Perceptions of medieval manuscripts: the phenomenal book
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2021
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiii, 248 Seiten Illustrationen (schwarz-weiß) |
| ISBN: | 9780192843814 |
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Datensatz im Suchindex
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| adam_text | Contents List ofIllustrations 1. Ά Profit to People: Introduction xi 1 2. ‘Fingers Folded Me : Making the Book 18 3. ‘Covered Me with Tracks’: Writing the Book 40 4. ‘People Will Use Me’: Book as Archive 62 5. ‘My Name Is Famous’: Presence in the Book 88 6. ‘In Spirit the Wiser’: Invisible Things in the Book 115 7. ‘Covered with Protecting Boards’: Representing the Book 146 8. ‘Cut by the Edge of the Knife’: Libricide and the Modern Book Trade 168 9. ‘More True and Better’: The Digital Book and Its Frameworks of Understanding 195 10. Bookending‘Pa Wuldorgesteald’: The Wondrous Edifice 213 Bibliography Index ofManuscripts Index 217 241 243
Perceptions ofMedieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time.This holistic approach allows us to tell the story of the book’s life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed ‘dynamic architextuality’. The ten chapters of this study include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts’ blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts’ heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as ‘relics of existence’, as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book’s wholeness. Readers will find chapters on multiple
aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.
|
| adam_txt |
Contents List ofIllustrations 1. Ά Profit to People: Introduction xi 1 2. ‘Fingers Folded Me : Making the Book 18 3. ‘Covered Me with Tracks’: Writing the Book 40 4. ‘People Will Use Me’: Book as Archive 62 5. ‘My Name Is Famous’: Presence in the Book 88 6. ‘In Spirit the Wiser’: Invisible Things in the Book 115 7. ‘Covered with Protecting Boards’: Representing the Book 146 8. ‘Cut by the Edge of the Knife’: Libricide and the Modern Book Trade 168 9. ‘More True and Better’: The Digital Book and Its Frameworks of Understanding 195 10. Bookending‘Pa Wuldorgesteald’: The Wondrous Edifice 213 Bibliography Index ofManuscripts Index 217 241 243
Perceptions ofMedieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time.This holistic approach allows us to tell the story of the book’s life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed ‘dynamic architextuality’. The ten chapters of this study include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts’ blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts’ heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as ‘relics of existence’, as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book’s wholeness. Readers will find chapters on multiple
aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts. |
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| author | Treharne, Elaine 1964- |
| author_GND | (DE-588)14008097X |
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| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| edition | First edition |
| era | Geschichte 600-2022 gnd |
| era_facet | Geschichte 600-2022 |
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| spelling | Treharne, Elaine 1964- Verfasser (DE-588)14008097X aut Perceptions of medieval manuscripts the phenomenal book Elaine Treharne First edition Oxford, United Kingdom Oxford University Press 2021 xiii, 248 Seiten Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Geschichte 600-2022 gnd rswk-swf Herstellung (DE-588)4159653-5 gnd rswk-swf Herkunft (DE-588)4120440-2 gnd rswk-swf Handschrift (DE-588)4023287-6 gnd rswk-swf Buchgeschichte Fach (DE-588)4410857-6 gnd rswk-swf Handschriftenkunde (DE-588)4140704-0 gnd rswk-swf Illuminierte Handschrift (DE-588)4120472-4 gnd rswk-swf Manuscripts, Medieval Criticism, Textual Phenomenology and literature Handschrift (DE-588)4023287-6 s Illuminierte Handschrift (DE-588)4120472-4 s Herstellung (DE-588)4159653-5 s Herkunft (DE-588)4120440-2 s Buchgeschichte Fach (DE-588)4410857-6 s Handschriftenkunde (DE-588)4140704-0 s Geschichte 600-2022 z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-265753-4 (DE-604)BV047567812 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960076&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032960076&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Treharne, Elaine 1964- Perceptions of medieval manuscripts the phenomenal book Herstellung (DE-588)4159653-5 gnd Herkunft (DE-588)4120440-2 gnd Handschrift (DE-588)4023287-6 gnd Buchgeschichte Fach (DE-588)4410857-6 gnd Handschriftenkunde (DE-588)4140704-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd |
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| title | Perceptions of medieval manuscripts the phenomenal book |
| title_auth | Perceptions of medieval manuscripts the phenomenal book |
| title_exact_search | Perceptions of medieval manuscripts the phenomenal book |
| title_exact_search_txtP | Perceptions of medieval manuscripts the phenomenal book |
| title_full | Perceptions of medieval manuscripts the phenomenal book Elaine Treharne |
| title_fullStr | Perceptions of medieval manuscripts the phenomenal book Elaine Treharne |
| title_full_unstemmed | Perceptions of medieval manuscripts the phenomenal book Elaine Treharne |
| title_short | Perceptions of medieval manuscripts |
| title_sort | perceptions of medieval manuscripts the phenomenal book |
| title_sub | the phenomenal book |
| topic | Herstellung (DE-588)4159653-5 gnd Herkunft (DE-588)4120440-2 gnd Handschrift (DE-588)4023287-6 gnd Buchgeschichte Fach (DE-588)4410857-6 gnd Handschriftenkunde (DE-588)4140704-0 gnd Illuminierte Handschrift (DE-588)4120472-4 gnd |
| topic_facet | Herstellung Herkunft Handschrift Buchgeschichte Fach Handschriftenkunde Illuminierte Handschrift |
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