All future plunges to the past: James Joyce in Russian literature
"Examines Russian literary responses to James Joyce through a series of case studies: the novels of Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin. It considers their intertextual relationships to Joyce, their contexts, and Joyce's shifting role in Russia...
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| Format: | Buch |
| Sprache: | English |
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Ithaca, New York
Northern Illinois University Press, an imprint of Cornell University Press
2021
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| Schriftenreihe: | NIU series in Slavic, East European, and Eurasian studies
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | "Examines Russian literary responses to James Joyce through a series of case studies: the novels of Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin. It considers their intertextual relationships to Joyce, their contexts, and Joyce's shifting role in Russia from 1927 to the present day"-- |
| Beschreibung: | Literaturverzeichnis Seite 229-246 |
| Beschreibung: | xiii, 254 Seiten 24 cm |
| ISBN: | 9781501759901 |
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| 505 | 8 | |a Introduction: how Joyce was read in Russia -- Yury Olesha: an envy for world culture -- Vladimir Nabokov: translating the ghosts of the past -- Andrei Bitov: in search of lost fathers -- Sasha Sokolov: "Here Comes Everybody" meets "Those Who -- Came" -- Mikhail Shishkin: border crossings -- Conclusion: how Joyce is read in Russia | |
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| adam_text | Contents Acknowledgments ix Note on Transliteration and Translations xiii Introduction: How Joyce Was Read in Russia 1 1. Yury Olesha: An Envy for World Culture 15 2. Vladimir Nabokov: Translating the Ghosts of the Past 42 3. Andrei Bitov: In Search of Lost Fathers 73 4. Sasha Sokolov: Here Comes Everybody” Meets Those Who Came 107 5. Mikhail Shishkin: Border Crossings 140 Conclusion: How Joyce Is Read in Russia 172 Notes 197 Bibliography Index 247 229
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I N DEX Acmeism, 74 Adam and Eve, 151, 163, 165, 166, 1166 Adamovich, Georgy, 46-47,205n21 Akhmatova, Anna, 74, 165, 215nl26 Alexandrov, Vladimir E., 205nl8 Amursky, Vitaly, 77 Anderson, Sherwood, 77, 78, 109 Anuchin, Dmitry, 215ПІ22 anxiety: dispelled, 120,126-27,166; and dispossession, 28-29, 58; and father-son consubstantiation, 37-38, 45-46, 49, 69, 88, 145, 168-69; of influence, 5, 6-8, 76-77, 80, 109, 189-90, 193, 213n68. See abo belatedness Arkhipova, Anna, 145 Artaxerxes II, 157-58 artistic mastery: vs. artist s life, 65-66; distortions of, 62-64; and influences, 76-77; and past/reality, 55, 67-68, 97-98, 165-67, 171 Astvatsaturoy Andrei, 182 Attridge, Derek, 114, 131-32 Augustine, Saint, 206n45 author s insertion: into history/culture, 5-6, 161, 167; into novel, 111, 115, 120-21, 127, 130, 138-39 Babel, Isaac, 21 Babikov, Andrei, 13,180,183, 187 Bacon, Francis, 62 Bakhtin, Mikhail, 6, 214n89 Barnacle, Nora, 188-89 Baron, Scarlett, 154 Barskova, Polina, 69 Barta, Peter I., 83-84 Barth, John, 82 Beach, Sylvia, 18 Beaujour, Elizabeth Klosty, 39 Beckett, Samuel, 110, 139,191 Beja, Morris, 87 belatedness, 75-77, 111, 178. See also Pushkin House (Bitov) Belinkov, Arkady, 199n3 Bely, Andrei, 3, 188 Bend Sinister (Nabokov): allusive strategies in, 42, 60-62, 72; on death, 58-59, 68, 70; on the past, 11, 46, 54; on Shakespeare and Joyce, 61-64, 67, 101 Benoit, Pierre, 76 Bergson, Henri, 130 Bernatskaya, Ada, 148 Bethea, David M., 54 Bible, 151, 154 biography-writing, 49, 52-53, 57, 63, 65-67 Bitov, Andrei: and inevitability of repetition, 9, 76-77, 128; on influence, 76-77,
78-79, 80, 83, 142, 144; introduced, 2-3, 5, 6, 8-9, 11; points of contact with Joyce, 74-79, 109, 194 Bitov, Andrei, works of: A Georgian Album, 216nl36; Pushkin s Photograph,” 105, 21ІП34; The Symmetry Teacher, 105; Three Plus One, 78. See also Pushkin House Bittner, Stephen V, 81 Blackwell, Stephen H., 57 Blok, Alexander, 80, 92, 104 Bloom, Harold, 5-9, 50 , 80, 174-76, 195, 213Ո68 Bogoslovskaia-Bobrova, Maria, 209n9 Bondarenko, Vladimir, 115 Borden, Richard C., 117, 138 Borenstein, Eliot, 26-27, 33, 36, 71 Borges, Jorge Luis, 109, 110 Boyd, Brian, 62, 209ПІ14 Briusov, Valery, 66 Brodsky, Joseph, 10,118 Bromfield, Andrew, 145 Buddhism, 141 Buksha, Ksenia, 13, 180, 182-83, 184, 187, 188, 194, 228Ո24 Bunin, Ivan, 135, 145 247
248 INDEX Burrell, Harry, 151 Bykov, Dmitry, 13, 180, 182, 184, 186, 187, 188, 189, 191, 228ո24 Calvino, Italo, 210n24 Campbell, Matthew, 147 Canetti, Ehas, 170 Čapek, Karel, 73 Capitalist Primitivism, 109 Cavanagh, Clare, 214nlll Celtic Revival, 147 Cervantes, Miguel de, 190, 192 Chances, Ellen, 80, 85 Chechnya, 150,153,170 Chekhoy Anton, 160,220n56 Chemyshevsky, Nikolai, 44, 53, 63, 65, 198Ո37 Chesterton, G. K., 153, 159-60 Christie, Agatha, 159-60 Chudákova, Marietta, 38 Chukovskaya, Lidia, 74, 165 Church, Margaret, 132 cityscapes, 82-86, 164, 170-71, 172, 188, 191. See aho Petersburg Text Clark, Katerina, 36 clinamen, 7, 46, 50, 175 clothing, 129-30, 152-53 Connolly, Julian W, 58 contemporary Russian writers: and first contact with Joyce, 181-83; introduced, 13, 180-81; on Joycean influence, 189-94; on Joyce s appeal/power, 183-84; on Joyce s legacy in Russia today, 184-88, 194, 194-95 Cornwell, Neil, 18, 73 corporeal metaphors, 57-60, 69 Cortázar, Julio, 210n24 Cyrus the Younger, 157-58 Danielewski, MarkZ., 184 Dante, 39 Danzas, Konstantin Karlovich, 60 Davydov, Sergei, 45, 49 death: and burial, 169-70; and corpse, 57-59, 68-70, 84, 134; and home, 84-85, 152-53; musings on, 50-52, 57-59, 119, 162, 227n99; of one s children, 68, 70, 163, 168; overcome, 127,132, 134, 164-65, 227n4; and violence, 68, 107, 152-53, 159; and windows, 122-23. See aho ghosts Decembrists, 99 Derzhavin, Gavriil, 92 Divákov, S,, 145 Döblin, Alfred, 188 Dobrenko, Evgeny, 20 dogs, 57-59, 68, 84,107-8, 141-42 Dolinin, Alexander, 45 Dos Passos, John, 19 Dostoevsky, Fyodor, 39, 76,184,186,193,195
doublespeak, 16-17 Drumont, Édouard Adolphe, 60 Dubliners (Joyce): laconism of, 112,121-23, 138; Russian responses to, 20, 74,192, 217nl2; Russian translations of, 200nl4, 209n9, 219n51 Dumas, Alexandre, 76, 78 Durning-Lawrence, Edwin, 62 Eglinton, John, 147 Ehrenburg, Ilya, 81 Eide, Marian, 128 Eisenstein, Sergei, 165 Eliot, T. S., 176, 203n91, 214ПІ11 Ellmann, Richard, 48 émigré journals, 2-3, 47, 198n37,200nl3 émigré writers, 2-3, 46-47, 137-38,170-71, 186 Envy (Olesha): conflation of Joycean characters in, 22-25,26-28, 98; as counterresponse to Ulysses, 5,11,16-17, 28-29, 33-35, 40-41, 94,174; dispossession in, 28-29, 58, 131; failed father figures in, 30-33, 49, 99,173; and history/culture, 14,20-21,35-39, 75; manuscripts of, 40, 199nl2, 20ІП27; optical imagery in, 25-26, 88,169; plot and structure of, 18,22 Erofeev, Venedikt, 183, 188, 210n24 Erofeev, Viktor, 75, 109 Erzsébet, Vári, 116 exile, 186-87,191. See aho émigré writers facts vs. fictions, 52-53, 54, 56, 65-67, 87 fathers. See paternity Faulkner, William, 109, 113, 115, 22ІП79 feet/shoes, 59-60, 88, 125-26, 130 Fet, Afanasy, 92, 100 Fetodova, E. N., 200nl4 Finnegans Wake (Joyce): beginning/end of, 134, 165; forking characters in, 48-49, 124-27, 151-53; innovations in, 110, 143, 160; and Nabokov, 62, 64,108; Russian responses to, 4, 73, 79, 105, 120, 165, 170, 171, 192; scissors-and-paste method in, 154, 155-56, 157; time in, 132-34, 138, 150-51; universal heritage in, 9,127, 144, 161,163-64,177; wordplay and language,
