A modernist cinema: film art from 1914 to 1941
"In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and A...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors-Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles-these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography. Contributors: Richard Begam, Maurizia Bascagli, Enda Duffy, Laura Frost, Andrzej Gasiorek, Scott W. Klein, Douglas Mao, Laura Marcus, Jesse Matz, Tyrus Miller, Michael Valdez Moses, Michael North, Elizabeth Otto, Carrie J. Preston, Lisa Siraganian, Michael Wood"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 322 Seiten Illustrationen |
| ISBN: | 9780199379460 9780199379453 |
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Datensatz im Suchindex
| _version_ | 1804182919716012032 |
|---|---|
| adam_text | A Modernist Cinema
Film Art from 1914 to 1941
Edited by
Scott W Klein and Michael Valdez Moses
OXFORD
UNIVERSITY PRESS
Contents
Acknowledgments ix
Introduction 1
Michael Valdez Moses and Scott W Klein
1 Giovanni Pastrone’s Cab/r/a, Gesture, Modernism 14
Enda Duffy and Maurizia Boscagli
2DW Griffith’s Intolerance and the Ever-Present Now 33
Michael North
3 Sergei Eisenstein’s Collage: Filming Montage in Museums at
Night 49
LisaSiraganian
4 From Automaton to Autonomy: Mechanical Reproduction in
Fritz Lang’s Metropolis 67
Richard Begam
5 “Suspense Is like a Woman”: Sex and Style in Alfred Hitchcock’s
Pleasure Garden and The Lodger 88
Laura Frost
6FW Murnau’s Sunrise: Between Two Worlds 108
Laura Marcus
7 “A Language Worth the Trouble of Learning”? Carl Theodor
Dreyer’s The Passion of Joan of Arc 126
Andrzej Gqsiorek
8 Intervals of Transition: Dziga Vertov’s The Man with a Movie
Camera 143
Tyrus Miller
9 Luis Bunuel, Surrealism, and the Politics of Disorder 165
Michael Wood
10 Ozu Yasujiro’s A Story of Floating Weeds and the Art of Being
Behind 177
Carrie J Preston
viii Contents
11 “That Saves Them the Blessings of Civilization”: John Ford’s
Stagecoach, the West, and American Vernacular Modernism 194
Michael Valdez Moses
12 “ Tout le monde a sesraisons”: The Problem of Impressionist
Commitment in Jean Renoir’s La Regie du Jeu 220
Jesse Matz
13 “You Must Speak”: Silence, Scale, and Power in Charlie
Chaplin’s The Great Dictator 242
Scott bV Klein
14 Leni Riefenstahl’s Nazi Neoclassicism: Olympia (1938) 260
Elizabeth Otto
15 On Auratic and Sentimental Objects: High and Low Modernism
in Orson Welles’s Citizen Kane 280
Douglas Mao
List of Contributors 301
Index 305
|
| adam_txt |
A Modernist Cinema
Film Art from 1914 to 1941
Edited by
Scott W Klein and Michael Valdez Moses
OXFORD
UNIVERSITY PRESS
Contents
Acknowledgments ix
Introduction 1
Michael Valdez Moses and Scott W Klein
1 Giovanni Pastrone’s Cab/r/a, Gesture, Modernism 14
Enda Duffy and Maurizia Boscagli
2DW Griffith’s Intolerance and the Ever-Present Now 33
Michael North
3 Sergei Eisenstein’s Collage: Filming Montage in Museums at
Night 49
LisaSiraganian
4 From Automaton to Autonomy: Mechanical Reproduction in
Fritz Lang’s Metropolis 67
Richard Begam
5 “Suspense Is like a Woman”: Sex and Style in Alfred Hitchcock’s
Pleasure Garden and The Lodger 88
Laura Frost
6FW Murnau’s Sunrise: Between Two Worlds 108
Laura Marcus
7 “A Language Worth the Trouble of Learning”? Carl Theodor
Dreyer’s The Passion of Joan of Arc 126
Andrzej Gqsiorek
8 Intervals of Transition: Dziga Vertov’s The Man with a Movie
Camera 143
Tyrus Miller
9 Luis Bunuel, Surrealism, and the Politics of Disorder 165
Michael Wood
10 Ozu Yasujiro’s A Story of Floating Weeds and the Art of Being
Behind 177
Carrie J Preston
viii Contents
11 “That Saves Them the Blessings of Civilization”: John Ford’s
Stagecoach, the West, and American Vernacular Modernism 194
Michael Valdez Moses
12 “ Tout le monde a sesraisons”: The Problem of Impressionist
Commitment in Jean Renoir’s La Regie du Jeu 220
Jesse Matz
13 “You Must Speak”: Silence, Scale, and Power in Charlie
