Digital scenography in opera in the twenty-first century:
Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography's dramaturgical possibilities and establishes a critical framework for identifying and comparing...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography's dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera's longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria Vita' Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Thtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera |
| Beschreibung: | xiv, 198 Seiten Illustrationen, Diagramme |
| ISBN: | 9780367553920 9780367553937 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047572681 | ||
| 003 | DE-604 | ||
| 005 | 20240124 | ||
| 007 | t | ||
| 008 | 211104s2022 a||| b||| 00||| eng d | ||
| 020 | |a 9780367553920 |c hardback |9 978-0-367-55392-0 | ||
| 020 | |a 9780367553937 |c paperback |9 978-0-367-55393-7 | ||
| 035 | |a (OCoLC)1289764669 | ||
| 035 | |a (DE-599)BVBBV047572681 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 |a DE-703 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 54171 |0 (DE-625)109639: |2 rvk | ||
| 084 | |a LR 54137 |0 (DE-625)109631:13535 |2 rvk | ||
| 084 | |a 801501 Bayreuth Festspielhaus*by*of |2 sbb | ||
| 084 | |a 803000 Wagner, Richard*by*ob*of |2 sbb | ||
| 100 | 1 | |a Vincent, Caitlin |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1175454583 |4 aut | |
| 245 | 1 | 0 | |a Digital scenography in opera in the twenty-first century |c Caitlin Vincent |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2022 | |
| 300 | |a xiv, 198 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate interdisciplinary studies in opera | |
| 520 | 3 | |a Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography's dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera's longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria Vita' Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Thtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera | |
| 648 | 7 | |a Geschichte 2000-2020 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Szenografie |0 (DE-588)4433627-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Digitalisierung |0 (DE-588)4123065-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bühnenbild |0 (DE-588)4008738-4 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Opera / Stage-setting and scenery | |
| 653 | 0 | |a Projected scenery | |
| 653 | 0 | |a Opera / Stage-setting and scenery | |
| 653 | 0 | |a Projected scenery | |
| 653 | 0 | |a MUSIC / Genres & Styles / Opera | |
| 653 | 0 | |a PERFORMING ARTS / General | |
| 689 | 0 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 1 | |a Szenografie |0 (DE-588)4433627-5 |D s |
| 689 | 0 | 2 | |a Bühnenbild |0 (DE-588)4008738-4 |D s |
| 689 | 0 | 3 | |a Digitalisierung |0 (DE-588)4123065-6 |D s |
| 689 | 0 | 4 | |a Geschichte 2000-2020 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003-09330-5 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n by | |
| 940 | 1 | |q BSB_NED_20211208 | |
| 940 | 1 | |q gbd_0 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032958265 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |
Datensatz im Suchindex
| _version_ | 1804182920081965056 |
|---|---|
| adam_text | Contents List offigures Acknowledgements Introduction to digital scenography in opera xi xiii 1 What is digital scenography? 5 Why opera? 8 Research methods ll The modes of synthesis І1 Examples of practice 13 Interviews 15 Chapter outline 17 References 19 1 A new classification system for digital scenography: the modes of synthesis 24 Articulating the modes of synthesis: non-synthesis, partial-synthesis, andfull-synthesis 26 Non-synthesis—San Francisco Opera, The Magic Flute (2012) 31 Partial-synthesis—Theatre Royal de la Monnaie, The Magic Flute (2005) 34 Full-synthesis—Komische Oper Berlin, The Magic Flute (2012) 37 A comparison of critical responses to the three productions 39 Conclusion 42 References 43 2 The variants of causal interplay Agency: the screen as performer 48 Dutch National Opera, The Magic Flute (2012)—partial-synthesis 50 47
viii Contents Victorian Opera, Four Saints in Three Acts (2016)—partial-synthesis 52 Augmentation: extension and transformation through digitalisation 54 The Royal Opera, Covent Garden, Don Giovanni (2014)—partial-synthesis 57 Victorian Opera, The Flying Dutchman (2015)—partial-synthesis 59 Full-synthesis extremes of agency and augmentation 62 Opéra de Lyon, L’Enfant et les Sortilèges (2016)—full-synthesis 62 Autonomy: faux-interactivity versus functional interactivity 65 The Metropolitan Opera, Das Rheingold (2010)—partial-synthesis 67 Implications for performers and audiences 69 References 71 3 4 The lineage of digital scenography in opera: Baroque origins to the twentieth century The origins of the Baroque opera paradigm 76 The Baroque paradigm and the interplay between performer, stage setting, and spectator 79 New perspectives: the scenic reforms of Ferdinando Galli-Bibiena (1657-1743) 80 The scénographie transition to grand opera’ 83 The ‘mystic chasm: Richard Wagner (1813-1883) and the Bayreuth Festspielhaus 85 Adolphe Appia (1862-1928) and dynamic light 89 Looking towards the twentieth century 92 References 94 74 The lineage of digital scenography in opera: multimedia developments in the twentieth century 98 Avant-garde origins 100 Edward Gordon Craig (1872-1966) and Enrico Prampolini (1894—1956): ‘a thousand scenes in one’ and‘luminous forms’ 102 Josef Svoboda (1920-2002) and the dynamic setting of the Laterna Magika 105 The Tales of Hoffmann (1962) 107 Günther Schneider-Siemssen (1926-2015) and the holograms of the Salzburg Marionette Theatre 110 The Tales of
Hoffmann (1985) 111 Looking towards the twenty-first century 114 References 116