INDEX 112, 114, 118, 136, 137, 166-67. See abo Maidenhair (Shishkin); Schoolfor Fools, A (Sokolov) Fitch, Noël Riley, 18 Flaubert, Gustave, 109,154, 155, 157, 193 forking characters, 110, 124-27, 138,151-53, 218n26 Formalism, 1, 3, 15 , 73 , 80, 139. See aho Shklovsky, Viktor Foster, John Burt, Jr., 68, 207n83 Frank,Joseph, 121 Frye, Northrop, 124 (quoted) future. See history Futurism, 162,173, 203n86 Gannibal, Abram, 215nl22 Genette, Gerard, 7-8 Genieva, Ekaterina, 19, 108 ghosts, 68-70, 80, 90,134,144, 168. See aho death Gilford, Don, 206n45 Gift, The (Nabokov): corporeal metaphors in, 57-60, 88; and correction of Joyce, 7, 45—46, 62, 63, 175; and history, 14,40, 54-57, 75, 161; keys in, 102-3, 129, 131; literary and biological fathers in, 47, 48-50, 52-53, 64-65, 69-70, 87, 128, 173; as mistranslation of Ulysses, 11, 43, 71-72; and musings on death, 50-52, 57-59; plot and structure of, 44, 58; and recovery of father, 42, 53, 67-68, 70, 144, 155 Gilburd, Eleonory, 81 Ginzburg, Lidia, 78 Girard, René, 97 Glad, John, 109,110 Gladkov, Fyodor, 21 Gian, Isaak, 39 Glasheen, Adaline, 151-52 glasnost, 5, 140 Glazova, Anna, 13, 180,182, 184,185, 188, 192, 228Ո22 Gnedich, Nikolai, 208n86 Goethe, Johann Wolfgang von, 39, 61 Gogarty, Oliver St. John, 147 Gogol, Nikolai, 12,135, 142, 182 Gold, Herbert, 42-43 Gorky, Maxim, 21,180 Grabes, Herbert, 61 Greenleaf, Monika, 46 Gregory, Lady Augusta, 147 Griboedova, Anna, 224n33 Griffiths, Galina S., 209n9 Grum-Grzhimaylo, Grigory, 53 249 Hayman, David, 120 Heller, Vivian, 151 Hemingway, Ernest, 74, 76 Henry-Thommes, Christoph, 206n45
history: and belatedness, 75-77, 111, 178; as dislodged in time, 92, 104, 126-27,140; entanglement in, 103, 104, 105; literary act and, 55-56, 66-68, 70, 135-37; nightmare of, 10, 14, 39, 54-56, 84-86, 105, 134, 144, 147, 178-79; asprimary concern of Russian Joyceans, 2, 3, 13-14; Soviet preeminence over, 86-87; and time as circular, 132-33, 138, 144-45, 152-53, 165,185,195; and time as simultaneous, 4-5, 112, 130-33, 137-39, 150-51, 157, 160, 164, 166, 176; and writer’s insertion into, 5-6, 161, 167; writing of, 81, 179-80. See aho literary heritage Holy Trinity, 90-91, 98, 144 Homer, 96, 117, 151, 172, 175, 185-86, 193, 208n86. See also Ulysses (Joyce) hypertexts, 8, 77-78, 101, 187 Ilianen, Alexander, 13,180, 181,183, 186, 188, 191, 193, 195 Ilichevsky, Alexander, 13, 180, 183, 186 influence: anxiety of, 5, 6-8, 76-77, 80, 109, 189-90,193, 213Ո68; as flow, 9-Ю, 94, 107, 142, 146, 153-54, 192-93, 195; vs. imitation, 76-77, 78-79; as infection, 182, 193-94; and learning, 42-44, 72, 113, 135, 146, 191, 192, 193 interactive novels, 184 intertext: as adornment, 8, 175-76; as allusion, 7, 60-61, 64, 76; as borrowing, 7, 39-40, 157-61, 177; as commentary, 61; as dense network, 153-54; as dispersal, 30; as emptying out, 174; as entangle ment, 8-9, 92,176-77; as ghost/citation, 9, 68-70; as ironic misreading, 105-6; as literary exchange, 80; as parody, 61-64, 108, 116, 138, 148, 152, 154, 193; as plagiarism, 12, 143,154-57, 177, 193; as recycling, 141, 166; as refraction, 35, 47, 49, 143; as retelling, 39-40, 158, 193; as rhyme, 98, 102, 160; as stylistic connec tion, 110,
115,116, 118, 176-77; as swerve, 7, 8, 46, 50, 134, 175; as translation, 42 intertextualities, conceptualized, 4-10,46, 50, 174-76 Irish independence movement, 147
250 INDEX James, David, 167 Jameson, Fredric, 94,177 Jewish theme, 99-101,186 Johnson, D. Barton, 107, 117, 120, 138, 217ПІ2 Joyce, James: changing responses to by era, 1-2, 5, 10, 15-16, 73-74, 140-43, 173-78, 183-88; exchanges with Nabokov, 42, 44, 65, 71-72; formal complexities of, 109, 110, 112, 131-32, 143, 154; and national ism, 146-49, 170-71, 195; andpast/future, 3-4, 13-14, 133, 165; personal life of, 48, 169-70, 188-89; spiritual heirs of, 214nlll, 228n21; as unreadable, 105,141-42, 182, 190, 193. See aho points of contact with Joyce Joyce, James, works of: Giacomo Joyce, 190; Ireland: Island of Saints and Sages, 195. See also Dubliners; Finnegans Wake; Porfrait of the Artist as a Young Man, A; Ulysses Kafka, Franz, 191,192,193 Karakovsky Aleksei, 156 Karlínsky, Simon, 218n26 Karriker, Alexandra Heidi, 121 Kaspe, Irina, 156 Kataev, Valentin, 117, 138, 210n24 Kenner, Hugh, 50 Khinkis, Viktor, 2 Khlebnikov, Velimir, 162 Khodasevich, Vladislav, 47, 66 Rhoruzhy, Sergei, 2, 140, 190,192 Khrushchev, Nikita, 74, 81 Komaromi, Ann, 76, 86 Kozlov, Denis, 81 Kristeva, Julia, 5-6 Kukulin, Ilya, 13, 180-81, 182, 189 Künstlerroman, 42,45 language play: and crafting of reality, 123; palindromes as, 166-67; as transcendence, 110-11,118,137,139. See abo stream of consciousness Lann, E. L., 18 Lawrence, Karen, 96, 118-19 Leonard, Garry, 105 Lermontov, Mikhail, 8, 92, 95-97 Lipovetsky Mark, 80 literary heritage: claimed, 66, 130,146-47, 160-61; as dislodged in time, 92-94, 126-27,176; and literary forge, 135-37; as merged/reintegrated, 142-45, 153, 160-61,165,167; as primary
concern of Russian Joyceans, 3, 8, 9, 178. See also history Litvinov, Ivy (Low), 18 Longus, 153 Lunde, Ingunn, 224nl8 MacCabe, Colin, 124 (quoted) Machecek, Gregory, 7 Maguire, Muireann, 145 Maidenhair (Shishkin): and affirmation of tragedy, 162-65; and father-son relations, 144, 167-69; green grass in, 164-65; Joycean echoes in, 14, 143, 145-46, 150-53, 169-71; on Joyce s place in canon, 141,142,149; literary borrowings in, 9,12, 156-61, 177; and merging of traditions, 142-45, 153, 160-61; and plagiarism scandal, 156-57,177; plot and structure of, 149-50; and post-Soviet context, 148, 161,170-71; and simultaneity of time, 150-51, 166-67 Mallarmé, Stéphane, 5-6 Malory, Thomas, 154, 155, 157 Mandelstam, Osip, 74, 214nlll Martyn, Edward, 147 Matich, Olga, 113 Mayakovsky Vladimir, 203n86 McBride, Margaret, 45 Meletinsky, Eleazar M., 14 Metamodemism, 167,187 metaphysics. See history Mffler-Budnitskaya, Rashel, 73 Mirsky Dmitry Svyatopolk, 19 mise en abyme technique, 45 misprision, 6-7, 175 Modernism: as delayed in Russia, 75, 80, 135,142; Dumas and, 78; Joyce and, 62, 74, 92-94, 109, 141-42,191; asjust one step, 161,187; reanimated, 167 modernist ideák and techniques: Arranger/ Interpreter, 120-21, 150, 157-58, 160-61, 166-67,168-69; catechism, 18, 94,118-20, 137, 145, 152,158-60, 168-69; experimen tation, 17-21, 39-40; hierarchies, 80, 82, 86, 104, 127,142,173,175, 176,183; lists, 94, 117-18; nightmare trope, 10, 14, 34, 39, 54-56, 80, 105, 134, 144, 147, 179; originality 7-8, 156-57, 160-61, 176; parody 61-64, 108, 116, 138, 148, 152, 154, 193; self-made artist, 21, 37-38;
