
AND
M
ICHAEL
W
EST
'
S
S
OLAR
B
ONES
.
209
CLARE
WALLACE
(CHARLES
UNIVERSITY
PRAGUE)
S
ET
P
IECE
,
S
ET
P
EACE
?
N
EGATIVE
E
MOTIONS
AND
THE
P
OSSIBILITY
OF
C
HANGE
IN
R
ECENT
S
TAGE
I
MAGES
OF
THE
N
ORTH
.
227
NATASHA
REMOUNDOU
(DEREE,
THE
AMERICAN
COLLEGE
OF
GREECE)
R
EGARDING
THE
R
IGHTS
OF
O
THERS
:
S
PECTRES
OF
THE
M
IDDLE
E
AST
IN
C
ONALL
M
ORRISON
'
S
T
HE
B
ACCHAE
OF
B
AGHDAD
.
241
L
IST
OF
C
ONTRIBUTORS
.
267 |
| adam_txt |
C
ONTENTS
A
CKNOWLEDGMENTS
.
IX
PAUL
FAGAN,
DIETER
FUCHS,
TAMARA
RADAK
(UNIVERSITY
OF
VIENNA/SALZBURG
UNIVERSITY)
I
NTRODUCTION
:
T
RANSCULTURAL
R
EFRACTIONS
AND
R
ECEPTIONS
OF
I
RISHNESS
ON
P
AGE
,
S
TAGE
,
AND
S
CREEN
.
1
WHAT
ISH
MY
NATION?
CONSTRUCTING
IRISHNESS
FROM
ROMANTICISM
TO
MODERNISM
PAUL
FAGAN
(SALZBURG
UNIVERSITY)
G
ROVES
OF
B
LARNEY
:
F
AKE
S
ONGS
,
M
OCK
-H
OAXES
,
AND
S
TAGE
I
RISH
I
DENTITY
IN
W
ILLIAM
M
AGINN
AND
F
RANCIS
S
YLVESTER
M
AHONY
.
25
MARGUERITE
CORPORAAL
(RADBOUD
UNIVERSITY)
S
TAGING
I
RISHNESS
IN
THE
T
RANSNATIONAL
M
ARKETING
OF
L
OCAL
C
OLOUR
F
ICTION
.
45
ELKE
D'HOKER(K\J
LEUVEN)
S
TAGING
I
RISHNESS
IN
E
THEL
C
OLBURN
M
AYNE
'
S
"
T
HE
H
APPY
D
AY
"
.
61
RICHARD
BARLOW
(NANYANG
TECHNOLOGICAL
UNIVERSITY,
SINGAPORE)
D
ION
B
OUCICAULT
,
A
RRAH
-
NA
-P
OGUE
,
AND
S
TAGE
I
RISHRY
IN
F
INNEGANS
W
AKE
.
73
S
PECIAL
F
ORUM
(
CO
-
EDITED
WITH
I
GOR
M
AVER
)
EXPATRIATE
PERSPECTIVES:
STAGING
IRISHNESS
IN
VIENNA,
TRIESTE,
AND
LJUBLJANA
DIETER
FUCHS
(UNIVERSITY
OF
VIENNA)
A
USTRIA
AND
THE
I
RISH
P
ADDY
:
S
E
A
N
O
'
C
ASEY
'
S
J
UNO
AND
THE
P
AYCOCK
S
TAGED
IN
1930
AND
1934
V
IENNA
.
89
ELISABETTA
DERME
(TRIESTE)
"
A
ND
T
RIESTE
,
AH
T
RIESTE
.
.
S
TAGE
A
SCENDANCY
AND
C
HARLES
L
EVER
'
S
I
RISH
C
HARACTERS
.
107
IGOR
MAVER
(UNIVERSITY
OF
LJUBLJANA)
J
AMES
J
OYCE
AND
THE
S
LOVENIANS
:
A
UTO
-
AND
H
ETERO
-S
TEREOTYPES
.
123
POPULAR
PADDIES:
PARADING
IRISHNESS
ON
THE
SCREEN
AND
IN
THE
STREETS
MICHAEL
CONNERTY
(NATIONAL
FILM
SCHOOL
AT
IADT
DUBLIN)
"B
EGUILING
S
HENANIGANS
"
:
I
RELAND
AND
H
OLLYWOOD
A
NIMATION
1947-1959
.
