Photographs and the practice of history: a short primer
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xi, 166 Seiten Illustrationen |
| ISBN: | 9781350120648 9781350120655 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Index absence 18, 31, 47, 75, 105 abundance 8,13, 43-55, 114, 116-18, 132-3, see also scale of inscription 24-5, 72, 125 of materiality 102,109 affect 40, 76-8, 99, 103-4, 119-20, see also emotion as historical modality 2, 32, 38, 66,71-2 of photographs 52, 78, 94, 106, 108, 124, 135 agency 18, 45, 76, 78, 80, 86, 97-8, 135, see also presence and subjectivity as concept 71-74 denial of 78 of historian 26, 33, 36, 93 of photographs 76, 93,101 anthropology 24, 90, 97,100,113 archaeology 24, 31,100 archives 14,46-8, 94,100,104-9 digital 109, 117, 119, 121 integrity of 119-120 materiality of 46,106-10 practices of69,107,109,121, 125 theory of 106-7 arts practice 2,12,18, 52,102 authenticity 9,19,63, 67,122 biography, see methodology under life writing camera, see technology captions 6,88, 109,123,125 categories analytical 26, 31, 72, 84 as historical practice 3-4,11-12, 19,51,115 organisational 89,113,116 circulation, of photographs 37-8, 48, 58, 63,91,99, 125 closeness 29-41, 63, 77-8, 120, 121, see also immediacy as historical modality 33, 39, 54, 118 colonial 6, 25, 36, 5, 76, 85, 86, 91-2, 117,123 commemoration 39, 52-3, 68,119, see also memory context 14, 18, 53, 60, 76, 79-81, 83-95, 100, 103, 107, 116,125 as containment 85-9,93,108 as dynamic 85, 90-2 as framing 93-4 over-contextualization 93 digital 4,14, 21, 33, 36,40,113-27 algorithms 116,121,125 colourisation 67,105-6,119-21 humanities 113-5,125 manipulation 120 resources 122-24 social media 120,125-6 software 105,120,122,125 distance 13,29-41, 54, see also methodology under distant looking and scale 43, 77,118 as
space 35-36 as time 30-5,118-19,120-1 emotion, see also affect effect of photographs 9-10,79, 101,120 as historical modality 2, 38, 73, 77, 97,106 event 13,22,57-69, 74,114 and imagination 67 non-event 66-9
164 Index photograph as 35, 53, 58-62, 122 photographs of 58, 61, 63-4, 88, 92, 104 pseudo-event 64 evidence 17, 23, 46, 67, 80, 83, see also inscription denial of 63, 67 digital 63,118,124,126 eye-witness 63, 73 material 97-99 photographs as 20-1, 39, 50,103, 110-11 ethics 78, 102, 124 experience collective 61, 76, 77 as historical modality 4, 23-4, 48-9,71-81,89 individual 50-1,62,65,77,78-9 materiality 103,105,110 photographs suggestive of 11,14, 22, 38,61-2, 74-5 forensics, see methodology gender 8, 32,85 gesture 50, 51, 54 happenings 13, 58-61, 62, 65-6, 68, 95, see also event haptics 2-3, 72, 75-6,101-2,124 heritage 6, 22, 37,100,102,120 historical consciousness, see imagination history big data history 43,45,114,116, 125 contestation of2,59,67,85,94,100 cultural 33, 45, 114, 116, 125 global 43, 45-6,48,77, 97,114 local 8, 38, 43-44, 50 microhistory 24, 33, 43-44, 49-50, 53, 89, 91 oral 2,3,24,39,61,73,98,100-1, 123 popular 8, 35, 37,67,109,119 public 8-9, 50, 52, 102, Ш4, l20 sensory 2, 97, 100 social 8,9, 32-3, 40, 50,74 theories of 3, 6,29, 50-60,72 74-5, 84, 93 Holocaust 11, 24, 38, 63, 78 identity 33, 38, 47, 73, 97, 104, Ц8 120, 123 identity photographs 39,78,102 124 of photographs 79, 99 ideology, role of 19,25, 38,72,76,86, 99, 104, 120,124 imagination historical 11,19, 22, 30,48,64-6, 77,118 impact of photographs 5,20,32, 58-61,63, 68, 124 popular 8, 52-3,67,119-20 indexicality, see inscription intention 18, 22, 64, 86-7, 91, 98, 106 inscription 13,17-26,63-4,77,89 digital 21,113,118,123,125 as event 59, 61, 66-8 materiality of 20, 98,101,104, 106,124
randomness of 18, 44, 49-50, 58-9, 87 as scale 43-7, 74,79 as trace 17-19, 24-5,49, 65, 73, 84,94 light as 17-19, 21 manipulation, of photographs 19,20, 64,120 materiality 20,97-110 of archive 47,100,104-9 of digital 116,123,124 as historical modality 73, 98,101, 110 of photographs 21,46, 90, 97-106
