Rereading Abstract Expressionism, Clement Greenberg and the Cold War:
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2022
|
| Schlagworte: | |
| Zusammenfassung: | Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them |
| Beschreibung: | Hervorgegangen aus der PhD Thesis mit dem Titel: "Eyes in the Heat: The Question Concerning Abstract Expressionism" (Centre for Cultural Studies, Goldsmiths, University of London, 2018) |
| Beschreibung: | viii, 227 Seiten 24 cm |
| ISBN: | 9781501358388 1501358383 |
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| contents | Intro -- Half-Title -- Title -- Contents -- Acknowledgements -- List of Abbreviations -- Introduction -- 1 Greenberg's Trotskyism -- 2 Figuring negation -- 3 Making things of which we know not what they are -- 4 Greenberg's Kantianism contra Greenberg's positivism -- 5 The silent world of the sensible -- 6 Denunciation and anticipation -- Epilogue -- Notes -- Bibliography -- Index -- Copyright |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:32:54Z |
| indexdate | 2025-01-30T17:03:10Z |
| institution | BVB |
| isbn | 9781501358388 1501358383 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032964588 |
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| spelling | Neofetou, Daniel Verfasser (DE-588)1246843501 aut Eyes in the heat Rereading Abstract Expressionism, Clement Greenberg and the Cold War Daniel Neofetou Rereading Abstract Expressionism New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2022 viii, 227 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Hervorgegangen aus der PhD Thesis mit dem Titel: "Eyes in the Heat: The Question Concerning Abstract Expressionism" (Centre for Cultural Studies, Goldsmiths, University of London, 2018) Dissertation Goldsmiths, University of London 2018 überarbeitet Intro -- Half-Title -- Title -- Contents -- Acknowledgements -- List of Abbreviations -- Introduction -- 1 Greenberg's Trotskyism -- 2 Figuring negation -- 3 Making things of which we know not what they are -- 4 Greenberg's Kantianism contra Greenberg's positivism -- 5 The silent world of the sensible -- 6 Denunciation and anticipation -- Epilogue -- Notes -- Bibliography -- Index -- Copyright Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them Kant, Immanuel 1724-1804 (DE-588)118559796 gnd rswk-swf Greenberg, Clement 1909-1994 (DE-588)118718606 gnd rswk-swf Ost-West-Konflikt (DE-588)4075770-5 gnd rswk-swf Positivismus (DE-588)4138026-5 gnd rswk-swf Trotzkismus (DE-588)4061029-9 gnd rswk-swf Abstrakter Expressionismus (DE-588)4141157-2 gnd rswk-swf Greenberg, Clement / 1909-1994 Art criticism Abstract expressionism (DE-588)4113937-9 Hochschulschrift gnd-content Greenberg, Clement 1909-1994 (DE-588)118718606 p DE-604 Abstrakter Expressionismus (DE-588)4141157-2 s Trotzkismus (DE-588)4061029-9 s Positivismus (DE-588)4138026-5 s Ost-West-Konflikt (DE-588)4075770-5 s Kant, Immanuel 1724-1804 (DE-588)118559796 p Erscheint auch als Online-Ausgabe, PDF 978-1-5013-5840-1 Erscheint auch als Online-Ausgabe 978-1-5013-5839-5 |
| spellingShingle | Neofetou, Daniel Rereading Abstract Expressionism, Clement Greenberg and the Cold War Intro -- Half-Title -- Title -- Contents -- Acknowledgements -- List of Abbreviations -- Introduction -- 1 Greenberg's Trotskyism -- 2 Figuring negation -- 3 Making things of which we know not what they are -- 4 Greenberg's Kantianism contra Greenberg's positivism -- 5 The silent world of the sensible -- 6 Denunciation and anticipation -- Epilogue -- Notes -- Bibliography -- Index -- Copyright Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Positivismus (DE-588)4138026-5 gnd Trotzkismus (DE-588)4061029-9 gnd Abstrakter Expressionismus (DE-588)4141157-2 gnd |
| subject_GND | (DE-588)118559796 (DE-588)118718606 (DE-588)4075770-5 (DE-588)4138026-5 (DE-588)4061029-9 (DE-588)4141157-2 (DE-588)4113937-9 |
| title | Rereading Abstract Expressionism, Clement Greenberg and the Cold War |
| title_alt | Eyes in the heat Rereading Abstract Expressionism |
| title_auth | Rereading Abstract Expressionism, Clement Greenberg and the Cold War |
| title_exact_search | Rereading Abstract Expressionism, Clement Greenberg and the Cold War |
| title_exact_search_txtP | Rereading Abstract Expressionism, Clement Greenberg and the Cold War |
| title_full | Rereading Abstract Expressionism, Clement Greenberg and the Cold War Daniel Neofetou |
| title_fullStr | Rereading Abstract Expressionism, Clement Greenberg and the Cold War Daniel Neofetou |
| title_full_unstemmed | Rereading Abstract Expressionism, Clement Greenberg and the Cold War Daniel Neofetou |
| title_short | Rereading Abstract Expressionism, Clement Greenberg and the Cold War |
| title_sort | rereading abstract expressionism clement greenberg and the cold war |
| topic | Kant, Immanuel 1724-1804 (DE-588)118559796 gnd Greenberg, Clement 1909-1994 (DE-588)118718606 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Positivismus (DE-588)4138026-5 gnd Trotzkismus (DE-588)4061029-9 gnd Abstrakter Expressionismus (DE-588)4141157-2 gnd |
| topic_facet | Kant, Immanuel 1724-1804 Greenberg, Clement 1909-1994 Ost-West-Konflikt Positivismus Trotzkismus Abstrakter Expressionismus Hochschulschrift |
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