135
MICHELLE
WITEN
(UNIVERSITY
OF
FLENSBURG)
O
BJECT
L
ESSONS
AND
S
TAGED
I
RISHNESS
IN
D
ARBY
O
'
G
ILL
AND
THE
L
ITTLE
P
EOPLE
.
149
EIMER
MURPHY
(ABBEY
THEATRE)
'
W
EAR
S
OMETHING
G
REEN
'
:
T
HE
R
E
-I
NVENTION
OF
THE
S
T
.
P
ATRICK
'
S
D
AY
P
ARADE
.
171
C
OLOUR
S
UPPLEMENT
.
187
VERONICA
MEMBRIVE
(UNIVERSITY
OF
ALMERIA)
D
ECONSTRUCTING
S
TEREOTYPES
AND
O
THERING
T
HROUGH
H
UMOUR
IN
L
ISA
M
C
G
EE
'
S
D
ERRY
G
IRLS
.
193
POLITICAL
THEATRE:
RENEGOTIATING
IRISHNESS
ON
THE
TWENTY-FIRST-CENTURY
STAGE
ANNE
FOGARTY
(UNIVERSITY
COLLEGE
DUBLIN)
R
ECONFIGURATIONS
OF
G
ENDER
IN
C
ONTEMPORARY
I
RISH
S
TAGE
A
DAPTATIONS
,
2019-2020:
D
EIRDRE
K
INAHAN
'
S
T
HE
U
NMANAGEABLE
S
ISTERS
,
E
DNA
O
'
B
RIEN
'
S
T
HE
C
OUNTRY
G
IRLS
,
M
ARINA
C
ARR
'
S
H
ECUBA
,
AND
M
ICHAEL
W
EST
'
S
S
OLAR
B
ONES
.
209
CLARE
WALLACE
(CHARLES
UNIVERSITY
PRAGUE)
S
ET
P
IECE
,
S
ET
P
EACE
?
N
EGATIVE
E
MOTIONS
AND
THE
P
OSSIBILITY
OF
C
HANGE
IN
R
ECENT
S
TAGE
I
MAGES
OF
THE
N
ORTH
.
227
NATASHA
REMOUNDOU
(DEREE,
THE
AMERICAN
COLLEGE
OF
GREECE)
R
EGARDING
THE
R
IGHTS
OF
O
THERS
:
S
PECTRES
OF
THE
M
IDDLE
E
AST
IN
C
ONALL
M
ORRISON
'
S
T
HE
B
ACCHAE
OF
B
AGHDAD
.
241
L
IST
OF
C
ONTRIBUTORS
.
267 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Fagan, Paul Fuchs, Dieter 1971- Radak, Tamara |
| author2_role | edt edt edt |
| author2_variant | p f pf d f df t r tr |
| author_GND | (DE-588)1227232772 (DE-588)129920762 (DE-588)1249515823 |
| author_facet | Fagan, Paul Fuchs, Dieter 1971- Radak, Tamara |
| building | Verbundindex |
| bvnumber | BV047583379 |
| classification_rvk | HG 290 LB 52200 LB 57200 |
| ctrlnum | (OCoLC)1286874248 (DE-599)DNB1240330073 |
| discipline | Anglistik / Amerikanistik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| discipline_str_mv | Anglistik / Amerikanistik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2019 Ljubljana gnd-content |
| genre_facet | Aufsatzsammlung Konferenzschrift 2019 Ljubljana |
| id | DE-604.BV047583379 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:33:55Z |
| indexdate | 2025-02-27T15:00:36Z |
| institution | BVB |
| institution_GND | (DE-588)1065707533 |
| isbn | 9783868219197 3868219196 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032968722 |
| oclc_num | 1286874248 |
| open_access_boolean | |
| owner | DE-20 DE-11 DE-739 DE-355 DE-BY-UBR |
| owner_facet | DE-20 DE-11 DE-739 DE-355 DE-BY-UBR |
| physical | 270 Seiten Illustrationen 225 cm x 155 cm, 511 g |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | WVT Wissenschaftlicher Verlag Trier |
| record_format | marc |
| series | Irish Studies in Europe |
| series2 | Irish Studies in Europe |
| spelling | Stage Irish performance, identity, cultural circulation Paul Fagan, Dieter Fuchs, Tamara Radak (eds.) Trier WVT Wissenschaftlicher Verlag Trier [2021] © 2021 270 Seiten Illustrationen 225 cm x 155 cm, 511 g txt rdacontent sti rdacontent n rdamedia nc rdacarrier Irish Studies in Europe volume 10 "Stage Irish: Performance, Identity, Cultural Circulation brings together chapters which revisit and reconsider diverse modes of (mis)representing, performing, articulating, witnessing, constructing, and deconstructing ‘Irishness’ from a twenty-first-century vantage. The time is ripe for such an inquiry. The Celtic Tiger and Brexit, the Marriage Equality referendum and the #Repealthe8th and #WakingTheFeminists campaigns compel us to turn to history and representation (in literature, drama, art, music, film, television, non-fiction, popular, and digital culture) to reassess how ‘Irishness’ has been shaped and reshaped through parochial, national, and international performances and gazes as a variously class-coded, gendered, sexual, religious, national, and artistic