Contents ix 5 The projection designer and evolving creative hierarchies 119 The roles and responsibilities of the projection designer 120 Industry recognition and acknowledgement 123 The traditional theatrical hierarchy: director as ultimate authority 125 The lateral hierarchy: collective directorate 128 Hierarchical variation: projection designers as the directorial authority 133 The evolving role of the projection designer 137 Creative hierarchies and the modes of synthesis 139 References 141 6 Digital scenography and evolving production design processes 144 A benchmark of organisational andfunding models 145 The twentieth-century standardfor production design 148 Washington National Opera’s Das Rheingold (2016)—non-synthesis 151 Theatre Royal de la Monnaies The Magic Flute (2005)—partial-synthesis 154 Dutch National Opera’s The Magic Flute (2012)—partial-synthesis 156 Santa Fe Opera’s The (Revolution of Steve Jobs (2017)—non-synthesis 158 Komische Oper Berlin’s The Magic Flute (2012)—full-synthesis 161 Commonalities across the five production design processes 163 Production design processes and the modes of synthesis 166 References 168 Conclusion: the future evolution of digital scenography References 174 Appendix 1 Digitally enhanced opera productions reviewedfor this research Appendix 2 Case study productions Appendix 3 Interview participants Index 170 177 181 187 195
|
| adam_txt |
Contents List offigures Acknowledgements Introduction to digital scenography in opera xi xiii 1 What is digital scenography? 5 Why opera? 8 Research methods ll The modes of synthesis І1 Examples of practice 13 Interviews 15 Chapter outline 17 References 19 1 A new classification system for digital scenography: the modes of synthesis 24 Articulating the modes of synthesis: non-synthesis, partial-synthesis, andfull-synthesis 26 Non-synthesis—San Francisco Opera, The Magic Flute (2012) 31 Partial-synthesis—Theatre Royal de la Monnaie, The Magic Flute (2005) 34 Full-synthesis—Komische Oper Berlin, The Magic Flute (2012) 37 A comparison of critical responses to the three productions 39 Conclusion 42 References 43 2 The variants of causal interplay Agency: the screen as 'performer 48 Dutch National Opera, The Magic Flute (2012)—partial-synthesis 50 47
viii Contents Victorian Opera, Four Saints in Three Acts (2016)—partial-synthesis 52 Augmentation: extension and transformation through digitalisation 54 The Royal Opera, Covent Garden, Don Giovanni (2014)—partial-synthesis 57 Victorian Opera, The Flying Dutchman (2015)—partial-synthesis 59 Full-synthesis extremes of agency and augmentation 62 Opéra de Lyon, L’Enfant et les Sortilèges (2016)—full-synthesis 62 Autonomy: faux-interactivity versus functional interactivity 65 The Metropolitan Opera, Das Rheingold (2010)—partial-synthesis 67 Implications for performers and audiences 69 References 71 3 4 The lineage of digital scenography in opera: Baroque origins to the twentieth century The origins of the Baroque opera paradigm 76 The Baroque paradigm and the interplay between performer, stage setting, and spectator 79 New perspectives: the scenic reforms of Ferdinando Galli-Bibiena (1657-1743) 80 The scénographie transition to 'grand opera’ 83 The ‘mystic chasm: Richard Wagner (1813-1883) and the Bayreuth Festspielhaus 85 Adolphe Appia (1862-1928) and dynamic light 89 Looking towards the twentieth century 92 References 94 74 The lineage of digital scenography in opera: multimedia developments in the twentieth century 98 Avant-garde origins 100 Edward Gordon Craig (1872-1966) and Enrico Prampolini (1894—1956): ‘a thousand scenes in one’ and‘luminous forms’ 102 Josef Svoboda (1920-2002) and the dynamic setting of the Laterna Magika 105 The Tales of Hoffmann (1962) 107 Günther Schneider-Siemssen (1926-2015) and the holograms of the Salzburg Marionette Theatre 110 The Tales of
Hoffmann (1985) 111 Looking towards the twenty-first century 114 References 116
Contents ix 5 The projection designer and evolving creative hierarchies 119 The roles and responsibilities of the projection designer 120 Industry recognition and acknowledgement 123 The traditional theatrical hierarchy: director as ultimate authority 125 The lateral hierarchy: collective directorate 128 Hierarchical variation: projection designers as the directorial authority 133 The evolving role of the projection designer 137 Creative hierarchies and the modes of synthesis 139 References 141 6 Digital scenography and evolving production design processes 144 A benchmark of organisational andfunding models 145 The twentieth-century standardfor production design 148 Washington National Opera’s Das Rheingold (2016)—non-synthesis 151 Theatre Royal de la Monnaies The Magic Flute (2005)—partial-synthesis 154 Dutch National Opera’s The Magic Flute (2012)—partial-synthesis 156 Santa Fe Opera’s The (Revolution of Steve Jobs (2017)—non-synthesis 158 Komische Oper Berlin’s The Magic Flute (2012)—full-synthesis 161 Commonalities across the five production design processes 163 Production design processes and the modes of synthesis 166 References 168 Conclusion: the future evolution of digital scenography References 174 Appendix 1 Digitally enhanced opera productions reviewedfor this research Appendix 2 Case study productions Appendix 3 Interview participants Index 170 177 181 187 195 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Vincent, Caitlin ca. 20./21. Jh |
| author_GND | (DE-588)1175454583 |
| author_facet | Vincent, Caitlin ca. 20./21. Jh |
| author_role | aut |
| author_sort | Vincent, Caitlin ca. 20./21. Jh |
| author_variant | c v cv |
| building | Verbundindex |
| bvnumber | BV047572681 |
| classification_rvk | LR 54171 LR 54137 |
| ctrlnum | (OCoLC)1289764669 (DE-599)BVBBV047572681 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 2000-2020 gnd |