severed ties, 47—48, 71, 173; single-day trope, 78, 133,184,185-86; vignettes, 120-22. See abo cityscapes; stream of consciousness
INDEX Moody, Fred, 115 Morson, Gary Saul, 22ІПІ03 Moscow Conceptualism, 181 Mrozovski, Peter, 43 mythification: of Joyce, 19,140, 175,186-87, 190-91; of language, 118; literary, 14, 48, 163-64,171, 203Ո91; nationalistic, 147, 185-86 Nabokov, Vladimir: and focus on a tradition, 9, 61-63, 71-72, 144; and ghosts, 68-70; and idealized family portraits, 48-49; introduced, 2-3, 5, 6, 8, 11; on Joycean influence, 42-44,109, 218ПІ9; lectures on Ulysses, 43, 50, 55, 56, 57, 61, 114; and other RussianJoyceans, 76, 77,107-8, 110,130,145,215nl27; on poet’s life vs. art, 65-67; points of contact with Joyce, 42, 44-47, 65, 71-72, 194, 228nl9 Nabokov, Vladimir, works of: Ada, 48, 206n45; Despair, 64; Glory, 66; Invitation to a Beheading, 209nll6,220n74; Lolita, 48, 64,206n45; Mademoiselle O,” 67; Pale Fire, 210n24; Pushkin, or the Real and the Plausible, 65-66, 70,104; Shakespeare, 227n4; Speak, Memory (autobiography), 48, 56; Strong Opinions, 108, 206n41; The Art of Literature and Commonsense, 55. See also Bend Sinister; Gift, The Naiman, Eric, 62-63 nationalism, 146-49, 170-71, 195 Naturalism, 1, 15 New Economic Policy (NEP), 5, 25, 37, 81 New Soviet Man, 22, 31, 38 Nikulin, Lev, 19 Noordenbos, Boris, 148 Odoevsky, Vladimir Fedorovich, 99 Odollamsky, Aleksei and Zinaida, 172 Oedipal conflict, 6-7,40 Olesha, Yury: and ambivalent stance toward Joyce, 15-21, 38-39, 141, 143-44, 174; introduced, 2-3,5, 6, 8,9,11; and other RussianJoyceans, 78, 97, 98,121,214n89; points of contact with Joyce, 18-21, 77,194 Olesha, Yury, works of: Human Material, 174, 203n86; I Look into the Past,”
35-36,174, 203Ո86; Liompa,” 174; No Day without a Line (memoir), 34,36,39, 202n38, 203n86. See also Envy Oroby, Sergey, 161 Orr, Mary, 9-10 Ouroboros, 165-66, 167 251 palimpsests, 7, 153, 160, 171 Panova, Vera, 156 Parisian Note school, 46-47, 56 past. See history Pasternak, Boris, 180 paternity: as both literary and biological, 47, 48-50, 52-53, 175; and creative drive, 167-69; and failed/absent fathers, 30-33, 36, 87, 104; and father-son consubstantia tion, 37-38, 45-46, 49, 69, 88, 145, 168-69; and filial/affiliai relationships, 13,35, 48-49; foresworn for the now,” 127, 137; and grandfathers, 90,91-95, 130-31; and Joyce as lost forefather, 146, 175; and nonbiological family, 36-39; and omnipotent father figure, 95; and physical likeness, 88, 129-30,168-69; as primary concern of Russian Joyceans, 2, 3,13, 17; and sanctity of forefathers, 61-65; and seed, 37, 88, 91, 127,174, 213n79; and unhappy home, 83-85, 129-30,152 Pelevin, Viktor, 141-42 perestroika, 5, 140, 182,185 Petersburg Text, 82, 83, 85, 188 plagiarism, 12, 143, 154, 156-57,177 Platonov, Andrei, 73, 109 Platt, L. H„ 29 Plett, Heinrich E, 4-5 Poe, Edgar Allan, 109,153, 159-60 points of contact with Joyce: contemporary, 181-83; post-Soviet, 145-49; postwar, 74-79, 108-11; prewar, 18-21, 44-47 polyphony, 8, 9, 14, 160, 186, 195 Poplavsky Boris, 2-3, 47, 142 Portrait of the Artist as a Young Man, A (Joyce): on the artist, 138, 212n52; literary forge in, 135-37; and one s place in history, 87, 98, 128,186; Russian responses to, 172, 181-82, 192, 205n22; Russian translations of, 209n9,213n88 Postmodernism, 11,
78, 82, UÍ-42,148, 187 Pound, Ezra, 56,173, 214nlll primacy, 6, 86-87, 93-95, 97, 100, 111, 126-27, 153-54 Proffer, Carl, 218n26 Prokhanov, Alexander, 148 proletarian writers, 20-21 Proust, Marcel, 2-3, 5-6, 46, 73, 76, 78, 130, 188, 191,193 Przhevalsky, Nikolai M., 53 Pushkin, Alexander: in Bitov s Pushkin House, 8, 67, 79, 83, 92, 95-97, 100, 101-2, 103-4; and émigré writing, 47,53; life of,
252 INDEX Pushkin, Alexander (continued) 100,102, 104, 216nl36; in Nabokov s Bend Sinister, 61, 64,208n86; in Nabokov’s Gift, 11, 49-50, 52-53, 56, 57, 60, 63, 64-65, 67, 70, 87; Nabokov s lecture on, 65-66,104; poems and stories of, 51-52, 85; in Sokolov s Between Dog and Wolf, 116 Pushkin House (Bitov): belatedness in, 75, 92-94, 102, 104,139, 213n79; Bitov’s commentary on, 76-77, 78-79,103, 105-6, 110, 176, 213Ո88, 215Ш27; grandfather hypothesis in, 91-95, 130; and history, 11, 14, 56, 67, 80-82, 86-87, 91, 135, 136; as hypemovel, 8, 77-78,101, 175-76; keys in, 102-3, 131; Leningradin, 82-86, 101; Mitishatev as friend-enemy in, 98-101,103, 213n79; plot and structure of, 79; and Russian literature s place, 6, 76, 103-6,129; second father hypoth esis” in, 87-91, 99-101,173; Three Prophets” essay in, 95-98, 101; Ulysses discussed in, 92-95, 110 Putin, Vladimir, 149, 177 Rabaté, Jean-Michel, 155 Radek, Karl, 1-2, 47, 142 Ragozin, Dmitry, 13, 181, 183 Randall, Marilyn, 156 readeras cocreator, 9-10, 121, 157,162 Remnick, David, 118 repetition: and cyclical time, 132-33, 138, 165; inevitability of, 9, 103, 144-45, 154; of stories, 152-53, 164, 169, 195 ricorso, 133 Rogova, Evgeniya, 145, 171 Romanticism, 147, 156, 160-61, 177 Rubinstein, Lev, 13, 181, 189-90 Russell, George ΆΕ, 147 Russian Civil War, 21, 51, 52 Russian identity, 148-49, 161 Russian Orthodox Church, 148 Russian Revolution, 20 Russian social taboos, 173-74, 189 Sabellian heresy, 90 Said, Edward W, 13,35 Salinger, J. D., 109 Salnikov, Aleksei, 13, 181, 182, 183, 184, 185, 186, 187, 189, 193-94, 195 Sarnov,
Benedikt, 16 Savitsky, Stanislav, 77 Schoolfor Fook, A (Sokolov): author s insertion into, 111, 115,120,127, 130, 138-39; dual protagonist in, 110,115, 120, 124-27,130-31,132-34; father-son relationships in, 127-31, 137; footsteps in, 88, 125-26; and intertext as entanglement in, 8-9, 176-77; Joycean formal devices in, 117-23; Joycean texture of, 12,14, 109-10, 137, 138-39,143; language in, 110-11, 112-16, 118, 127,137, 143; literary forge in, 135-37; plot and structure of, 111-12; time in, 131,132-35; water in, 119-20, 125-26, 129, 132, 134, 136 Schuman, Samuel, 61 Schutte, William M., 27, 53 Schwartz, Marian, 226n84 Senderovich, Savely, 50,52 Šenkov, Andrei, 185 Serapion Brothers, 78 Seshagiri, Urmila, 167 Shakespeare, William: Baconian theory, 62; Hamlet, 3, 37-38, 61, 63-65, 67, 68-70, 90, 96; and Nabokov’s reading of Ulysses, 42, 43, 47, 61-65, 67,175; Stephen Dedalus’s theory of, 7, 50, 53, 54, 84, 87, 90-91, 95-98, 101-3, 125 Shenrok, Wilhelm, 173 shestidesiatniki, 81, 93, 105 Shishkin, Mikhail: on his writings, 152, 168; introduced, 2-3, 5, 8-9,12; Joycean influence on, 142, 146, 149, 188; and points of contact with Joyce, 145-49, 194; on Russian tradition, 149, 162, 170-71; and scissors-and-paste method, 9, 154-56 Shishkin, Mikhailm, works of: More than Joyce,” 146, 149, 150, 153,163,165, 171; Pis movnik, 145, 227n99; Salvaged Language, 169-70; The Taking of Izmail, 162. See also Maidenhair Shklovsky, Viktor, 39, 116 sigla, 151-52 skaz, 108,121 Skidan, Alexander, 13, 181, 185, 190 Slonimsky, Mikhail, 78 Sluzhitel, Grigory, 13, 181, 187, 188, 192, 192-93 Smirnov,
