The Palgrave handbook of image studies:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham
Palgrave Macmillan
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxix, 984 Seiten Illustrationen |
| ISBN: | 9783030718299 9783030718329 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Introduction: Between the Creation and Disintegration of Images Krešimir Purgar Part I Essential Histories 1 21 The Concept of the Image in the Old and New Testaments Michael Shaw 23 Mimesis and Simulacrum in Aristotle and Plato Nickolas Pappas 37 Iconoclastic Disputes in Byzantium Konstantinos Giakoumis 51 Perspective, Space and Camera Obscura in the Renaissance Ian Verstegen 75 Immanuel Kant and the Emancipation of the Image Mojca Kuplen 93 Formalism and Kunstwissenschaft: The “How” of the Image Andrea Pinotti 109 Aby Warburg and the Foundations of Image Studies Steffen Haug and Johannes von Müller 131 Early Interactions of Static and Moving Images Mirela Ramljak Purgar 147
vi CONTENTS Iconoclasm and Creation of the Avant-Garde 1 Nadja Gnamuš Planarity, Pictorial Space, and Abstraction 18 Jeffrey Strayer The Postmodern Image 20՜ Luca Malavasi Digital Images and Virtual Worlds 221; Rebecca Haar The Martian Image (On Earth) 233 Ingrid Hoelzl and Remi Marie Part II Fundamental Concepts 247 Intentionality, Phantasy, and Image Consciousness in Edmund Husserl 249 Claudio Rozzoni Aura֊, Technology, and the Work of Art in Walter Benjamin 265 Zarko Paie Image and the Illusion of Immanence in Jean-Paul Sartre 281 John Lechte Trait, Identity, and the Gaze in Jacques Lacan 295 Andrei Gornykh Symbolic Exchange and Simulation in Jean Baudrillard 313 Gary Genosko Historicity of Observing and Vision in Jonathan Crary 327 Łukasz Zaremba Male Gaze and Visual Pleasure in Laura Mulvey 343 Patricia Stefanovič and Ana Gruić Parać Reality, Fiction and Make-Believe in Kendall Walton Emanuele Arielli 363
CONTENTS The Technical Image in Vilém Flusser xii 3 79 Dario Vuger Im/pulse to See in Rosalind Krauss 395 Filip Lipiński The Power of and Response to Images in David Freedberg 415 Maxime Boidy Part III Frequent Subjects 431 Ontological Dispute: What Is an Image? 433 Andrea Rabbito Representation and the Scopic Regime of (Post-)Cartesianism 449 Donal Moloney The Iconic (In)difference 467 Pietro Conte Seeing֊as, Seeing-in, Seeing-with: Looking Through Pictures 483 Emmanuel Alloa Varieties of Transparency 501 John Kulvicki Photographic Images in the Digital Era 515 Koray Değirmenci Images and Invisibility 533 Øyvind Vågnes How to Make Images Real 547 Wolfram Pichler Images and Ethics 557 Asbjørn Grønstad The Beholder’s Freedom: Critical Remarks on the “Will to See” Mark Halawa-Sarholz 575
viii 8 CONTENTS Surveillance and Manipulation Versus Networking and Sharing 589 Elio Ugenti Mobile Images 609 Gaby David Part ГѴ Related Disciplines 623 Phenomenology of the Image 625 Harri Macklin Visual Semiotics 641 Angela Mengoni Literary Iconology: Tropes and Typologies 655 Liliane Louvel French Theory: Poststructuralism and Deconstruction 671 Iris Laner Anglo-American Theory: Representation and Visual Activism 687 Andrea Průchová Hrůzová German Theory: Bildwissenschaft and the Iconic Turn 703 Žarko Paić The Image and Neuroaesthetics 719 Matthew Rampley Visual Sociology 735 Carolina Cambre Images and Architecture 759 Vlad Ionescu, Maarten Van Den Driessche, and Louis De Mey What is Design Theory? Oliver Ruf 779
CONTENTS ix part V Contemporary Thinkers 799 W. J. T. Mitchell 801 Krešimir Purgar Michele Cometa 823 Valeria Cammarata Paul Crowther 841 Elena Fell Hans Belting 857 Luca Vargiu Klaus Sachs-Hombach 873 Lukas R. A. Wilde Dieter Mersch 889 Marcel Finke Horst Bredekamp 905 Yannis Hadjinicolaou Lambert Wiesing 921 Yvonne Förster Gottfried Boehm 937 Rahel Viliinger Georges Didi-Huberman 951 Andrzej Leśniak Index 965
This handbook brings together the most current and hotly debated topics ՞ studies about images today. Pictorial phenomena are explained and articulated from the interdisciplinary, all-encompassing position of Image Studies by undertaking an historical, practical, and theoretical penetration into the culture of the image. The book is structured according to the need to present new fields of inquiry in a logical way: from historical facts to more specific methodologies subjects, and themes developed within Image Studies, and to finally put an emphasis on the most prominent contemporary scholars that have helped delineate major trajectories in the field. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth part is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.