| era_facet | Geschichte 2000-2020 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03781nam a2200625 c 4500</leader><controlfield tag="001">BV047572681</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240124 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211104s2022 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367553920</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-367-55392-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367553937</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-367-55393-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1289764669</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047572681</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="0">(DE-625)109639:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54137</subfield><subfield code="0">(DE-625)109631:13535</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">801501 Bayreuth Festspielhaus*by*of</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">803000 Wagner, Richard*by*ob*of</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Vincent, Caitlin</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1175454583</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Digital scenography in opera in the twenty-first century</subfield><subfield code="c">Caitlin Vincent</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiv, 198 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate interdisciplinary studies in opera</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography's dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera's longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria Vita' Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Thtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2020</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Szenografie</subfield><subfield code="0">(DE-588)4433627-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bühnenbild</subfield><subfield code="0">(DE-588)4008738-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Stage-setting and scenery</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Projected scenery</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Opera / Stage-setting and scenery</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Projected scenery</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">MUSIC / Genres & Styles / Opera</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / General</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Szenografie</subfield><subfield code="0">(DE-588)4433627-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Bühnenbild</subfield><subfield code="0">(DE-588)4008738-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Digitalisierung</subfield><subfield code="0">(DE-588)4123065-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2000-2020</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-003-09330-5</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20211208</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032958265</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
| id | DE-604.BV047572681 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:30:48Z |
| indexdate | 2024-07-10T09:15:12Z |
| institution | BVB |
| isbn | 9780367553920 9780367553937 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032958265 |
| oclc_num | 1289764669 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-703 |
| owner_facet | DE-12 DE-11 DE-703 |
| physical | xiv, 198 Seiten Illustrationen, Diagramme |
| psigel | BSB_NED_20211208 gbd_0 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Ashgate interdisciplinary studies in opera |
| spelling | Vincent, Caitlin ca. 20./21. Jh. Verfasser (DE-588)1175454583 aut Digital scenography in opera in the twenty-first century Caitlin Vincent London ; New York Routledge, Taylor & Francis Group 2022 xiv, 198 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography's dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera's longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria Vita' Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Thtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera Geschichte 2000-2020 gnd rswk-swf Szenografie (DE-588)4433627-5 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Bühnenbild (DE-588)4008738-4 gnd rswk-swf Opera / Stage-setting and scenery Projected scenery MUSIC / Genres & Styles / Opera PERFORMING ARTS / General Oper (DE-588)4043582-9 s Szenografie (DE-588)4433627-5 s Bühnenbild (DE-588)4008738-4 s Digitalisierung (DE-588)4123065-6 s Geschichte 2000-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-1-003-09330-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Vincent, Caitlin ca. 20./21. Jh Digital scenography in opera in the twenty-first century Szenografie (DE-588)4433627-5 gnd Digitalisierung (DE-588)4123065-6 gnd Oper (DE-588)4043582-9 gnd Bühnenbild (DE-588)4008738-4 gnd |
| subject_GND | (DE-588)4433627-5 (DE-588)4123065-6 (DE-588)4043582-9 (DE-588)4008738-4 |
| title | Digital scenography in opera in the twenty-first century |
| title_auth | Digital scenography in opera in the twenty-first century |
| title_exact_search | Digital scenography in opera in the twenty-first century |
| title_exact_search_txtP | Digital scenography in opera in the twenty-first century |
| title_full | Digital scenography in opera in the twenty-first century Caitlin Vincent |
| title_fullStr | Digital scenography in opera in the twenty-first century Caitlin Vincent |
| title_full_unstemmed | Digital scenography in opera in the twenty-first century Caitlin Vincent |
| title_short | Digital scenography in opera in the twenty-first century |
| title_sort | digital scenography in opera in the twenty first century |
| topic | Szenografie (DE-588)4433627-5 gnd Digitalisierung (DE-588)4123065-6 gnd Oper (DE-588)4043582-9 gnd Bühnenbild (DE-588)4008738-4 gnd |
| topic_facet | Szenografie Digitalisierung Oper Bühnenbild |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT vincentcaitlin digitalscenographyinoperainthetwentyfirstcentury |