Index media 32, 40, 49, 90, 99, 102-3 film xi, 2, 15,62,63, 119, 120 üitermediality49,115,124 magazines 90,100, 103 newspapers 48, 102, 103 television 35, 119 memory 3, 6, 32, 38, 61, 74, 77, see also commemoration anticipated 39-40 collective 59, 61, 65,104 and digital 105, 123-4 excess of 52 as historical modality 7-8, 24, 38 post-memory 38 recuperation of 123 methodology, see also criticism under sources anxiety about photographs 5, 8, 26, 38,45, 52, 74,84,117 close reading 21,47,49, 54, 89, 92,117-18 critical forensics 36,47-8, 51, 54, 77, 79,80, 118 distant looking 47-8,54,110, 117-18 facts 26, 59,61,68-9,79 life writing 2, 73 patterns 47, 52, 109,89, 117 périodisation 2, 7-8, 22, 67 reading photographs 23, 51,78-9, 80, 83,89 modernity 7, 24, 31, 33 narratives 21, 32, 88,17, 57-60, 84-5 and digital 37,108,115,122-4 meta-narratives 51 photographs as 25, 31, 64, 76, 80, 89 networks 64, 90-1, 103, 104 context as 90-2 digital 46,117,125 and materiality 101,103 meshworks 90,101 nostalgia 73, 78,120-1 165 objectivity of historian 6,22, 29, 33,34,108, 110 of photographs 2,11, 30,19-20, 63,80 philosophy 20,24, 35, 72 photographic content 9, 68, 84, 87, 100, 103,107, 110, 116, 118, 125 as context 87-95 as evidence 39, 73, 77, 88-9, 93-4, 98, 108-9 as excess 21-2, 44-5, 52, 64, 77, 92 granularity of 21-22, 24, 34,43-5, 48,49-54, 58,64-5, 77,118 photographs, genres and forms albums 31, 46, 50,86,100-1,103, 105,109 documentary 12, 39, 59,119,121 family 38, 39, 67, 86,100,103, 105,120 ID photographs 12, 72, 78-9,124 materiality of 21, 98-104 photojournalism 6, 52-3, 58-9, 63,
69,88,105 photography, character of as fragment 9, 30, 39,46,64, 76, 89.107.115 immediacy 21, 33-5, 63, 73, see aho closeness of digital 118-19 random indusivity 18, 21,23,44, 49-51,60,69,85,90 reality effects of 7, 21,73, 78-80, 87 recodability 10,77,83,90,94,101, 108.115 remediation of 20,90,102,109, 120 reproducibility 90, 99,102,105-6, 124 theories of 10-12, 50-1, 75
166 Index as translation 11, 19, 57, 66, 79, 118, 126 as ‘truth’ 11, 17-19, 24, 63, 114 presence archival 107, 114, 119 as historical modality 14, 39, 71-81, 123 of photographs 22-3, 32-4, 44, 54 presentism 30, 34, 36-8 punctum (Roland Barthes) 51, 79 race 6, 67,123-4 scale 13, 35,43-69, 98, see also abundance and digital 117-18,125 of history 33, 44, 74, 76-7, 80, 91 of inscription 45, 49-50, 62, 79 social media, see digital sound 2, 3, 49,123 sources 4, 10-11,17-26, 83, 94 criticism 4,11-12,18, 53, 85-7 digital 106-7, 109, 123-4 integrity of 5, 119, 124 materiality of 17-18,20-1,98-100 photographs as 4-5, 21, 39, 85 space 29, 31, 35-6, 64-5, 90-1, see also time of archive 106-8 and materiality 103-110 subjectivity 14, 25, 86, 105, 118-19, see also agency of historian 26, 38,53, 71,73,79, 108 in photographs 50-1, 70-81, 92, 98, 108 of photographs 8-10, 34, 74 technology digital 115-17, 125 photographic 7, 13, 18-19, 20 time 6-7,11, 30-41, 59,110, see ako space contemporaneity 67, 86,103 and digital 118,119,122-3 events as 58-9, 64 fragments of 50, 60, 62, 89 linear 30, 32, 59, 60,103 non-linear 32, 33, 36-7,62,103 and photography 10-12, 50-1, 75 trace 17-19,25, 34,49, 65, 66, see also inscription trauma 24, 36, 38, 78 violence 10, 24, 63, 65, 78, 92,118 visual economy 90-1,102,104 war 53, 58, 66, 88 witnessing 19, 63, 73,120
What is it to practice history in an ape m which photographs exist? What is the impact ot photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Pr,íctico of History. Elizabeth Edwards proposes a new approach to historical thinking. Structured around key concepts m historical methodology, the book shows that from the mid-19th century onward, photographs haye profoundly influenced historical enquiry. Photographs ліні the Practice of History offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.
