The agency of art objects in Northern Europe, 1380-1520:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis |
| Beschreibung: | 1032 Seiten Illustrationen |
| ISBN: | 9783631821237 |
| DOI: | 10.3726/b17833 |
Internformat
MARC
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| 100 | 1 | |a Ziemba, Antoni |d 1960- |e Verfasser |0 (DE-588)140512799 |4 aut | |
| 245 | 1 | 0 | |a The agency of art objects in Northern Europe, 1380-1520 |c Antoni Ziemba |
| 246 | 1 | 3 | |a The agency of art objects in Northern Europe, 1380–1520 |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles |b Peter Lang |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1032 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte 1380-1520 |2 gnd |9 rswk-swf | |
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| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeptionsästhetik |0 (DE-588)4129895-0 |2 gnd |9 rswk-swf |
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| 689 | 0 | 6 | |a Geschichte 1380-1520 |A z |
| 689 | 0 | |5 DE-604 | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, MOBI |o 10.3726/b17833 |z 978-3-631-84160-0 |
| 856 | 4 | 1 | |u https://directory.doabooks.org/handle/20.500.12854/93290 |x Verlag |z kostenfrei |3 Volltext |
| 856 | 4 | 1 | |u https://doi.org/10.3726/b17833 |x Resolving-System |z kostenfrei |3 Volltext |
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| 912 | |a ZDB-114-LOA | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032960379 | |
Datensatz im Suchindex
| _version_ | 1824555534267711488 |
|---|---|
| adam_text |
CONTENTS
I.
INTRODUCTION
.
9
LI.
FROM
KUNSTGESCHICHTE
ALS
GEISTESGESCHICHTE
TO
A
POSTHUMANIST
THEORY
OF
THE
AGENCY
OF
THINGS
.
10
1.2.
THE
ILLUSION
OF
THE
OBJECTIVITY
OF
THE
WORK
OF
ART
.
31
1.3.
MULTISENSORY
RECEPTION
OF
THE
WORK
OF
ART
.
47
IL
OBJECTS
IN
SPACE:
THE
MOBILITY
OF
THE
BEHOLDER
.
53
11.1.
OBJECTS
SUSPENDED
IN
SPACE
.
53
11.
2.
GIANTS,
COLOSSUSES,
MONUMENTS
.
82
II.
3.
LARGE-SCALE
ALTARPIECES
.
116
III.
ANIMATED
THINGS:
MANIPULATION
AND
HANDLING
.
159
111.1.
PRECIOUS
SMALL
OBJECTS
.
159
111.1.1.
SMALL
BOOKS
.
159
111.1.
2.
PRECIOUS
METALWORK
.
180
111.1.
3.
DEVOTIONAL
BEADS
AND
NUTS
.
200
111.1.4.
SMALL
PAINTINGS
AND
MICRO-ALTARPIECES
.
223
111.
1.5.
PAINTED
PANELS
AS
JIGSAWS,
PLAYING
CARDS,
AND
CARDS
TO
ASSEMBLE
.
262
111.2.
MOVEABLE
OBJECTS:
OPEN
AND
CLOSED,
FOLDED
AND
UNFOLDED,
ASSEMBLED
AND
DISASSEMBLED
.
277
111.
2.1.
DIPTYCHS
-
MANUAL
OPERATIONS
.
280
111.
2.2.
POLYPTYCHS
-
STAGING
THE
INTERIOR
AND
EXTERIOR,
AND
MANIPULATING
THE
DIRECTION
OF
THE
FIGURES
'
GAZES
313
111.2.3.
TAPESTRIES:
FOLDED
AND
UNFOLDED
.
382
111.
2.4.
VEILING
AND
WRAPPING
.
399
111.
2.5.
PRINTS
ON
THE
MOVE:
EINBLATTGRAPHIK
AND
PRINT
SERIES
.
410
111.
2.6.
MOVEABLE
AND
ANIMATED
STATUES
.
456
6
CONTENTS
111.
2.6.1.
SHRINE
MADONNAS
.
459
111.
2.6.2.
STATUETTES
OF
THE
CHRIST
CHILD:
FIGURES
TO
BE
CLOTHED
.
471
III.
2.6.3.
ANIMATED
AND
MOVEABLE
FIGURES
OF
THE
CRUCIFIED
AND
RESURRECTED
CHRIST:
RITUALS
OF
DEPOSITIO,
ELEVATIO
AND
ASCENSIO
.476
111.
