One dead at the Paris Opera Ballet: La source 1866-2014
At its debut in 1866, La Source already had it all: dagger-wielding Muslims dominating veiled women, a magic flower in a green ecology, and a full-blown environmental crisis at the end. When the Paris Opera ballet restaged this Orientalist and colonial drama in 2011, and again in 2014, the contempor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
|
| Schriftenreihe: | Oxford studies in dance theory
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | At its debut in 1866, La Source already had it all: dagger-wielding Muslims dominating veiled women, a magic flower in a green ecology, and a full-blown environmental crisis at the end. When the Paris Opera ballet restaged this Orientalist and colonial drama in 2011, and again in 2014, the contemporary context of homegrown jihad, climate politics, and a law banning the dissimulation of the face in public spaces, kept it relevant. At four historic performances, over 150 years, this book explores the resonance of La Source's double narrative in its contemporary contexts: the biopolitics of bodily hybridity and regeneration and the cosmopolitics of the exploitation of human and natural resources. |
| Beschreibung: | viii, 214 Seiten Illustrationen (schwarz-weiß) |
| ISBN: | 9780190061821 9780190061814 |
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| 520 | |a At its debut in 1866, La Source already had it all: dagger-wielding Muslims dominating veiled women, a magic flower in a green ecology, and a full-blown environmental crisis at the end. When the Paris Opera ballet restaged this Orientalist and colonial drama in 2011, and again in 2014, the contemporary context of homegrown jihad, climate politics, and a law banning the dissimulation of the face in public spaces, kept it relevant. At four historic performances, over 150 years, this book explores the resonance of La Source's double narrative in its contemporary contexts: the biopolitics of bodily hybridity and regeneration and the cosmopolitics of the exploitation of human and natural resources. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgments 1. Veil, Flower, and Dagger: Gender, Ecology, and Orientalism in La Source vii 1 2. The Natural History and Cultural History of La Source, 1866 37 3. La Source after Suez, 1875 79 4. Not the Arab Spring: La Source, 2011 111 5. Resources: La Source, 2014 145 Notes Bibliography Index 171 207 211
|
| adam_txt |
Contents Acknowledgments 1. Veil, Flower, and Dagger: Gender, Ecology, and Orientalism in La Source vii 1 2. The Natural History and Cultural History of La Source, 1866 37 3. La Source after Suez, 1875 79 4. Not the Arab Spring: La Source, 2011 111 5. Resources: La Source, 2014 145 Notes Bibliography Index 171 207 211 |
| any_adam_object | 1 |
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| author | McCarren, Felicia M. |
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| author_sort | McCarren, Felicia M. |
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| building | Verbundindex |
| bvnumber | BV047569542 |
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| ctrlnum | (OCoLC)1296274808 (DE-599)BVBBV047569542 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1866-2014 gnd |
| era_facet | Geschichte 1866-2014 |
| format | Book |
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| spelling | McCarren, Felicia M. Verfasser (DE-588)1059325403 aut One dead at the Paris Opera Ballet La source 1866-2014 Felicia McCarren New York, NY Oxford University Press [2020] © 2020 viii, 214 Seiten Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Oxford studies in dance theory At its debut in 1866, La Source already had it all: dagger-wielding Muslims dominating veiled women, a magic flower in a green ecology, and a full-blown environmental crisis at the end. When the Paris Opera ballet restaged this Orientalist and colonial drama in 2011, and again in 2014, the contemporary context of homegrown jihad, climate politics, and a law banning the dissimulation of the face in public spaces, kept it relevant. At four historic performances, over 150 years, this book explores the resonance of La Source's double narrative in its contemporary contexts: the biopolitics of bodily hybridity and regeneration and the cosmopolitics of the exploitation of human and natural resources. Ballet de l'Opéra de Paris (DE-588)4787639-6 gnd rswk-swf Geschichte 1866-2014 gnd rswk-swf Opéra de Paris / Ballet / History Source (Choreographic work : Saint-Léon) Source (Choreographic work : Bart after Saint-Léon) Ballet / Social aspects / France / History Ballet / Political aspects / France Orientalism in dance / France / History Opéra de Paris / Ballet Ballet / Social aspects Orientalism in dance France History Ballet de l'Opéra de Paris (DE-588)4787639-6 b Geschichte 1866-2014 z DE-604 Erscheint auch als Online-Ausgabe 978-0-19-006185-2 (DE-604)BV046750227 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032955195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | One dead at the Paris Opera Ballet La source 1866-2014 |
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| title_full | One dead at the Paris Opera Ballet La source 1866-2014 Felicia McCarren |
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| title_short | One dead at the Paris Opera Ballet |
| title_sort | one dead at the paris opera ballet la source 1866 2014 |
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