Composing audiovisually: perspectives on audiovisual practices and relationships
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2022]
|
| Schriftenreihe: | Sound design
A Focal Press book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 216 Seiten Diagramme |
| ISBN: | 9780367346911 9780367346928 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of illustrations Introduction xi 1 SECTION 1 Thinking audiovisually 9 1 Discourse on audiovisual experience 12 2 Analysis of questionnaire results 30 3 Defining transperceptual attention 47 Coda ֊ some terminology for transperceptual attention 64 SECTION 2 Composing audiovisually 67 4 The elements of audiovisual composition 75 5 Teaching audiovisually 88 SECTION 3 Analysing audiovisually 109 Case Study 1 For.Tashi 117 Case Study 2 Cinechine 126 Case Study 3 Pebbles 141
x Contents Case Study 4 Hitchcock Etudes 150 Case Study 5 Close to be Close to Me 163 Case Study 6 A Love Story 168 Case Study 7 Open Air 178 Reflections 189 Epilogue —final reflections Bibliography Index 195 201 211
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offers possible starting points för future, genuinely transdisciplinary thinking in the field. Louise Harris is an audiovisual composer and Senior Lecturer in Sonic and Audiovisual Practices at the University of Glasgow. In her creative work, she specialises in the creation and exploration of audiovisual relationships utilising etectronic music, recorded sound and computer-generated visual environments in fixed media, performance and large-scale installation contexts.
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| adam_txt |
Contents List of illustrations Introduction xi 1 SECTION 1 Thinking audiovisually 9 1 Discourse on audiovisual experience 12 2 Analysis of questionnaire results 30 3 Defining transperceptual attention 47 Coda ֊ some terminology for transperceptual attention 64 SECTION 2 Composing audiovisually 67 4 The elements of audiovisual composition 75 5 Teaching audiovisually 88 SECTION 3 Analysing audiovisually 109 Case Study 1 For.Tashi 117 Case Study 2 Cinechine 126 Case Study 3 Pebbles 141
x Contents Case Study 4 Hitchcock Etudes 150 Case Study 5 Close to be Close to Me 163 Case Study 6 A Love Story 168 Case Study 7 Open Air 178 Reflections 189 Epilogue —final reflections Bibliography Index 195 201 211
What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offers possible starting points för future, genuinely transdisciplinary thinking in the field. Louise Harris is an audiovisual composer and Senior Lecturer in Sonic and Audiovisual Practices at the University of Glasgow. In her creative work, she specialises in the creation and exploration of audiovisual relationships utilising etectronic music, recorded sound and computer-generated visual environments in fixed media, performance and large-scale installation contexts. |
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| spelling | Harris, Louise Verfasser (DE-588)1246999382 aut Composing audiovisually perspectives on audiovisual practices and relationships Louise Harris London ; New York Routledge, Taylor & Francis Group [2022] x, 216 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Sound design A Focal Press book Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 s DE-604 Erscheint auch als Online-Ausgabe 978-0-429-32717-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032963389&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032963389&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Composing audiovisually perspectives on audiovisual practices and relationships |
| title_auth | Composing audiovisually perspectives on audiovisual practices and relationships |
| title_exact_search | Composing audiovisually perspectives on audiovisual practices and relationships |
| title_exact_search_txtP | Composing audiovisually perspectives on audiovisual practices and relationships |
| title_full | Composing audiovisually perspectives on audiovisual practices and relationships Louise Harris |
| title_fullStr | Composing audiovisually perspectives on audiovisual practices and relationships Louise Harris |
| title_full_unstemmed | Composing audiovisually perspectives on audiovisual practices and relationships Louise Harris |
| title_short | Composing audiovisually |
| title_sort | composing audiovisually perspectives on audiovisual practices and relationships |
| title_sub | perspectives on audiovisual practices and relationships |
| topic | Audiovisuelle Medien (DE-588)4068939-6 gnd |
| topic_facet | Audiovisuelle Medien |
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