|
| adam_txt |
Index absence 18, 31, 47, 75, 105 abundance 8,13, 43-55, 114, 116-18, 132-3, see also scale of inscription 24-5, 72, 125 of materiality 102,109 affect 40, 76-8, 99, 103-4, 119-20, see also emotion as historical modality 2, 32, 38, 66,71-2 of photographs 52, 78, 94, 106, 108, 124, 135 agency 18, 45, 76, 78, 80, 86, 97-8, 135, see also presence and subjectivity as concept 71-74 denial of 78 of historian 26, 33, 36, 93 of photographs 76, 93,101 anthropology 24, 90, 97,100,113 archaeology 24, 31,100 archives 14,46-8, 94,100,104-9 digital 109, 117, 119, 121 integrity of 119-120 materiality of 46,106-10 practices of69,107,109,121, 125 theory of 106-7 arts practice 2,12,18, 52,102 authenticity 9,19,63, 67,122 biography, see methodology under life writing camera, see technology captions 6,88, 109,123,125 categories analytical 26, 31, 72, 84 as historical practice 3-4,11-12, 19,51,115 organisational 89,113,116 circulation, of photographs 37-8, 48, 58, 63,91,99, 125 closeness 29-41, 63, 77-8, 120, 121, see also immediacy as historical modality 33, 39, 54, 118 colonial 6, 25, 36, 5, 76, 85, 86, 91-2, 117,123 commemoration 39, 52-3, 68,119, see also memory context 14, 18, 53, 60, 76, 79-81, 83-95, 100, 103, 107, 116,125 as containment 85-9,93,108 as dynamic 85, 90-2 as framing 93-4 over-contextualization 93 digital 4,14, 21, 33, 36,40,113-27 algorithms 116,121,125 colourisation 67,105-6,119-21 humanities 113-5,125 manipulation 120 resources 122-24 social media 120,125-6 software 105,120,122,125 distance 13,29-41, 54, see also methodology under distant looking and scale 43, 77,118 as
space 35-36 as time 30-5,118-19,120-1 emotion, see also affect effect of photographs 9-10,79, 101,120 as historical modality 2, 38, 73, 77, 97,106 event 13,22,57-69, 74,114 and imagination 67 non-event 66-9
164 Index photograph as 35, 53, 58-62, 122 photographs of 58, 61, 63-4, 88, 92, 104 pseudo-event 64 evidence 17, 23, 46, 67, 80, 83, see also inscription denial of 63, 67 digital 63,118,124,126 eye-witness 63, 73 material 97-99 photographs as 20-1, 39, 50,103, 110-11 ethics 78, 102, 124 experience collective 61, 76, 77 as historical modality 4, 23-4, 48-9,71-81,89 individual 50-1,62,65,77,78-9 materiality 103,105,110 photographs suggestive of 11,14, 22, 38,61-2, 74-5 forensics, see methodology gender 8, 32,85 gesture 50, 51, 54 happenings 13, 58-61, 62, 65-6, 68, 95, see also event haptics 2-3, 72, 75-6,101-2,124 heritage 6, 22, 37,100,102,120 historical consciousness, see imagination history big data history 43,45,114,116, 125 contestation of2,59,67,85,94,100 cultural 33, 45, 114, 116, 125 global 43, 45-6,48,77, 97,114 local 8, 38, 43-44, 50 microhistory 24, 33, 43-44, 49-50, 53, 89, 91 oral 2,3,24,39,61,73,98,100-1, 123 popular 8, 35, 37,67,109,119 public 8-9, 50, 52, 102, Ш4, l20 sensory 2, 97, 100 social 8,9, 32-3, 40, 50,74 theories of 3, 6,29, 50-60,72 74-5, 84, 93 Holocaust 11, 24, 38, 63, 78 identity 33, 38, 47, 73, 97, 104, Ц8 120, 123 identity photographs 39,78,102 124 of photographs 79, 99 ideology, role of 19,25, 38,72,76,86, 99, 104, 120,124 imagination historical 11,19, 22, 30,48,64-6, 77,118 impact of photographs 5,20,32, 58-61,63, 68, 124 popular 8, 52-3,67,119-20 indexicality, see inscription intention 18, 22, 64, 86-7, 91, 98, 106 inscription 13,17-26,63-4,77,89 digital 21,113,118,123,125 as event 59, 61, 66-8 materiality of 20, 98,101,104, 106,124
randomness of 18, 44, 49-50, 58-9, 87 as scale 43-7, 74,79 as trace 17-19, 24-5,49, 65, 73, 84,94 light as 17-19, 21 manipulation, of photographs 19,20, 64,120 materiality 20,97-110 of archive 47,100,104-9 of digital 116,123,124 as historical modality 73, 98,101, 110 of photographs 21,46, 90, 97-106
