Sounding together: collaborative perspectives on U.S. music in the 21st century
"Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars...
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Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ann Arbor
University of Michigan Press
2021
|
Ausgabe: | Open Access edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book's essays-written by a diverse and cross-generational group of scholars, performers, and practitioners-demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music"-- |
Beschreibung: | viii, 375 Seiten Illustrationen (schwarz-weiß) 23 cm |
ISBN: | 9780472054336 |
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520 | 3 | |a "Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book's essays-written by a diverse and cross-generational group of scholars, performers, and practitioners-demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music"-- | |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgments vii Introduction і CHARLES HIROSHI GARRETT AND CAROL J. OJA Cross-Cultural Encounters across Time 1. Music in Unexpected Places: Hearing New Histories of Early American Music 2і SARAH EYERLY AND RACHEL WHEELER 2. US Concert Music and Cultural Reorientation during the Occupation ofJapan: A Bicultural Perspective 51 MISAKO OHTA AND CAROL J. OJA 3. Listening to and Learning from Music of the Global United States 82 PANAYOTIS LEAGUE AND KAY KAUFMAN SHELEMAY Performance and Social Justice 4. Sounding Black, Acting White: Hearing Race and Racism in Gospel Performance 113 BRAXTON D. SHELLEY Lift Every Voice? White Domination Still Matters, Even in Sacred Space: A Sociologist’s Reflection on “Sounding Black, Acting White” CHERYL TOWNSEND GILKES 138
vi Contents 5. For the Daughters ofHarlem. Bridging Campus and Community through Sound 145 ELLIE M. HIŠAMA AND LUCIE VÁGNEROVÁ 6. The Law of Returns: Muhal Richard Abrams and Vijay Iyer in Conversation 174 The Politics of Historiography 7. White Noise: Historiographical Exceptionalism and the Construction of a White American Music History 207 GLENDA GOODMAN AND SAMUEL PARLER 8. Exceptional Matters, Exceptional Times: A Conversation about the Challenges of US Music Scholarship in the Age of Black Lives Matter and Trump 239 JOSH KUN AND ALEJANDRO L. MADRID g. Music, Travel, and Circuitous Reflections of Community 264 MONICA A. HERSHBERGER AND SARAH SUHADOLNIK Reaching Outward as Teachers and Scholars 10. Pedagogies of Music, Politics, and Race in US Music Studies 287 LOREN KAJIKAWA AND DANIEL MARTINEZ HOSANG 11. Finding Success inside and outside the Academy 310 MICHAEL SY UYAND NAOMI ANDRÉ 12. Collaborative Voices: Reimagining US Music Scholarship after AmeriGrove II 334 CHARLES HIROSHI GARRETT AND DANIEL GOLDMARK Contributors 357 Index 363 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.11374592
|
adam_txt |
Contents Acknowledgments vii Introduction і CHARLES HIROSHI GARRETT AND CAROL J. OJA Cross-Cultural Encounters across Time 1. Music in Unexpected Places: Hearing New Histories of Early American Music 2і SARAH EYERLY AND RACHEL WHEELER 2. US Concert Music and Cultural Reorientation during the Occupation ofJapan: A Bicultural Perspective 51 MISAKO OHTA AND CAROL J. OJA 3. Listening to and Learning from Music of the Global United States 82 PANAYOTIS LEAGUE AND KAY KAUFMAN SHELEMAY Performance and Social Justice 4. Sounding Black, Acting White: Hearing Race and Racism in Gospel Performance 113 BRAXTON D. SHELLEY Lift Every Voice? White Domination Still Matters, Even in Sacred Space: A Sociologist’s Reflection on “Sounding Black, Acting White” CHERYL TOWNSEND GILKES 138
vi Contents 5. For the Daughters ofHarlem. Bridging Campus and Community through Sound 145 ELLIE M. HIŠAMA AND LUCIE VÁGNEROVÁ 6. The Law of Returns: Muhal Richard Abrams and Vijay Iyer in Conversation 174 The Politics of Historiography 7. White Noise: Historiographical Exceptionalism and the Construction of a White American Music History 207 GLENDA GOODMAN AND SAMUEL PARLER 8. Exceptional Matters, Exceptional Times: A Conversation about the Challenges of US Music Scholarship in the Age of Black Lives Matter and Trump 239 JOSH KUN AND ALEJANDRO L. MADRID g. Music, Travel, and Circuitous Reflections of Community 264 MONICA A. HERSHBERGER AND SARAH SUHADOLNIK Reaching Outward as Teachers and Scholars 10. Pedagogies of Music, Politics, and Race in US Music Studies 287 LOREN KAJIKAWA AND DANIEL MARTINEZ HOSANG 11. Finding Success inside and outside the Academy 310 MICHAEL SY UYAND NAOMI ANDRÉ 12. Collaborative Voices: Reimagining US Music Scholarship after AmeriGrove II 334 CHARLES HIROSHI GARRETT AND DANIEL GOLDMARK Contributors 357 Index 363 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.11374592 |
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spelling | Sounding together collaborative perspectives on U.S. music in the 21st century Charles Hiroshi Garrett and Carol J. Oja, editors Open Access edition Ann Arbor University of Michigan Press 2021 viii, 375 Seiten Illustrationen (schwarz-weiß) 23 cm txt rdacontent n rdamedia nc rdacarrier "Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book's essays-written by a diverse and cross-generational group of scholars, performers, and practitioners-demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music"-- Geschichte 2000-2020 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Music / United States / 21st century / History and criticism Music / Instruction and study / United States / History / 21st century Music / Political aspects / United States / History / 21st century Music Music / Instruction and study Music / Political aspects United States 2000-2099 Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Musik (DE-588)4040802-4 s Geschichte 2000-2020 z DE-604 Garrett, Charles Hiroshi 1966- (DE-588)137425988 edt Oja, Carol J. 1953- (DE-588)1038697328 edt Erscheint auch als Online-Ausgabe 9780472901302 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958361&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sounding together collaborative perspectives on U.S. music in the 21st century Musik (DE-588)4040802-4 gnd |
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title | Sounding together collaborative perspectives on U.S. music in the 21st century |
title_auth | Sounding together collaborative perspectives on U.S. music in the 21st century |
title_exact_search | Sounding together collaborative perspectives on U.S. music in the 21st century |
title_exact_search_txtP | Sounding together collaborative perspectives on U.S. music in the 21st century |
title_full | Sounding together collaborative perspectives on U.S. music in the 21st century Charles Hiroshi Garrett and Carol J. Oja, editors |
title_fullStr | Sounding together collaborative perspectives on U.S. music in the 21st century Charles Hiroshi Garrett and Carol J. Oja, editors |
title_full_unstemmed | Sounding together collaborative perspectives on U.S. music in the 21st century Charles Hiroshi Garrett and Carol J. Oja, editors |
title_short | Sounding together |
title_sort | sounding together collaborative perspectives on u s music in the 21st century |
title_sub | collaborative perspectives on U.S. music in the 21st century |
topic | Musik (DE-588)4040802-4 gnd |
topic_facet | Musik USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958361&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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