I. P., 77 SMOG (writers group), 108-9 Socialist Realism: metanarrative of, 105, 109, 186; specter of, 128, 135,137, 149; state mandate for, 16-17, 20-21, 73-74. See ako Soviet literature Sokolov, Ivan, 13, 181, 182, 187, 188, 189
INDEX Sokolov, Sasha: and foregrounding of present, 133,138-39, 144, 161; intro duced, 2-3, 5, 8-9, 12; and other Joyceans, 107-8,142; and points of contact with Joyce, 108-11,183,194 Sokoloy Sasha, works of: Between Dog and Wolf, 107-8,109,116,124,137,138; essays of, 109-10,123-24; Palisandrita, 116, 137-38,222ПІ05. See also Schoolfor Fooh, A Solovev, Sergei, 13, 181, 182, 185-86, 188, 189 Solzhenitsyn, Alexander, 148, 210n24 Sorokin, Vladimir, 149, 210n24 source , critiqued, 7, 94-95 Soviet Family Code, 203n75 Soviet literature: vs. émigré writing, 46-47; vs. modernist ideals, 1-2,20-21, 80,113, 116; tropes of, 36-37, 118. See also Socialist Realism Spieker, Sven, 104 Spoo, Robert, 55, 56 Stalin, Joseph: and pressures on writers, 20, 73, 75, 81, 85, 131; purges of, 16, 81,101; reign of, 95, 167, 175 Startsev, Abel, 73 Stenich, Valentin, 19 Stepnova, Marina, 13, 181-82, 184, 188, 190-91, 191, 192 Sterne, Laurence, 116 stream of consciousness: in Joyce, 112, 113-14, 183, 189, 192; Nabokov on, 205Ш7; in Shishkin, 143, 150, 162,164, 166-67; in Sokolov, 110, 112-16, 176 tamizdat, 107 Tammi, Pekka, 45 Tankov, Alexander, 156, 157, 161, 162 Tarkovsky, Andrei, 168 Territory of Slow Reading (Joyce reading group), 13, 172-74 Thaw, 11, 74, 77, 81, 83, 91, 108 time. See history Tiutchev, Fyodor, 8, 92, 95-97 Toker, Leona, 124 Tolstov, Vlad, 145 Tolstoy, Lev, 20, 39, 78, 113, 141, 184, 193 Torah, 165, 167 tradition, 9, 61-64, 71-72, 146-47. See aho history; literary heritage travel, 50-53, 83, 85,155, 192. See aho émigré writers Tsvetaeva, Marina, 66, 92,215nl26 253 Tumanov,
Vladimir, 128 Turgenev, Ivan, 77, 86-87, 101, 116 Ulitin, Pavel, 191 Ulysses (Joyce): artistic acuity in, 54-55,60, 97-98, 102-3, 125; and Bloomsday walks, 172, 228nl7; Bloom’s homecoming in, 33-35; Bloom s vision of Rudy in, 68, 70; corporeal body in, 24, 59-60, 60, 88, 137, 192; and creation of father, 53, 87, 91, 92, 96, 110-11; diachronic perspectives on, 5, 92-94, 143^14,192; dispossession in, 28-30, 58, 84-85, 92, 129; dog s corpse in, 57-59, 84; and Dublin, 82-84, 85-86, 96, 147, 188; failed father figure in, 30-33, 49; and fathering of self, 49, 54, 57, 92,130, 144, 169; historical context of, 146-48; history in, 13-14, 36, 39, 54-56, 75, 98, 104-6,134, 161, 178-79; innovations of, 43-44, 45, 94, 112-14, 117-20, 120-21, 143, 151, 153, 166; keys in, 102-3, 131; milk-corpse in, 15-16, 20, 26-28, 137; Molly Bloom’s soliloquy in, 16, 43, 113-16, 133, 143, 162-64; mother’s corpse in, 69-70, 134; optical imagery in, 25-26, 88, 89-90; postscript to, 170; Russian responses to, 4, 12-13, 40-41, 74-76, 78-79, 80-82, 104-6, 141, 146; Russian translations of, 1,2, 12-13, 18-19, 34, 42, 71-72, 140, 182, 185, 186, 188; scissorsand-paste method in, 154-55,157, 158; and Shakespeare theory, 3,17, 37-38, 47, 50, 53, 54, 61-65, 67, 87, 90-91, 95-98, 101-3, 125; Stephen s tormentor in, 98-99, 137; surrogate father figures in, 3, 45-46, 50, 99-101; water in, 94, 125-26, 134. See also Envy (Olesha); Gift, The (Nabokov); Pushkin House (Bitov) Vico, Giambattista, 132-33, 138 Virgil, 157 Vishnevsky, Vsevolod, 1, 18-19, 142 Vladiv-Glover, Slobodanka M., 97 Vlasenko, Evgenia (Knigagid),
228nl7 Vojvodić, Jasmina, 133 Voronsky, Alexander, 21, 46 Vrubel-Golubkina, Irina, 109, 113 Wallace, David Foster, 228nl7 water, 94, 119-20, 129, 132, 134, 136, 153, 217ПІ2 Weaver, Harriet Shaw, 151 Weir, Justin, 45, 57, 207Ո70
254 INDEX Wells, H. G., 207n82 West: complicated relationship with, 148-49; desire for, 38, 109; as merged with a Russian tradition, 142-45,153,161, 170-71; as parallax, 86,103, 105-6,129, 135,142; post-Soviet influx of, 184-85 White, Hayden, 13-14, 178-80 Wilson, Edmund, 65, 66 Woolf, Vitginia, 56, 183 word, the: love of, 12, 142, 162, 171; power of, 114, 118-20, 145, 163, 194 World War 1,147,150 Xenophon, 153, 157-58, 165, 167, 170 Yaeger, Patricia, 8-9,176 Yeats, William Butler, 147 yes, 15-16, 41, 42, 162-63 Yureva, Izabella (Bella), 150,156 Zamiatin, Evgeny, 18 zaum (trans-sense) verse, 162 Zeno s paradoxes, 80, 93 Zhantieva, D. G., 108 Zhitomirsky, V, 1, 18, 23,34 Zholkovsky, Alexander, 116 Zinik, Zinovy, 13, 181, 183,184, 186-87, 191 Zoshchenko, Mikhail, 19 Bayerische Staatsbibliothek
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Contents Acknowledgments ix Note on Transliteration and Translations xiii Introduction: How Joyce Was Read in Russia 1 1. Yury Olesha: An Envy for World Culture 15 2. Vladimir Nabokov: Translating the Ghosts of the Past 42 3. Andrei Bitov: In Search of Lost Fathers 73 4. Sasha Sokolov: "Here Comes Everybody” Meets "Those Who Came" 107 5. Mikhail Shishkin: Border Crossings 140 Conclusion: How Joyce Is Read in Russia 172 Notes 197 Bibliography Index 247 229
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244 BIBLIOGRAPHY Tankov, Aleksandr. “Shestvie perepershchikov.” Literaturnaia gazeta, 2006. http://old .lgz.ru/archives/html_arch/lgl 12006 / Polosy / 8_2.htm. Tauchen, Christopher. Review of Maidenhair, by Mikhail Shishkin. Words without Borders, November 2012. https://www.wordswithoutborders.org/book -review / mikhail-shishkins-maidenhair. Thornton, Weldon. Allusions in “Ulysses”: An Annotated List. Chapel Hill: University of North Carolina Press, 1968. Tindall, William York. A Reader’s Guide to JamesJoyce. Syracuse, NY: Syracuse University Press, 1995. Toker, Leona. “Gamesman’s Sketches (Found in a Bottle): A Reading of Sasha Sokolov’s Between Dog and Wolf." Canadian-American Slavic Studies 21, no. 3-4 (1987): 347-67. Tolstov, Vlad. Review of Pis'movnik, by Mikhail Shishkin. NewsLab.ru, December 13, 2011. https://newslab.ru/article/389029. Toporov, V N. Peterburgskii tekst russkoi literatury: lzbrannye trudy. Sankt-Petersburg: Iskusstvo-SPB, 2003. Tucker, Janet G. Revolution Betrayed: Jurij Oleša’s "Envy.” Columbus, OH: Slavica Publishers, 1996. Tumanov, Vladimir. "A Tale Told by Two Idiots: Krik idiota v ‘Shkole dlia durakov’ S. Sokolova i v ‘Shume i iarosti’ U. Folknera.” Russian LanguageJournal 48, no. 159-61 (1994): 137-54. Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press, 2001. Vail', Petr, and Aleksandr Genis. "Uroki Shkoly dlia durakov.” Literaturnoe obozrenie 1, no. 2 (1993): 13-16. Vergara, José. "The Embodied Language of Sasha Sokolov’s A School for Fools."