|
| adam_txt |
Contents Introduction: Between the Creation and Disintegration of Images Krešimir Purgar Part I Essential Histories 1 21 The Concept of the Image in the Old and New Testaments Michael Shaw 23 Mimesis and Simulacrum in Aristotle and Plato Nickolas Pappas 37 Iconoclastic Disputes in Byzantium Konstantinos Giakoumis 51 Perspective, Space and Camera Obscura in the Renaissance Ian Verstegen 75 Immanuel Kant and the Emancipation of the Image Mojca Kuplen 93 Formalism and Kunstwissenschaft: The “How” of the Image Andrea Pinotti 109 Aby Warburg and the Foundations of Image Studies Steffen Haug and Johannes von Müller 131 Early Interactions of Static and Moving Images Mirela Ramljak Purgar 147
vi CONTENTS Iconoclasm and Creation of the Avant-Garde 1 Nadja Gnamuš Planarity, Pictorial Space, and Abstraction 18' Jeffrey Strayer The Postmodern Image 20՜ Luca Malavasi Digital Images and Virtual Worlds 221; Rebecca Haar The Martian Image (On Earth) 233 Ingrid Hoelzl and Remi Marie Part II Fundamental Concepts 247 Intentionality, Phantasy, and Image Consciousness in Edmund Husserl 249 Claudio Rozzoni Aura֊, Technology, and the Work of Art in Walter Benjamin 265 Zarko Paie Image and the Illusion of Immanence in Jean-Paul Sartre 281 John Lechte Trait, Identity, and the Gaze in Jacques Lacan 295 Andrei Gornykh Symbolic Exchange and Simulation in Jean Baudrillard 313 Gary Genosko Historicity of Observing and Vision in Jonathan Crary 327 Łukasz Zaremba Male Gaze and Visual Pleasure in Laura Mulvey 343 Patricia Stefanovič and Ana Gruić Parać Reality, Fiction and Make-Believe in Kendall Walton Emanuele Arielli 363
CONTENTS The Technical Image in Vilém Flusser xii 3 79 Dario Vuger Im/pulse to See in Rosalind Krauss 395 Filip Lipiński The Power of and Response to Images in David Freedberg 415 Maxime Boidy Part III Frequent Subjects 431 Ontological Dispute: What Is an Image? 433 Andrea Rabbito Representation and the Scopic Regime of (Post-)Cartesianism 449 Donal Moloney The Iconic (In)difference 467 Pietro Conte Seeing֊as, Seeing-in, Seeing-with: Looking Through Pictures 483 Emmanuel Alloa Varieties of Transparency 501 John Kulvicki Photographic Images in the Digital Era 515 Koray Değirmenci Images and Invisibility 533 Øyvind Vågnes How to Make Images Real 547 Wolfram Pichler Images and Ethics 557 Asbjørn Grønstad The Beholder’s Freedom: Critical Remarks on the “Will to See” Mark Halawa-Sarholz 575
viii 8 CONTENTS Surveillance and Manipulation Versus Networking and Sharing 589 Elio Ugenti Mobile Images 609 Gaby David Part ГѴ Related Disciplines 623 Phenomenology of the Image 625 Harri Macklin Visual Semiotics 641 Angela Mengoni Literary Iconology: Tropes and Typologies 655 Liliane Louvel French Theory: Poststructuralism and Deconstruction 671 Iris Laner Anglo-American Theory: Representation and Visual Activism 687 Andrea Průchová Hrůzová German Theory: Bildwissenschaft and the Iconic Turn 703 Žarko Paić The Image and Neuroaesthetics 719 Matthew Rampley Visual Sociology 735 Carolina Cambre Images and Architecture 759 Vlad Ionescu, Maarten Van Den Driessche, and Louis De Mey What is Design Theory? Oliver Ruf 779
CONTENTS ix part V Contemporary Thinkers 799 W. J. T. Mitchell 801 Krešimir Purgar Michele Cometa 823 Valeria Cammarata Paul Crowther 841 Elena Fell Hans Belting 857 Luca Vargiu Klaus Sachs-Hombach 873 Lukas R. A. Wilde Dieter Mersch 889 Marcel Finke Horst Bredekamp 905 Yannis Hadjinicolaou Lambert Wiesing 921 Yvonne Förster Gottfried Boehm 937 Rahel Viliinger Georges Didi-Huberman 951 Andrzej Leśniak Index 965
This handbook brings together the most current and hotly debated topics ՞ studies about images today. Pictorial phenomena are explained and articulated from the interdisciplinary, all-encompassing position of Image Studies by undertaking an historical, practical, and theoretical penetration into the culture of the image. The book is structured according to the need to present new fields of inquiry in a logical way: from historical facts to more specific methodologies subjects, and themes developed within Image Studies, and to finally put an emphasis on the most prominent contemporary scholars that have helped delineate major trajectories in the field. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new' approaches and insights. The fifth part is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place. |
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