2.6.4.
PALMESEL
AND
THE
PALM
SUNDAY
PROCESSION
.
511
111.
2.6.5.
OTHER
MOBILE
FIGURES
.
519
IIL2.7.
MECHANISMS,
AUTOMATA,
CLOCKS
AND
APPARATUS
.
522
III.
3.
SCALE
OF
THE
OBJECT
AND
THE
TECHNOLOGY
OF
PRODUCTION
.
536
IIL4.
LEGIBLE
AND
ILLEGIBLE:
LOOKING
AT
PAINTINGS
THROUGH
A
MAGNIFYING
GLASS
.
558
IV.
WORDS
AND
TEXTS
IN
ART:
THE
CULTURE
OF
READING
IN
PAINTINGS
.
577
IV.
1.
READING
PAINTINGS
AND
VIEWING
BOOKS:
CULTURE
OF
PRAYER
BOOKS
AND
OF
CHRONICLES
.
577
IV.
2.
INSCRIPTIONS
AND
TEXTS
IN
PAINTINGS:
WORDS
AS
ARTWORKS
.
608
IV.
3.
EMPTY
BANDEROLS:
READING
THE
UNWRITTEN
.
624
IV.4.
TEXTS
AND
INSCRIPTIONS
IN
HEBREW
.
639
IV.
5.
TEXT-IMAGE
PANELS
-
PAINTINGS
TO
BE
READ
.
642
IV.
6.
THE
DIRECTION
OF
READING
AND
VIEWING
.
651
V.
TIME
AND
THE
NARRATIVE
IN
PAINTINGS
.
683
V.
L.
THE
NATURAL,
CALENDAR,
LITURGICAL
AND
HISTORIC
TIME
.
683
V.
2.
TIME
IN
MEDIEVAL
PHILOSOPHY
AND
THEOLOGY
.
693
V.
3.
LONG
STORY
-
CONTINUOUS
SPACE:
THE
EPISODIC,
SIMULTANEOUS,
SEGMENTED
AND
DISRUPTED
NARRATIVE
.
707
CONTENTS
7
VI.
MEDITATIVE
SPACES:
GREAT
AND
SMALL
PILGRIMAGES
.
723
VI.
1.
TRAVEL
-
JOURNEY
-
PILGRIMAGE
.
723
VL2.
PILGRIMAGES
.
727
VI.
3.
REAL
AND
VIRTUAL
PILGRIMAGES
.
729
VI.
4.
PILGRIMAGES
TO
THE
HOLY
LAND
.
732
VI.
5.
MENTAL
PILGRIMAGES
AND
THE
VISUAL
AIDS
.
747
VI.
6.
RECONSTRUCTIONS
OF
THE
CHURCH
OF
THE
HOLY
SEPULCHRE
AND
THE
VIA
CRUCIS
.
763
N\.7.
IMAGES
FROM
THE
LIVES
OF
CHRIST
AND
THE
VIRGIN
IN
THE
CONTEXT
OF
SPIRITUAL
PILGRIMAGE
.
770
VI.
8.
PAINTINGS
AS
PANORAMAS
OF
PILGRIMAGE
SITES
.
784
VII.
THE
AGENCY
OF
THINGS
AND
HUMANS
-
FINAL
REMARKS
.
809
SELECTED
BIBLIOGRAPHY
.
815
LIST
OF
ILLUSTRATIONS
WITH
PHOTO
CREDITS
.
961
INDEX
OF
HISTORIC
PERSONS
.
1015 |
| adam_txt |
CONTENTS
I.
INTRODUCTION
.
9
LI.
FROM
KUNSTGESCHICHTE
ALS
GEISTESGESCHICHTE
TO
A
POSTHUMANIST
THEORY
OF
THE
AGENCY
OF
THINGS
.
10
1.2.
THE
ILLUSION
OF
THE
OBJECTIVITY
OF
THE
WORK
OF
ART
.
31
1.3.
MULTISENSORY
RECEPTION
OF
THE
WORK
OF
ART
.
47
IL
OBJECTS
IN
SPACE:
THE
MOBILITY
OF
THE
BEHOLDER
.
53
11.1.
OBJECTS
SUSPENDED
IN
SPACE
.