Index media 32, 40, 49, 90, 99, 102-3 film xi, 2, 15,62,63, 119, 120 üitermediality49,115,124 magazines 90,100, 103 newspapers 48, 102, 103 television 35, 119 memory 3, 6, 32, 38, 61, 74, 77, see also commemoration anticipated 39-40 collective 59, 61, 65,104 and digital 105, 123-4 excess of 52 as historical modality 7-8, 24, 38 post-memory 38 recuperation of 123 methodology, see also criticism under sources anxiety about photographs 5, 8, 26, 38,45, 52, 74,84,117 close reading 21,47,49, 54, 89, 92,117-18 critical forensics 36,47-8, 51, 54, 77, 79,80, 118 distant looking 47-8,54,110, 117-18 facts 26, 59,61,68-9,79 life writing 2, 73 patterns 47, 52, 109,89, 117 périodisation 2, 7-8, 22, 67 reading photographs 23, 51,78-9, 80, 83,89 modernity 7, 24, 31, 33 narratives 21, 32, 88,17, 57-60, 84-5 and digital 37,108,115,122-4 meta-narratives 51 photographs as 25, 31, 64, 76, 80, 89 networks 64, 90-1, 103, 104 context as 90-2 digital 46,117,125 and materiality 101,103 meshworks 90,101 nostalgia 73, 78,120-1 165 objectivity of historian 6,22, 29, 33,34,108, 110 of photographs 2,11, 30,19-20, 63,80 philosophy 20,24, 35, 72 photographic content 9, 68, 84, 87, 100, 103,107, 110, 116, 118, 125 as context 87-95 as evidence 39, 73, 77, 88-9, 93-4, 98, 108-9 as excess 21-2, 44-5, 52, 64, 77, 92 granularity of 21-22, 24, 34,43-5, 48,49-54, 58,64-5, 77,118 photographs, genres and forms albums 31, 46, 50,86,100-1,103, 105,109 documentary 12, 39, 59,119,121 family 38, 39, 67, 86,100,103, 105,120 ID photographs 12, 72, 78-9,124 materiality of 21, 98-104 photojournalism 6, 52-3, 58-9, 63,
69,88,105 photography, character of as fragment 9, 30, 39,46,64, 76, 89.107.115 immediacy 21, 33-5, 63, 73, see aho closeness of digital 118-19 random indusivity 18, 21,23,44, 49-51,60,69,85,90 reality effects of 7, 21,73, 78-80, 87 recodability 10,77,83,90,94,101, 108.115 remediation of 20,90,102,109, 120 reproducibility 90, 99,102,105-6, 124 theories of 10-12, 50-1, 75
166 Index as translation 11, 19, 57, 66, 79, 118, 126 as ‘truth’ 11, 17-19, 24, 63, 114 presence archival 107, 114, 119 as historical modality 14, 39, 71-81, 123 of photographs 22-3, 32-4, 44, 54 presentism 30, 34, 36-8 punctum (Roland Barthes) 51, 79 race 6, 67,123-4 scale 13, 35,43-69, 98, see also abundance and digital 117-18,125 of history 33, 44, 74, 76-7, 80, 91 of inscription 45, 49-50, 62, 79 social media, see digital sound 2, 3, 49,123 sources 4, 10-11,17-26, 83, 94 criticism 4,11-12,18, 53, 85-7 digital 106-7, 109, 123-4 integrity of 5, 119, 124 materiality of 17-18,20-1,98-100 photographs as 4-5, 21, 39, 85 space 29, 31, 35-6, 64-5, 90-1, see also time of archive 106-8 and materiality 103-110 subjectivity 14, 25, 86, 105, 118-19, see also agency of historian 26, 38,53, 71,73,79, 108 in photographs 50-1, 70-81, 92, 98, 108 of photographs 8-10, 34, 74 technology digital 115-17, 125 photographic 7, 13, 18-19, 20 time 6-7,11, 30-41, 59,110, see ako space contemporaneity 67, 86,103 and digital 118,119,122-3 events as 58-9, 64 fragments of 50, 60, 62, 89 linear 30, 32, 59, 60,103 non-linear 32, 33, 36-7,62,103 and photography 10-12, 50-1, 75 trace 17-19,25, 34,49, 65, 66, see also inscription trauma 24, 36, 38, 78 violence 10, 24, 63, 65, 78, 92,118 visual economy 90-1,102,104 war 53, 58, 66, 88 witnessing 19, 63, 73,120
What is it to practice history in an ape m which photographs exist? What is the impact ot photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Pr,íctico of History. Elizabeth Edwards proposes a new approach to historical thinking. Structured around key concepts m historical methodology, the book shows that from the mid-19th century onward, photographs haye profoundly influenced historical enquiry. Photographs ліні the Practice of History offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices. |