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122, no. 2 (2007): 433-48. Zhantieva, D. G. Dzheimz Dzhois. Moskva: Vyssh. shkola, 1967. Zholkovsky, Alexander. "The Stylistic Roots of Palisandrita." Canadian-American Slavic Studies 21, no. 3-4 (1987): 369-400. ------. Text Counter Text: Rereadings in Russian Literary History. Stanford, CA: Stanford University Press, 1994. Zimmer, Dieter E., and Sabine Hartmann. “'The Amazing Music of Truth’: Nabokov’s Sources for Godunov’s Central Asian Travels in The Gift.” Nabokov Studies 7 (2002-3): 33-74. Author Interviews and Correspondence Interview with Andrei Babikov, May 31, 2019, Moscow, Russia Personal Correspondence with Ksenia Buksha, September 8 and 9, 2019 Personal Correspondence with Dmitry Bykov, August 20, 2019 Personal Correspondence with Anna Glazova, September 5, 2019 Skype Interview with Alexander Ilianen, September 9, 2019 Personal Correspondence with Alexander Ilichevsky, June 20, 2020 Interview with Ilya Kukulin, June 1, 2019, Moscow, Russia Interview with Dmitry Ragozin, June 7, 2019, Moscow, Russia Personal Correspondence with Lev Rubinstein, September 4, 2019 Personal Correspondence with Aleksei Salnikov February 18 and March 10, 2020 Personal Correspondence with Mikhail Shishkin, August 10,16, 18, and 20, 2019 Personal Correspondence with Alexander Skidan, November 11 and 14, 2019
246 BIBLIOGRAPHY Personal Correspondence with Grigory Sluzhitel, June 6, 2020 Interview with Ivan Sokolov, February 9, 2020, San Diego, California, USA Skype Interview with Sergei Solovev, August 13, 2019 Personal Correspondence with Marina Stepnova, September 25 and October 15, 2019 Zoom Interview with Territory of Slow Reading, Joyce Reading Groupjune 2, 2019 Skype Interview with Zinovy Zinik, August 23, 2019 Archives Consulted Donald Barton Johnson Papers, Special Research Collections, University of Califor nia, Santa Barbara, USA Rossiiskii gosudarstvennyi arkhiv literatury і iskusstva (Russian State Archive of Literature and Art), Moscow, Russia Sasha Sokolov Collection, Special Research Collections, University of California, Santa Barbara, USA Zürich James Joyce Foundation, Zurich, Switzerland
I N DEX Acmeism, 74 Adam and Eve, 151, 163, 165, 166, 1166 Adamovich, Georgy, 46-47,205n21 Akhmatova, Anna, 74, 165, 215nl26 Alexandrov, Vladimir E., 205nl8 Amursky, Vitaly, 77 Anderson, Sherwood, 77, 78, 109 Anuchin, Dmitry, 215ПІ22 anxiety: dispelled, 120,126-27,166; and dispossession, 28-29, 58; and father-son consubstantiation, 37-38, 45-46, 49, 69, 88, 145, 168-69; of influence, 5, 6-8, 76-77, 80, 109, 189-90, 193, 213n68. See abo belatedness Arkhipova, Anna, 145 Artaxerxes II, 157-58 artistic mastery: vs. artist's life, 65-66; distortions of, 62-64; and influences, 76-77; and past/reality, 55, 67-68, 97-98, 165-67, 171 Astvatsaturoy Andrei, 182 Attridge, Derek, 114, 131-32 Augustine, Saint, 206n45 author's insertion: into history/culture, 5-6, 161, 167; into novel, 111, 115, 120-21, 127, 130, 138-39 Babel, Isaac, 21 Babikov, Andrei, 13,180,183, 187 Bacon, Francis, 62 Bakhtin, Mikhail, 6, 214n89 Barnacle, Nora, 188-89 Baron, Scarlett, 154 Barskova, Polina, 69 Barta, Peter I., 83-84 Barth, John, 82 Beach, Sylvia, 18 Beaujour, Elizabeth Klosty, 39 Beckett, Samuel, 110, 139,191 Beja, Morris, 87 belatedness, 75-77, 111, 178. See also Pushkin House (Bitov) Belinkov, Arkady, 199n3 Bely, Andrei, 3, 188 Bend Sinister (Nabokov): allusive strategies in, 42, 60-62, 72; on death, 58-59, 68, 70; on the past, 11, 46, 54; on Shakespeare and Joyce, 61-64, 67, 101 Benoit, Pierre, 76 Bergson, Henri, 130 Bernatskaya, Ada, 148 Bethea, David M., 54 Bible, 151, 154 biography-writing, 49, 52-53, 57, 63, 65-67 Bitov, Andrei: and inevitability of repetition, 9, 76-77, 128; on influence, 76-77,
78-79, 80, 83, 142, 144; introduced, 2-3, 5, 6, 8-9, 11; points of contact with Joyce, 74-79, 109, 194 Bitov, Andrei, works of: A Georgian Album, 216nl36; "Pushkin's Photograph,” 105, 21ІП34; The Symmetry Teacher, 105; "Three Plus One," 78. See also Pushkin House Bittner, Stephen V, 81 Blackwell, Stephen H., 57 Blok, Alexander, 80, 92, 104 Bloom, Harold, 5-9, 50 , 80, 174-76, 195, 213Ո68 Bogoslovskaia-Bobrova, Maria, 209n9 Bondarenko, Vladimir, 115 Borden, Richard C., 117, 138 Borenstein, Eliot, 26-27, 33, 36, 71 Borges, Jorge Luis, 109, 110 Boyd, Brian, 62, 209ПІ14 Briusov, Valery, 66 Brodsky, Joseph, 10,118 Bromfield, Andrew, 145 Buddhism, 141 Buksha, Ksenia, 13, 180, 182-83, 184, 187, 188, 194, 228Ո24 Bunin, Ivan, 135, 145 247
248 INDEX Burrell, Harry, 151 Bykov, Dmitry, 13, 180, 182, 184, 186, 187, 188, 189, 191, 228ո24 Calvino, Italo, 210n24 Campbell, Matthew, 147 Canetti, Ehas, 170 Čapek, Karel, 73 Capitalist Primitivism, 109 Cavanagh, Clare, 214nlll Celtic Revival, 147 Cervantes, Miguel de, 190, 192 Chances, Ellen, 80, 85 Chechnya, 150,153,170 Chekhoy Anton, 160,220n56 Chemyshevsky, Nikolai, 44, 53, 63, 65, 198Ո37 Chesterton, G. K., 153, 159-60 Christie, Agatha, 159-60 Chudákova, Marietta, 38 Chukovskaya, Lidia, 74, 165 Church, Margaret, 132 cityscapes, 82-86, 164, 170-71, 172, 188, 191. See aho Petersburg Text Clark, Katerina, 36 clinamen, 7, 46, 50, 175 clothing, 129-30, 152-53 Connolly, Julian W, 58 contemporary Russian writers: and first contact with Joyce, 181-83; introduced, 13, 180-81; on Joycean influence, 189-94; on Joyce's appeal/power, 183-84; on Joyce's legacy in Russia today, 184-88, 194, 194-95 Cornwell, Neil, 18, 73 corporeal metaphors, 57-60, 69 Cortázar, Julio, 210n24 Cyrus the Younger, 157-58 Danielewski, MarkZ., 184 Dante, 39 Danzas, Konstantin Karlovich, 60 Davydov, Sergei, 45, 49 death: and burial, 169-70; and corpse, 57-59, 68-70, 84, 134; and home, 84-85, 152-53; musings on, 50-52, 57-59, 119, 162, 227n99; of one's children, 68, 70, 163, 168; overcome, 127,132, 134, 164-65, 227n4; and violence, 68, 107, 152-53, 159; and windows, 122-23. See aho ghosts Decembrists, 99 Derzhavin, Gavriil, 92 Divákov, S,, 145 Döblin, Alfred, 188 Dobrenko, Evgeny, 20 dogs, 57-59, 68, 84,107-8, 141-42 Dolinin, Alexander, 45 Dos Passos, John, 19 Dostoevsky, Fyodor, 39, 76,184,186,193,195
doublespeak, 16-17 Drumont, Édouard Adolphe, 60 Dubliners (Joyce): laconism of, 112,121-23, 138; Russian responses to, 20, 74,192, 217nl2; Russian translations of, 200nl4, 209n9, 219n51 Dumas, Alexandre, 76, 78 Durning-Lawrence, Edwin, 62 Eglinton, John, 147 Ehrenburg, Ilya, 81 Eide, Marian, 128 Eisenstein, Sergei, 165 Eliot, T. S., 176, 203n91, 214ПІ11 Ellmann, Richard, 48 émigré journals, 2-3, 47, 198n37,200nl3 émigré writers, 2-3, 46-47, 137-38,170-71, 186 Envy (Olesha): conflation of Joycean characters in, 22-25,26-28, 98; as counterresponse to Ulysses, 5,11,16-17, 28-29, 33-35, 40-41, 94,174; dispossession in, 28-29, 58, 131; failed father figures in, 30-33, 49, 99,173; and history/culture, 14,20-21,35-39, 75; manuscripts of, 40, 199nl2, 20ІП27; optical imagery in, 25-26, 88,169; plot and structure of, 18,22 Erofeev, Venedikt, 183, 188, 210n24 Erofeev, Viktor, 75, 109 Erzsébet, Vári, 116 exile, 186-87,191. See aho émigré writers facts vs. fictions, 52-53, 54, 56, 65-67, 87 fathers. See paternity Faulkner, William, 109, 113, 115, 22ІП79 feet/shoes, 59-60, 88, 125-26, 130 Fet, Afanasy, 92, 100 Fetodova, E. N., 200nl4 Finnegans Wake (Joyce): beginning/end of, 134, 165; forking characters in, 48-49, 124-27, 151-53; innovations in, 110, 143, 160; and Nabokov, 62, 64,108; Russian responses to, 4, 73, 79, 105, 120, 165, 170, 171, 192; scissors-and-paste method in, 154, 155-56, 157; time in, 132-34, 138, 150-51; universal heritage in, 9,127, 144, 161,163-64,177; wordplay and language,