Chaplin’s The Great Dictator 242
Scott bV Klein
14 Leni Riefenstahl’s Nazi Neoclassicism: Olympia (1938) 260
Elizabeth Otto
15 On Auratic and Sentimental Objects: High and Low Modernism
in Orson Welles’s Citizen Kane 280
Douglas Mao
List of Contributors 301
Index 305 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Klein, Scott W. ca. 20. Jh Moses, Michael Valdez 1957- |
| author2 | Klein, Scott W. ca. 20. Jh Moses, Michael Valdez 1957- |
| author2_role | edt edt |
| author2_variant | s w k sw swk m v m mv mvm |
| author_GND | (DE-588)1106457161 (DE-588)124227287 |
| author_facet | Klein, Scott W. ca. 20. Jh Moses, Michael Valdez 1957- Klein, Scott W. ca. 20. Jh Moses, Michael Valdez 1957- |
| author_role | aut aut |
| author_sort | Klein, Scott W. ca. 20. Jh |
| author_variant | s w k sw swk m v m mv mvm |
| building | Verbundindex |
| bvnumber | BV047572459 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.A1 |
| callnumber-search | PN1993.5.A1 |
| callnumber-sort | PN 41993.5 A1 |
| callnumber-subject | PN - General Literature |
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| ctrlnum | (OCoLC)1286683896 (DE-599)KXP1752815246 |
| dewey-full | 791.4309 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309 |
| dewey-search | 791.4309 |
| dewey-sort | 3791.4309 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1914-1941 gnd |
| era_facet | Geschichte 1914-1941 |
| format | Book |
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| spelling | A modernist cinema film art from 1914 to 1941 edited by Scott W. Klein and Michael Valdez Moses New York, NY Oxford University Press [2021] © 2021 viii, 322 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors-Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles-these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography. Contributors: Richard Begam, Maurizia Bascagli, Enda Duffy, Laura Frost, Andrzej Gasiorek, Scott W. Klein, Douglas Mao, Laura Marcus, Jesse Matz, Tyrus Miller, Michael Valdez Moses, Michael North, Elizabeth Otto, Carrie J. Preston, Lisa Siraganian, Michael Wood"-- Geschichte 1914-1941 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Motion pictures / History / 20th century Motion pictures / Aesthetics Modernism (Aesthetics) (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Moderne (DE-588)4039827-4 s Geschichte 1914-1941 z DE-604 Klein, Scott W. ca. 20. Jh. (DE-588)1106457161 edt win aut Moses, Michael Valdez 1957- (DE-588)124227287 edt win aut Erscheint auch als Online-Ausgabe 978-0-19-091213-0 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Klein, Scott W. ca. 20. Jh Moses, Michael Valdez 1957- A modernist cinema film art from 1914 to 1941 Moderne (DE-588)4039827-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4039827-4 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | A modernist cinema film art from 1914 to 1941 |
| title_auth | A modernist cinema film art from 1914 to 1941 |
| title_exact_search | A modernist cinema film art from 1914 to 1941 |
| title_exact_search_txtP | A modernist cinema film art from 1914 to 1941 |
| title_full | A modernist cinema film art from 1914 to 1941 edited by Scott W. Klein and Michael Valdez Moses |
| title_fullStr | A modernist cinema film art from 1914 to 1941 edited by Scott W. Klein and Michael Valdez Moses |
| title_full_unstemmed | A modernist cinema film art from 1914 to 1941 edited by Scott W. Klein and Michael Valdez Moses |
| title_short | A modernist cinema |
| title_sort | a modernist cinema film art from 1914 to 1941 |
| title_sub | film art from 1914 to 1941 |
| topic | Moderne (DE-588)4039827-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Moderne Film Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032958048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kleinscottw amodernistcinemafilmartfrom1914to1941 AT mosesmichaelvaldez amodernistcinemafilmartfrom1914to1941 |