| any_adam_object | 1 |
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| author | Edwards, Elizabeth 1952- |
| author_GND | (DE-588)140518959 |
| author_facet | Edwards, Elizabeth 1952- |
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| author_sort | Edwards, Elizabeth 1952- |
| author_variant | e e ee |
| building | Verbundindex |
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| ctrlnum | (OCoLC)1298744652 (DE-599)BVBBV047574562 |
| discipline | Allgemeines Geschichte |
| discipline_str_mv | Allgemeines Geschichte |
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| id | DE-604.BV047574562 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:31:36Z |
| indexdate | 2024-07-10T09:15:15Z |
| institution | BVB |
| isbn | 9781350120648 9781350120655 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032960096 |
| oclc_num | 1298744652 |
| open_access_boolean | |
| owner | DE-11 DE-384 DE-521 DE-12 DE-Y3 DE-255 |
| owner_facet | DE-11 DE-384 DE-521 DE-12 DE-Y3 DE-255 |
| physical | xi, 166 Seiten Illustrationen |
| psigel | BSB_NED_20220620 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Edwards, Elizabeth 1952- Verfasser (DE-588)140518959 aut Photographs and the practice of history a short primer Elizabeth Edwards London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 xi, 166 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Fotografie (DE-588)4045895-7 gnd rswk-swf Geschichtsschreibung (DE-588)4020531-9 gnd rswk-swf Quelle (DE-588)4135952-5 gnd rswk-swf Geschichtswissenschaft (DE-588)4020535-6 gnd rswk-swf Fotografie (DE-588)4045895-7 s Quelle (DE-588)4135952-5 s Geschichtswissenschaft (DE-588)4020535-6 s Geschichtsschreibung (DE-588)4020531-9 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-3501-2066-2 Erscheint auch als Online-Ausgabe 978-1-3501-2067-9 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960096&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960096&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Edwards, Elizabeth 1952- Photographs and the practice of history a short primer Fotografie (DE-588)4045895-7 gnd Geschichtsschreibung (DE-588)4020531-9 gnd Quelle (DE-588)4135952-5 gnd Geschichtswissenschaft (DE-588)4020535-6 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4020531-9 (DE-588)4135952-5 (DE-588)4020535-6 |
| title | Photographs and the practice of history a short primer |
| title_auth | Photographs and the practice of history a short primer |
| title_exact_search | Photographs and the practice of history a short primer |
| title_exact_search_txtP | Photographs and the practice of history a short primer |
| title_full | Photographs and the practice of history a short primer Elizabeth Edwards |
| title_fullStr | Photographs and the practice of history a short primer Elizabeth Edwards |
| title_full_unstemmed | Photographs and the practice of history a short primer Elizabeth Edwards |
| title_short | Photographs and the practice of history |
| title_sort | photographs and the practice of history a short primer |
| title_sub | a short primer |
| topic | Fotografie (DE-588)4045895-7 gnd Geschichtsschreibung (DE-588)4020531-9 gnd Quelle (DE-588)4135952-5 gnd Geschichtswissenschaft (DE-588)4020535-6 gnd |
| topic_facet | Fotografie Geschichtsschreibung Quelle Geschichtswissenschaft |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960096&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960096&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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