INDEX 112, 114, 118, 136, 137, 166-67. See abo Maidenhair (Shishkin); Schoolfor Fools, A (Sokolov) Fitch, Noël Riley, 18 Flaubert, Gustave, 109,154, 155, 157, 193 forking characters, 110, 124-27, 138,151-53, 218n26 Formalism, 1, 3, 15 , 73 , 80, 139. See aho Shklovsky, Viktor Foster, John Burt, Jr., 68, 207n83 Frank,Joseph, 121 Frye, Northrop, 124 (quoted) future. See history Futurism, 162,173, 203n86 Gannibal, Abram, 215nl22 Genette, Gerard, 7-8 Genieva, Ekaterina, 19, 108 ghosts, 68-70, 80, 90,134,144, 168. See aho death Gilford, Don, 206n45 Gift, The (Nabokov): corporeal metaphors in, 57-60, 88; and "correction" of Joyce, 7, 45—46, 62, 63, 175; and history, 14,40, 54-57, 75, 161; keys in, 102-3, 129, 131; literary and biological fathers in, 47, 48-50, 52-53, 64-65, 69-70, 87, 128, 173; as mistranslation of Ulysses, 11, 43, 71-72; and musings on death, 50-52, 57-59; plot and structure of, 44, 58; and recovery of father, 42, 53, 67-68, 70, 144, 155 Gilburd, Eleonory, 81 Ginzburg, Lidia, 78 Girard, René, 97 Glad, John, 109,110 Gladkov, Fyodor, 21 Gian, Isaak, 39 Glasheen, Adaline, 151-52 glasnost, 5, 140 Glazova, Anna, 13, 180,182, 184,185, 188, 192, 228Ո22 Gnedich, Nikolai, 208n86 Goethe, Johann Wolfgang von, 39, 61 Gogarty, Oliver St. John, 147 Gogol, Nikolai, 12,135, 142, 182 Gold, Herbert, 42-43 Gorky, Maxim, 21,180 Grabes, Herbert, 61 Greenleaf, Monika, 46 Gregory, Lady Augusta, 147 Griboedova, Anna, 224n33 Griffiths, Galina S., 209n9 Grum-Grzhimaylo, Grigory, 53 249 Hayman, David, 120 Heller, Vivian, 151 Hemingway, Ernest, 74, 76 Henry-Thommes, Christoph, 206n45
history: and belatedness, 75-77, 111, 178; as dislodged in time, 92, 104, 126-27,140; entanglement in, 103, 104, 105; literary act and, 55-56, 66-68, 70, 135-37; nightmare of, 10, 14, 39, 54-56, 84-86, 105, 134, 144, 147, 178-79; asprimary concern of Russian Joyceans, 2, 3, 13-14; Soviet preeminence over, 86-87; and time as circular, 132-33, 138, 144-45, 152-53, 165,185,195; and time as simultaneous, 4-5, 112, 130-33, 137-39, 150-51, 157, 160, 164, 166, 176; and writer’s insertion into, 5-6, 161, 167; writing of, 81, 179-80. See aho literary heritage Holy Trinity, 90-91, 98, 144 Homer, 96, 117, 151, 172, 175, 185-86, 193, 208n86. See also Ulysses (Joyce) hypertexts, 8, 77-78, 101, 187 Ilianen, Alexander, 13,180, 181,183, 186, 188, 191, 193, 195 Ilichevsky, Alexander, 13, 180, 183, 186 influence: anxiety of, 5, 6-8, 76-77, 80, 109, 189-90,193, 213Ո68; as flow, 9-Ю, 94, 107, 142, 146, 153-54, 192-93, 195; vs. imitation, 76-77, 78-79; as infection, 182, 193-94; and learning, 42-44, 72, 113, 135, 146, 191, 192, 193 interactive novels, 184 intertext: as adornment, 8, 175-76; as allusion, 7, 60-61, 64, 76; as borrowing, 7, 39-40, 157-61, 177; as commentary, 61; as dense network, 153-54; as dispersal, 30; as emptying out, 174; as entangle ment, 8-9, 92,176-77; as ghost/citation, 9, 68-70; as ironic misreading, 105-6; as literary exchange, 80; as parody, 61-64, 108, 116, 138, 148, 152, 154, 193; as plagiarism, 12, 143,154-57, 177, 193; as recycling, 141, 166; as refraction, 35, 47, 49, 143; as retelling, 39-40, 158, 193; as rhyme, 98, 102, 160; as stylistic connec tion, 110,
115,116, 118, 176-77; as swerve, 7, 8, 46, 50, 134, 175; as translation, 42 intertextualities, conceptualized, 4-10,46, 50, 174-76 Irish independence movement, 147
250 INDEX James, David, 167 Jameson, Fredric, 94,177 Jewish theme, 99-101,186 Johnson, D. Barton, 107, 117, 120, 138, 217ПІ2 Joyce, James: changing responses to by era, 1-2, 5, 10, 15-16, 73-74, 140-43, 173-78, 183-88; exchanges with Nabokov, 42, 44, 65, 71-72; formal complexities of, 109, 110, 112, 131-32, 143, 154; and national ism, 146-49, 170-71, 195; andpast/future, 3-4, 13-14, 133, 165; personal life of, 48, 169-70, 188-89; spiritual heirs of, 214nlll, 228n21; as unreadable, 105,141-42, 182, 190, 193. See aho points of contact with Joyce Joyce, James, works of: Giacomo Joyce, 190; "Ireland: Island of Saints and Sages," 195. See also Dubliners; Finnegans Wake; Porfrait of the Artist as a Young Man, A; Ulysses Kafka, Franz, 191,192,193 Karakovsky Aleksei, 156 Karlínsky, Simon, 218n26 Karriker, Alexandra Heidi, 121 Kaspe, Irina, 156 Kataev, Valentin, 117, 138, 210n24 Kenner, Hugh, 50 Khinkis, Viktor, 2 Khlebnikov, Velimir, 162 Khodasevich, Vladislav, 47, 66 Rhoruzhy, Sergei, 2, 140, 190,192 Khrushchev, Nikita, 74, 81 Komaromi, Ann, 76, 86 Kozlov, Denis, 81 Kristeva, Julia, 5-6 Kukulin, Ilya, 13, 180-81, 182, 189 Künstlerroman, 42,45 language play: and crafting of reality, 123; palindromes as, 166-67; as transcendence, 110-11,118,137,139. See abo stream of consciousness Lann, E. L., 18 Lawrence, Karen, 96, 118-19 Leonard, Garry, 105 Lermontov, Mikhail, 8, 92, 95-97 Lipovetsky Mark, 80 literary heritage: claimed, 66, 130,146-47, 160-61; as dislodged in time, 92-94, 126-27,176; and literary forge, 135-37; as merged/reintegrated, 142-45, 153, 160-61,165,167; as primary
concern of Russian Joyceans, 3, 8, 9, 178. See also history Litvinov, Ivy (Low), 18 Longus, 153 Lunde, Ingunn, 224nl8 MacCabe, Colin, 124 (quoted) Machecek, Gregory, 7 Maguire, Muireann, 145 Maidenhair (Shishkin): and affirmation of tragedy, 162-65; and father-son relations, 144, 167-69; green grass in, 164-65; Joycean echoes in, 14, 143, 145-46, 150-53, 169-71; on Joyce's place in canon, 141,142,149; literary borrowings in, 9,12, 156-61, 177; and merging of traditions, 142-45, 153, 160-61; and plagiarism scandal, 156-57,177; plot and structure of, 149-50; and post-Soviet context, 148, 161,170-71; and simultaneity of time, 150-51, 166-67 Mallarmé, Stéphane, 5-6 Malory, Thomas, 154, 155, 157 Mandelstam, Osip, 74, 214nlll Martyn, Edward, 147 Matich, Olga, 113 Mayakovsky Vladimir, 203n86 McBride, Margaret, 45 Meletinsky, Eleazar M., 14 Metamodemism, 167,187 metaphysics. See history Mffler-Budnitskaya, Rashel, 73 Mirsky Dmitry Svyatopolk, 19 mise en abyme technique, 45 misprision, 6-7, 175 Modernism: as delayed in Russia, 75, 80, 135,142; Dumas and, 78; Joyce and, 62, 74, 92-94, 109, 141-42,191; asjust one step, 161,187; reanimated, 167 modernist ideák and techniques: Arranger/ Interpreter, 120-21, 150, 157-58, 160-61, 166-67,168-69; catechism, 18, 94,118-20, 137, 145, 152,158-60, 168-69; experimen tation, 17-21, 39-40; hierarchies, 80, 82, 86, 104, 127,142,173,175, 176,183; lists, 94, 117-18; nightmare trope, 10, 14, 34, 39, 54-56, 80, 105, 134, 144, 147, 179; originality 7-8, 156-57, 160-61, 176; parody 61-64, 108, 116, 138, 148, 152, 154, 193; self-made artist, 21, 37-38;
severed ties, 47—48, 71, 173; single-day trope, 78, 133,184,185-86; vignettes, 120-22. See abo cityscapes; stream of consciousness
INDEX Moody, Fred, 115 Morson, Gary Saul, 22ІПІ03 Moscow Conceptualism, 181 Mrozovski, Peter, 43 mythification: of Joyce, 19,140, 175,186-87, 190-91; of language, 118; literary, 14, 48, 163-64,171, 203Ո91; nationalistic, 147, 185-86 Nabokov, Vladimir: and focus on a tradition, 9, 61-63, 71-72, 144; and ghosts, 68-70; and idealized family portraits, 48-49; introduced, 2-3, 5, 6, 8, 11; on Joycean influence, 42-44,109, 218ПІ9; lectures on Ulysses, 43, 50, 55, 56, 57, 61, 114; and other RussianJoyceans, 76, 77,107-8, 110,130,145,215nl27; on poet’s life vs. art, 65-67; points of contact with Joyce, 42, 44-47, 65, 71-72, 194, 228nl9 Nabokov, Vladimir, works of: Ada, 48, 206n45; Despair, 64; Glory, 66; Invitation to a Beheading, 209nll6,220n74; Lolita, 48, 64,206n45; "Mademoiselle O,” 67; Pale Fire, 210n24; "Pushkin, or the Real and the Plausible," 65-66, 70,104; "Shakespeare," 227n4; Speak, Memory (autobiography), 48, 56; Strong Opinions, 108, 206n41; "The Art of Literature and Commonsense," 55. See also Bend Sinister; Gift, The Naiman, Eric, 62-63 nationalism, 146-49, 170-71, 195 Naturalism, 1, 15 New Economic Policy (NEP), 5, 25, 37, 81 New Soviet Man, 22, 31, 38 Nikulin, Lev, 19 Noordenbos, Boris, 148 Odoevsky, Vladimir Fedorovich, 99 Odollamsky, Aleksei and Zinaida, 172 Oedipal conflict, 6-7,40 Olesha, Yury: and ambivalent stance toward Joyce, 15-21, 38-39, 141, 143-44, 174; introduced, 2-3,5, 6, 8,9,11; and other RussianJoyceans, 78, 97, 98,121,214n89; points of contact with Joyce, 18-21, 77,194 Olesha, Yury, works of: "Human Material," 174, 203n86; "I Look into the Past,”