identity. This focus on the cultural, societal, historical, and political interfaces between performance, performativity, spectatorship, and identity in diverse Irish and international contexts reveals tensions between self-image and Othering, innovation and cliché, cultural production and negotiated reception." Fremdbild (DE-588)4127240-7 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Iren Motiv (DE-588)4212213-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Stereotyp (DE-588)4057329-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Finnegans Wake Derry Girls Darby O'Gill and the little People Stage Irish Irishness Ireland Joyce, James St. Patrick's Day The Bacchae of Baghdad (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2019 Ljubljana gnd-content Iren Motiv (DE-588)4212213-2 s Theater (DE-588)4059702-7 s Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Stereotyp (DE-588)4057329-1 s Fremdbild (DE-588)4127240-7 s Identität (DE-588)4026482-8 s DE-604 Fagan, Paul (DE-588)1227232772 edt Fuchs, Dieter 1971- (DE-588)129920762 edt Radak, Tamara (DE-588)1249515823 edt Dr. Erwin Otto u. WVT Wissenschaftl. Vlg Trier (DE-588)1065707533 pbl Irish Studies in Europe volume 10 (DE-604)BV035156400 10 https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV047583379.pdf Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032968722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20210901 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Stage Irish performance, identity, cultural circulation Irish Studies in Europe Fremdbild (DE-588)4127240-7 gnd Identität (DE-588)4026482-8 gnd Iren Motiv (DE-588)4212213-2 gnd Film (DE-588)4017102-4 gnd Theater (DE-588)4059702-7 gnd Stereotyp (DE-588)4057329-1 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4127240-7 (DE-588)4026482-8 (DE-588)4212213-2 (DE-588)4017102-4 (DE-588)4059702-7 (DE-588)4057329-1 (DE-588)4035964-5 (DE-588)4143413-4 (DE-588)1071861417 |
| title | Stage Irish performance, identity, cultural circulation |
| title_auth | Stage Irish performance, identity, cultural circulation |
| title_exact_search | Stage Irish performance, identity, cultural circulation |
| title_exact_search_txtP | Stage Irish performance, identity, cultural circulation |
| title_full | Stage Irish performance, identity, cultural circulation Paul Fagan, Dieter Fuchs, Tamara Radak (eds.) |
| title_fullStr | Stage Irish performance, identity, cultural circulation Paul Fagan, Dieter Fuchs, Tamara Radak (eds.) |
| title_full_unstemmed | Stage Irish performance, identity, cultural circulation Paul Fagan, Dieter Fuchs, Tamara Radak (eds.) |
| title_short | Stage Irish |
| title_sort | stage irish performance identity cultural circulation |
| title_sub | performance, identity, cultural circulation |
| topic | Fremdbild (DE-588)4127240-7 gnd Identität (DE-588)4026482-8 gnd Iren Motiv (DE-588)4212213-2 gnd Film (DE-588)4017102-4 gnd Theater (DE-588)4059702-7 gnd Stereotyp (DE-588)4057329-1 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Fremdbild Identität Iren Motiv Film Theater Stereotyp Literatur Aufsatzsammlung Konferenzschrift 2019 Ljubljana |
| url | https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV047583379.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032968722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035156400 |
| work_keys_str_mv | AT faganpaul stageirishperformanceidentityculturalcirculation AT fuchsdieter stageirishperformanceidentityculturalcirculation AT radaktamara stageirishperformanceidentityculturalcirculation AT drerwinottouwvtwissenschaftlvlgtrier stageirishperformanceidentityculturalcirculation |
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Inhaltsverzeichnis