53
11.
2.
GIANTS,
COLOSSUSES,
MONUMENTS
.
82
II.
3.
LARGE-SCALE
ALTARPIECES
.
116
III.
ANIMATED
THINGS:
MANIPULATION
AND
HANDLING
.
159
111.1.
PRECIOUS
SMALL
OBJECTS
.
159
111.1.1.
SMALL
BOOKS
.
159
111.1.
2.
PRECIOUS
METALWORK
.
180
111.1.
3.
DEVOTIONAL
BEADS
AND
NUTS
.
200
111.1.4.
SMALL
PAINTINGS
AND
MICRO-ALTARPIECES
.
223
111.
1.5.
PAINTED
PANELS
AS
JIGSAWS,
PLAYING
CARDS,
AND
CARDS
TO
ASSEMBLE
.
262
111.2.
MOVEABLE
OBJECTS:
OPEN
AND
CLOSED,
FOLDED
AND
UNFOLDED,
ASSEMBLED
AND
DISASSEMBLED
.
277
111.
2.1.
DIPTYCHS
-
MANUAL
OPERATIONS
.
280
111.
2.2.
POLYPTYCHS
-
STAGING
THE
INTERIOR
AND
EXTERIOR,
AND
MANIPULATING
THE
DIRECTION
OF
THE
FIGURES
'
GAZES
313
111.2.3.
TAPESTRIES:
FOLDED
AND
UNFOLDED
.
382
111.
2.4.
VEILING
AND
WRAPPING
.
399
111.
2.5.
PRINTS
ON
THE
MOVE:
EINBLATTGRAPHIK
AND
PRINT
SERIES
.
410
111.
2.6.
MOVEABLE
AND
ANIMATED
STATUES
.
456
6
CONTENTS
111.
2.6.1.
SHRINE
MADONNAS
.
459
111.
2.6.2.
STATUETTES
OF
THE
CHRIST
CHILD:
FIGURES
TO
BE
CLOTHED
.
471
III.
2.6.3.
ANIMATED
AND
MOVEABLE
FIGURES
OF
THE
CRUCIFIED
AND
RESURRECTED
CHRIST:
RITUALS
OF
DEPOSITIO,
ELEVATIO
AND
ASCENSIO
.476
111.
2.6.4.
PALMESEL
AND
THE
PALM
SUNDAY
PROCESSION
.
511
111.
2.6.5.
OTHER
MOBILE
FIGURES
.
519
IIL2.7.
MECHANISMS,
AUTOMATA,
CLOCKS
AND
APPARATUS
.
522
III.
3.
SCALE
OF
THE
OBJECT
AND
THE
TECHNOLOGY
OF
PRODUCTION
.
536
IIL4.
LEGIBLE
AND
ILLEGIBLE:
LOOKING
AT
PAINTINGS
THROUGH
A
MAGNIFYING
GLASS
.
558
IV.
WORDS
AND
TEXTS
IN
ART:
THE
CULTURE
OF
READING
IN
PAINTINGS
.
577
IV.
1.
READING
PAINTINGS
AND
VIEWING
BOOKS:
CULTURE
OF
PRAYER
BOOKS
AND
OF
CHRONICLES
.
577
IV.
2.
INSCRIPTIONS
AND
TEXTS
IN
PAINTINGS:
WORDS
AS
ARTWORKS
.
608
IV.
3.
EMPTY
BANDEROLS:
READING
THE
UNWRITTEN
.
624
IV.4.
TEXTS
AND
INSCRIPTIONS
IN
HEBREW
.
639
IV.
5.
TEXT-IMAGE
PANELS
-
PAINTINGS
TO
BE
READ
.
642
IV.
6.
THE
DIRECTION
OF
READING
AND
VIEWING
.
651
V.
TIME
AND
THE
NARRATIVE
IN
PAINTINGS
.
683
V.
L.
THE
NATURAL,
CALENDAR,
LITURGICAL
AND
HISTORIC
TIME
.
683
V.
2.
TIME
IN
MEDIEVAL
PHILOSOPHY
AND
THEOLOGY
.
693
V.
3.
LONG
STORY
-
CONTINUOUS
SPACE:
THE
EPISODIC,
SIMULTANEOUS,
SEGMENTED
AND
DISRUPTED
NARRATIVE
.
707
CONTENTS
7
VI.