35-36,174, 203Ո86; "Liompa,” 174; No Day without a Line (memoir), 34,36,39, 202n38, 203n86. See also Envy Oroby, Sergey, 161 Orr, Mary, 9-10 Ouroboros, 165-66, 167 251 palimpsests, 7, 153, 160, 171 Panova, Vera, 156 Parisian Note school, 46-47, 56 past. See history Pasternak, Boris, 180 paternity: as both literary and biological, 47, 48-50, 52-53, 175; and creative drive, 167-69; and failed/absent fathers, 30-33, 36, 87, 104; and father-son consubstantia tion, 37-38, 45-46, 49, 69, 88, 145, 168-69; and filial/affiliai relationships, 13,35, 48-49; foresworn for the "now,” 127, 137; and grandfathers, 90,91-95, 130-31; and Joyce as lost forefather, 146, 175; and nonbiological family, 36-39; and omnipotent father figure, 95; and physical likeness, 88, 129-30,168-69; as primary concern of Russian Joyceans, 2, 3,13, 17; and sanctity of forefathers, 61-65; and seed, 37, 88, 91, 127,174, 213n79; and unhappy home, 83-85, 129-30,152 Pelevin, Viktor, 141-42 perestroika, 5, 140, 182,185 Petersburg Text, 82, 83, 85, 188 plagiarism, 12, 143, 154, 156-57,177 Platonov, Andrei, 73, 109 Platt, L. H„ 29 Plett, Heinrich E, 4-5 Poe, Edgar Allan, 109,153, 159-60 points of contact with Joyce: contemporary, 181-83; post-Soviet, 145-49; postwar, 74-79, 108-11; prewar, 18-21, 44-47 polyphony, 8, 9, 14, 160, 186, 195 Poplavsky Boris, 2-3, 47, 142 Portrait of the Artist as a Young Man, A (Joyce): on the artist, 138, 212n52; literary forge in, 135-37; and one's place in history, 87, 98, 128,186; Russian responses to, 172, 181-82, 192, 205n22; Russian translations of, 209n9,213n88 Postmodernism, 11,
78, 82, UÍ-42,148, 187 Pound, Ezra, 56,173, 214nlll primacy, 6, 86-87, 93-95, 97, 100, 111, 126-27, 153-54 Proffer, Carl, 218n26 Prokhanov, Alexander, 148 proletarian writers, 20-21 Proust, Marcel, 2-3, 5-6, 46, 73, 76, 78, 130, 188, 191,193 Przhevalsky, Nikolai M., 53 Pushkin, Alexander: in Bitov's Pushkin House, 8, 67, 79, 83, 92, 95-97, 100, 101-2, 103-4; and émigré writing, 47,53; life of,
252 INDEX Pushkin, Alexander (continued) 100,102, 104, 216nl36; in Nabokov's Bend Sinister, 61, 64,208n86; in Nabokov’s Gift, 11, 49-50, 52-53, 56, 57, 60, 63, 64-65, 67, 70, 87; Nabokov's lecture on, 65-66,104; poems and stories of, 51-52, 85; in Sokolov's Between Dog and Wolf, 116 Pushkin House (Bitov): belatedness in, 75, 92-94, 102, 104,139, 213n79; Bitov’s commentary on, 76-77, 78-79,103, 105-6, 110, 176, 213Ո88, 215Ш27; "grandfather hypothesis" in, 91-95, 130; and history, 11, 14, 56, 67, 80-82, 86-87, 91, 135, 136; as hypemovel, 8, 77-78,101, 175-76; keys in, 102-3, 131; Leningradin, 82-86, 101; Mitishatev as friend-enemy in, 98-101,103, 213n79; plot and structure of, 79; and Russian literature's place, 6, 76, 103-6,129; "second father hypoth esis” in, 87-91, 99-101,173; "Three Prophets” essay in, 95-98, 101; Ulysses discussed in, 92-95, 110 Putin, Vladimir, 149, 177 Rabaté, Jean-Michel, 155 Radek, Karl, 1-2, 47, 142 Ragozin, Dmitry, 13, 181, 183 Randall, Marilyn, 156 readeras cocreator, 9-10, 121, 157,162 Remnick, David, 118 repetition: and cyclical time, 132-33, 138, 165; inevitability of, 9, 103, 144-45, 154; of stories, 152-53, 164, 169, 195 ricorso, 133 Rogova, Evgeniya, 145, 171 Romanticism, 147, 156, 160-61, 177 Rubinstein, Lev, 13, 181, 189-90 Russell, George 'ΆΕ,'' 147 Russian Civil War, 21, 51, 52 Russian identity, 148-49, 161 Russian Orthodox Church, 148 Russian Revolution, 20 Russian social taboos, 173-74, 189 Sabellian heresy, 90 Said, Edward W, 13,35 Salinger, J. D., 109 Salnikov, Aleksei, 13, 181, 182, 183, 184, 185, 186, 187, 189, 193-94, 195 Sarnov,
Benedikt, 16 Savitsky, Stanislav, 77 Schoolfor Fook, A (Sokolov): author's insertion into, 111, 115,120,127, 130, 138-39; dual protagonist in, 110,115, 120, 124-27,130-31,132-34; father-son relationships in, 127-31, 137; footsteps in, 88, 125-26; and intertext as entanglement in, 8-9, 176-77; Joycean formal devices in, 117-23; Joycean texture of, 12,14, 109-10, 137, 138-39,143; language in, 110-11, 112-16, 118, 127,137, 143; literary forge in, 135-37; plot and structure of, 111-12; time in, 131,132-35; water in, 119-20, 125-26, 129, 132, 134, 136 Schuman, Samuel, 61 Schutte, William M., 27, 53 Schwartz, Marian, 226n84 Senderovich, Savely, 50,52 Šenkov, Andrei, 185 Serapion Brothers, 78 Seshagiri, Urmila, 167 Shakespeare, William: Baconian theory, 62; Hamlet, 3, 37-38, 61, 63-65, 67, 68-70, 90, 96; and Nabokov’s reading of Ulysses, 42, 43, 47, 61-65, 67,175; Stephen Dedalus’s theory of, 7, 50, 53, 54, 84, 87, 90-91, 95-98, 101-3, 125 Shenrok, Wilhelm, 173 shestidesiatniki, 81, 93, 105 Shishkin, Mikhail: on his writings, 152, 168; introduced, 2-3, 5, 8-9,12; Joycean influence on, 142, 146, 149, 188; and points of contact with Joyce, 145-49, 194; on Russian tradition, 149, 162, 170-71; and scissors-and-paste method, 9, 154-56 Shishkin, Mikhailm, works of: "More than Joyce,” 146, 149, 150, 153,163,165, 171; Pis'movnik, 145, 227n99; "Salvaged Language," 169-70; The Taking of Izmail, 162. See also Maidenhair Shklovsky, Viktor, 39, 116 sigla, 151-52 skaz, 108,121 Skidan, Alexander, 13, 181, 185, 190 Slonimsky, Mikhail, 78 Sluzhitel, Grigory, 13, 181, 187, 188, 192, 192-93 Smirnov,
I. P., 77 SMOG (writers group), 108-9 Socialist Realism: metanarrative of, 105, 109, 186; specter of, 128, 135,137, 149; state mandate for, 16-17, 20-21, 73-74. See ako Soviet literature Sokolov, Ivan, 13, 181, 182, 187, 188, 189
INDEX Sokolov, Sasha: and foregrounding of present, 133,138-39, 144, 161; intro duced, 2-3, 5, 8-9, 12; and other Joyceans, 107-8,142; and points of contact with Joyce, 108-11,183,194 Sokoloy Sasha, works of: Between Dog and Wolf, 107-8,109,116,124,137,138; essays of, 109-10,123-24; Palisandrita, 116, 137-38,222ПІ05. See also Schoolfor Fooh, A Solovev, Sergei, 13, 181, 182, 185-86, 188, 189 Solzhenitsyn, Alexander, 148, 210n24 Sorokin, Vladimir, 149, 210n24 "source", critiqued, 7, 94-95 Soviet Family Code, 203n75 Soviet literature: vs. émigré writing, 46-47; vs. modernist ideals, 1-2,20-21, 80,113, 116; tropes of, 36-37, 118. See also Socialist Realism Spieker, Sven, 104 Spoo, Robert, 55, 56 Stalin, Joseph: and pressures on writers, 20, 73, 75, 81, 85, 131; purges of, 16, 81,101; reign of, 95, 167, 175 Startsev, Abel, 73 Stenich, Valentin, 19 Stepnova, Marina, 13, 181-82, 184, 188, 190-91, 191, 192 Sterne, Laurence, 116 stream of consciousness: in Joyce, 112, 113-14, 183, 189, 192; Nabokov on, 205Ш7; in Shishkin, 143, 150, 162,164, 166-67; in Sokolov, 110, 112-16, 176 tamizdat, 107 Tammi, Pekka, 45 Tankov, Alexander, 156, 157, 161, 162 Tarkovsky, Andrei, 168 Territory of Slow Reading (Joyce reading group), 13, 172-74 Thaw, 11, 74, 77, 81, 83, 91, 108 time. See history Tiutchev, Fyodor, 8, 92, 95-97 Toker, Leona, 124 Tolstov, Vlad, 145 Tolstoy, Lev, 20, 39, 78, 113, 141, 184, 193 Torah, 165, 167 tradition, 9, 61-64, 71-72, 146-47. See aho history; literary heritage travel, 50-53, 83, 85,155, 192. See aho émigré writers Tsvetaeva, Marina, 66, 92,215nl26 253 Tumanov,
