Neurofilmology of the moving image: gravity and vertigo in contemporary cinema
A walk suspended in mid-air, a fall at breakneck speed towards a fatal impact with the ground, an upside-down flip into space, the drift of an astronaut in the void? Analysing a wide range of films, this book brings to light a series of recurrent aesthetic motifs through which contemporary cinema de...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2021
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| Zusammenfassung: | A walk suspended in mid-air, a fall at breakneck speed towards a fatal impact with the ground, an upside-down flip into space, the drift of an astronaut in the void? Analysing a wide range of films, this book brings to light a series of recurrent aesthetic motifs through which contemporary cinema destabilizes and then restores the spectator?s sense of equilibrium. The ?tensive motifs? of acrobatics, fall, impact, overturning, and drift reflect our fears and dreams, and offer imaginary forms of transcendence of the limits of our human condition, along with an awareness of their insurmountable nature. Adopting the approach of ?Neurofilmology? - an interdisciplinary method that puts filmology, perceptual psychology, philosophy of mind, and cognitive neuroscience into dialogue - , this book implements the paradigm of embodied cognition in a new ecological epistemology of the moving-image experience |
| ISBN: | 9463725253 9789463725255 |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
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| spelling | D'Aloia, Adriano 1980- Verfasser (DE-588)1095141546 aut Neurofilmology of the moving image gravity and vertigo in contemporary cinema Amsterdam Amsterdam University Press 2021 txt rdacontent n rdamedia nc rdacarrier A walk suspended in mid-air, a fall at breakneck speed towards a fatal impact with the ground, an upside-down flip into space, the drift of an astronaut in the void? Analysing a wide range of films, this book brings to light a series of recurrent aesthetic motifs through which contemporary cinema destabilizes and then restores the spectator?s sense of equilibrium. The ?tensive motifs? of acrobatics, fall, impact, overturning, and drift reflect our fears and dreams, and offer imaginary forms of transcendence of the limits of our human condition, along with an awareness of their insurmountable nature. Adopting the approach of ?Neurofilmology? - an interdisciplinary method that puts filmology, perceptual psychology, philosophy of mind, and cognitive neuroscience into dialogue - , this book implements the paradigm of embodied cognition in a new ecological epistemology of the moving-image experience Erscheint auch als Online-Ausgabe 978-90-485-5370-9 |
| spellingShingle | D'Aloia, Adriano 1980- Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_auth | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_exact_search | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_exact_search_txtP | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_full | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_fullStr | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_full_unstemmed | Neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_short | Neurofilmology of the moving image |
| title_sort | neurofilmology of the moving image gravity and vertigo in contemporary cinema |
| title_sub | gravity and vertigo in contemporary cinema |
| work_keys_str_mv | AT daloiaadriano neurofilmologyofthemovingimagegravityandvertigoincontemporarycinema |