MEDITATIVE
SPACES:
GREAT
AND
SMALL
PILGRIMAGES
.
723
VI.
1.
TRAVEL
-
JOURNEY
-
PILGRIMAGE
.
723
VL2.
PILGRIMAGES
.
727
VI.
3.
REAL
AND
VIRTUAL
PILGRIMAGES
.
729
VI.
4.
PILGRIMAGES
TO
THE
HOLY
LAND
.
732
VI.
5.
MENTAL
PILGRIMAGES
AND
THE
VISUAL
AIDS
.
747
VI.
6.
RECONSTRUCTIONS
OF
THE
CHURCH
OF
THE
HOLY
SEPULCHRE
AND
THE
VIA
CRUCIS
.
763
N\.7.
IMAGES
FROM
THE
LIVES
OF
CHRIST
AND
THE
VIRGIN
IN
THE
CONTEXT
OF
SPIRITUAL
PILGRIMAGE
.
770
VI.
8.
PAINTINGS
AS
PANORAMAS
OF
PILGRIMAGE
SITES
.
784
VII.
THE
AGENCY
OF
THINGS
AND
HUMANS
-
FINAL
REMARKS
.
809
SELECTED
BIBLIOGRAPHY
.
815
LIST
OF
ILLUSTRATIONS
WITH
PHOTO
CREDITS
.
961
INDEX
OF
HISTORIC
PERSONS
.
1015 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ziemba, Antoni 1960- |
| author_GND | (DE-588)140512799 |
| author_facet | Ziemba, Antoni 1960- |
| author_role | aut |
| author_sort | Ziemba, Antoni 1960- |
| author_variant | a z az |
| building | Verbundindex |
| bvnumber | BV047574850 |
| collection | ZDB-94-OAB ZDB-114-LOA |
| ctrlnum | (OCoLC)1277290747 (DE-599)DNB1220617571 |
| doi_str_mv | 10.3726/b17833 |
| era | Geschichte 1380-1520 gnd |
| era_facet | Geschichte 1380-1520 |
| format | Book |
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| geographic | Deutschland (DE-588)4011882-4 gnd Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Deutschland Niederlande |
| id | DE-604.BV047574850 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:31:39Z |
| indexdate | 2025-02-20T07:09:11Z |
| institution | BVB |
| isbn | 9783631821237 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032960379 |
| oclc_num | 1277290747 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-188 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-188 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | 1032 Seiten Illustrationen |
| psigel | ZDB-94-OAB ZDB-114-LOA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Peter Lang |
| record_format | marc |
| spellingShingle | Ziemba, Antoni 1960- The agency of art objects in Northern Europe, 1380-1520 Sachkultur (DE-588)4051157-1 gnd Kunst (DE-588)4114333-4 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Materialität (DE-588)4512697-5 gnd |
| subject_GND | (DE-588)4051157-1 (DE-588)4114333-4 (DE-588)4129895-0 (DE-588)4512697-5 (DE-588)4011882-4 (DE-588)4042203-3 |
| title | The agency of art objects in Northern Europe, 1380-1520 |
| title_alt | The agency of art objects in Northern Europe, 1380–1520 |
| title_auth | The agency of art objects in Northern Europe, 1380-1520 |
| title_exact_search | The agency of art objects in Northern Europe, 1380-1520 |
| title_exact_search_txtP | The agency of art objects in Northern Europe, 1380-1520 |
| title_full | The agency of art objects in Northern Europe, 1380-1520 Antoni Ziemba |
| title_fullStr | The agency of art objects in Northern Europe, 1380-1520 Antoni Ziemba |
| title_full_unstemmed | The agency of art objects in Northern Europe, 1380-1520 Antoni Ziemba |
| title_short | The agency of art objects in Northern Europe, 1380-1520 |
| title_sort | the agency of art objects in northern europe 1380 1520 |
| topic | Sachkultur (DE-588)4051157-1 gnd Kunst (DE-588)4114333-4 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Materialität (DE-588)4512697-5 gnd |
| topic_facet | Sachkultur Kunst Rezeptionsästhetik Materialität Deutschland Niederlande |
| url | https://directory.doabooks.org/handle/20.500.12854/93290 https://doi.org/10.3726/b17833 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960379&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ziembaantoni theagencyofartobjectsinnortherneurope13801520 |