Vladimir, 128 Turgenev, Ivan, 77, 86-87, 101, 116 Ulitin, Pavel, 191 Ulysses (Joyce): artistic acuity in, 54-55,60, 97-98, 102-3, 125; and Bloomsday walks, 172, 228nl7; Bloom’s homecoming in, 33-35; Bloom's vision of Rudy in, 68, 70; corporeal body in, 24, 59-60, 60, 88, 137, 192; and creation of father, 53, 87, 91, 92, 96, 110-11; diachronic perspectives on, 5, 92-94, 143^14,192; dispossession in, 28-30, 58, 84-85, 92, 129; dog's corpse in, 57-59, 84; and Dublin, 82-84, 85-86, 96, 147, 188; failed father figure in, 30-33, 49; and fathering of self, 49, 54, 57, 92,130, 144, 169; historical context of, 146-48; history in, 13-14, 36, 39, 54-56, 75, 98, 104-6,134, 161, 178-79; innovations of, 43-44, 45, 94, 112-14, 117-20, 120-21, 143, 151, 153, 166; keys in, 102-3, 131; milk-corpse in, 15-16, 20, 26-28, 137; Molly Bloom’s soliloquy in, 16, 43, 113-16, 133, 143, 162-64; mother’s corpse in, 69-70, 134; optical imagery in, 25-26, 88, 89-90; postscript to, 170; Russian responses to, 4, 12-13, 40-41, 74-76, 78-79, 80-82, 104-6, 141, 146; Russian translations of, 1,2, 12-13, 18-19, 34, 42, 71-72, 140, 182, 185, 186, 188; scissorsand-paste method in, 154-55,157, 158; and Shakespeare theory, 3,17, 37-38, 47, 50, 53, 54, 61-65, 67, 87, 90-91, 95-98, 101-3, 125; Stephen's tormentor in, 98-99, 137; surrogate father figures in, 3, 45-46, 50, 99-101; water in, 94, 125-26, 134. See also Envy (Olesha); Gift, The (Nabokov); Pushkin House (Bitov) Vico, Giambattista, 132-33, 138 Virgil, 157 Vishnevsky, Vsevolod, 1, 18-19, 142 Vladiv-Glover, Slobodanka M., 97 Vlasenko, Evgenia (Knigagid),
228nl7 Vojvodić, Jasmina, 133 Voronsky, Alexander, 21, 46 Vrubel-Golubkina, Irina, 109, 113 Wallace, David Foster, 228nl7 water, 94, 119-20, 129, 132, 134, 136, 153, 217ПІ2 Weaver, Harriet Shaw, 151 Weir, Justin, 45, 57, 207Ո70
254 INDEX Wells, H. G., 207n82 West: complicated relationship with, 148-49; desire for, 38, 109; as merged with a Russian tradition, 142-45,153,161, 170-71; as parallax, 86,103, 105-6,129, 135,142; post-Soviet influx of, 184-85 White, Hayden, 13-14, 178-80 Wilson, Edmund, 65, 66 Woolf, Vitginia, 56, 183 word, the: love of, 12, 142, 162, 171; power of, 114, 118-20, 145, 163, 194 World War 1,147,150 Xenophon, 153, 157-58, 165, 167, 170 Yaeger, Patricia, 8-9,176 Yeats, William Butler, 147 "yes," 15-16, 41, 42, 162-63 Yureva, Izabella (Bella), 150,156 Zamiatin, Evgeny, 18 zaum' (trans-sense) verse, 162 Zeno's paradoxes, 80, 93 Zhantieva, D. G., 108 Zhitomirsky, V, 1, 18, 23,34 Zholkovsky, Alexander, 116 Zinik, Zinovy, 13, 181, 183,184, 186-87, 191 Zoshchenko, Mikhail, 19 Bayerische Staatsbibliothek |
| any_adam_object | 1 |
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| author | Vergara, José 1988- |
| author_GND | (DE-588)1245304011 |
| author_facet | Vergara, José 1988- |
| author_role | aut |
| author_sort | Vergara, José 1988- |
| author_variant | j v jv |
| building | Verbundindex |
| bvnumber | BV047576113 |
| classification_rvk | KH 1437 KK 1950 HM 3135 |
| contents | Introduction: how Joyce was read in Russia -- Yury Olesha: an envy for world culture -- Vladimir Nabokov: translating the ghosts of the past -- Andrei Bitov: in search of lost fathers -- Sasha Sokolov: "Here Comes Everybody" meets "Those Who -- Came" -- Mikhail Shishkin: border crossings -- Conclusion: how Joyce is read in Russia |
| ctrlnum | (OCoLC)1294823346 (DE-599)BVBBV047576113 |
| discipline | Anglistik / Amerikanistik Slavistik |
| discipline_str_mv | Anglistik / Amerikanistik Slavistik |
| format | Book |
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| id | DE-604.BV047576113 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:32:02Z |
| indexdate | 2024-07-10T09:15:18Z |
| institution | BVB |
| isbn | 9781501759901 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032961606 |
| oclc_num | 1294823346 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-188 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-11 DE-188 DE-355 DE-BY-UBR |
| physical | xiii, 254 Seiten 24 cm |
| psigel | BSB_NED_20220126 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Northern Illinois University Press, an imprint of Cornell University Press |
| record_format | marc |
| series2 | NIU series in Slavic, East European, and Eurasian studies |
| spelling | Vergara, José 1988- Verfasser (DE-588)1245304011 aut All future plunges to the past James Joyce in Russian literature José Vergara Ithaca, New York Northern Illinois University Press, an imprint of Cornell University Press 2021 xiii, 254 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier NIU series in Slavic, East European, and Eurasian studies Literaturverzeichnis Seite 229-246 Introduction: how Joyce was read in Russia -- Yury Olesha: an envy for world culture -- Vladimir Nabokov: translating the ghosts of the past -- Andrei Bitov: in search of lost fathers -- Sasha Sokolov: "Here Comes Everybody" meets "Those Who -- Came" -- Mikhail Shishkin: border crossings -- Conclusion: how Joyce is read in Russia "Examines Russian literary responses to James Joyce through a series of case studies: the novels of Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin. It considers their intertextual relationships to Joyce, their contexts, and Joyce's shifting role in Russia from 1927 to the present day"-- Joyce, James 1882-1941 (DE-588)118558501 gnd rswk-swf Russisch (DE-588)4051038-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Joyce, James / 1882-1941 / Influence Russian fiction / 20th century / History and criticism Joyce, James / 1882-1941 Influence (Literary, artistic, etc.) Russian fiction 1900-1999 Criticism, interpretation, etc Joyce, James 1882-1941 (DE-588)118558501 p Rezeption (DE-588)4049716-1 s Russisch (DE-588)4051038-4 s Literatur (DE-588)4035964-5 s DE-604 Erscheint auch als Online-Ausgabe, epub 978-1-5017-5991-8 (DE-604)BV047870292 Erscheint auch als Online-Ausgabe, pdf 978-1-5017-5992-5 (DE-604)BV047870292 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032961606&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032961606&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032961606&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Vergara, José 1988- All future plunges to the past James Joyce in Russian literature Introduction: how Joyce was read in Russia -- Yury Olesha: an envy for world culture -- Vladimir Nabokov: translating the ghosts of the past -- Andrei Bitov: in search of lost fathers -- Sasha Sokolov: "Here Comes Everybody" meets "Those Who -- Came" -- Mikhail Shishkin: border crossings -- Conclusion: how Joyce is read in Russia Joyce, James 1882-1941 (DE-588)118558501 gnd Russisch (DE-588)4051038-4 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)118558501 (DE-588)4051038-4 (DE-588)4049716-1 (DE-588)4035964-5 |
| title | All future plunges to the past James Joyce in Russian literature |
| title_auth | All future plunges to the past James Joyce in Russian literature |
| title_exact_search | All future plunges to the past James Joyce in Russian literature |
| title_exact_search_txtP | All future plunges to the past James Joyce in Russian literature |
| title_full | All future plunges to the past James Joyce in Russian literature José Vergara |
| title_fullStr | All future plunges to the past James Joyce in Russian literature José Vergara |
| title_full_unstemmed | All future plunges to the past James Joyce in Russian literature José Vergara |
| title_short | All future plunges to the past |
| title_sort | all future plunges to the past james joyce in russian literature |
| title_sub | James Joyce in Russian literature |
| topic | Joyce, James 1882-1941 (DE-588)118558501 gnd Russisch (DE-588)4051038-4 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Joyce, James 1882-1941 Russisch Rezeption Literatur |
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