Distant early warning: Marshall McLuhan and the transformation of the avant-garde
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 208 Seiten Illustrationen |
| ISBN: | 9780226753454 9780226753317 022675345X |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Introduction /1 1 The Age of Mechanical Production / 11 2 What It Means to Be Avant-Garde / 34 3 Lights On / 51 4 Electronic Opera / 66 5 Massage, ca. 1966 / 84 6 Information Environment /101 7 Culture Was His Business /121 Postscript: McLuhan’s Art Today /141 Acknowledgments 145 Notes 147 Bibliography 191 Index 197
Marshall McLuhan (1911-80) is best known as a media theorist—many consider him the founder of media studies—but he was also an important theorist of art. Though a near-household name for decades, McLuhan remains an underappreciated yet fasci nating figure in the history of twentieth-century art. His connections with that world have been largely unexplored before now. In Distant Early Warning, critic and art his torian Alex Kitnick delves into these rich relationships, arguing both that McLuhan was influenced by artists and that McLuhan’s work directly influenced the art of his time. Kitnick tells this story by carefully drawing out the links among McLuhan, his theories, and the artists themselves. The tale is packed with big names: Marcel Duchamp, Niki de Saint Phalle, Jasper Johns, Andy Warhol, Nam June Paik. Kitnick salts the narrative with McLuhan’s own words and his provocative ideas about what art is and what artists should do, showing him to be a richly multifaceted figure who transformed the role of the critic. Kitnick finishes the book by applying McLuhan’s ethos to contemporary and post-Internet art. “Finally we have a golden key to a previously locked door. By opening what has been an unexplored territory, Kitnick forcefully reveals not only McLuhan’s influences on the artists of his time but also the multitude of artists who deeply influenced this ‘master celebrity’ of the theory of media. Kitnick dives deeply into the true meaning of McLuhan’s engagements with media. Through Kitnick’s amazingly energetic re search and impeccable attention to both detail and
form, similar to that of McLuhan himself, the reader is presented with the knowledge of who McLu han is for our times, adjoined by a postscript cast toward the future. This book constitutes a fantastic achievement both for the understanding of media and contemporary art.” Dara Birnbaum, video and installation artist “Crisply written and brimming with original insight, Distant Early Warning offers a concise and engag ing introduction to the work of one of the most influential thinkers of our current information age. Kitnick deftly reveals Marshall McLuhan’s decisive impact on some of the most important artists and movements of the second half of the twentieth century and, just as importantly, how his prophetic vision of media and its capacities to alter both society and individual psyches was itself informed by avant-garde artistic practices.” Robert Slifkin, New York University Alex Kitnick is assistant professor of art history and visual culture at Bard College. The University of Chicago Press www.press.uchicago.edu BOOK + COVER DESIGN: JILL SHIMABUKURO
|
| adam_txt |
Contents Introduction /1 1 The Age of Mechanical Production / 11 2 What It Means to Be Avant-Garde / 34 3 Lights On / 51 4 Electronic Opera / 66 5 Massage, ca. 1966 / 84 6 Information Environment /101 7 Culture Was His Business /121 Postscript: McLuhan’s Art Today /141 Acknowledgments 145 Notes 147 Bibliography 191 Index 197
Marshall McLuhan (1911-80) is best known as a media theorist—many consider him the founder of media studies—but he was also an important theorist of art. Though a near-household name for decades, McLuhan remains an underappreciated yet fasci nating figure in the history of twentieth-century art. His connections with that world have been largely unexplored before now. In Distant Early Warning, critic and art his torian Alex Kitnick delves into these rich relationships, arguing both that McLuhan was influenced by artists and that McLuhan’s work directly influenced the art of his time. Kitnick tells this story by carefully drawing out the links among McLuhan, his theories, and the artists themselves. The tale is packed with big names: Marcel Duchamp, Niki de Saint Phalle, Jasper Johns, Andy Warhol, Nam June Paik. Kitnick salts the narrative with McLuhan’s own words and his provocative ideas about what art is and what artists should do, showing him to be a richly multifaceted figure who transformed the role of the critic. Kitnick finishes the book by applying McLuhan’s ethos to contemporary and post-Internet art. “Finally we have a golden key to a previously locked door. By opening what has been an unexplored territory, Kitnick forcefully reveals not only McLuhan’s influences on the artists of his time but also the multitude of artists who deeply influenced this ‘master celebrity’ of the theory of media. Kitnick dives deeply into the true meaning of McLuhan’s engagements with media. Through Kitnick’s amazingly energetic re search and impeccable attention to both detail and
form, similar to that of McLuhan himself, the reader is presented with the knowledge of who McLu han is for our times, adjoined by a postscript cast toward the future. This book constitutes a fantastic achievement both for the understanding of media and contemporary art.” Dara Birnbaum, video and installation artist “Crisply written and brimming with original insight, Distant Early Warning offers a concise and engag ing introduction to the work of one of the most influential thinkers of our current information age. Kitnick deftly reveals Marshall McLuhan’s decisive impact on some of the most important artists and movements of the second half of the twentieth century and, just as importantly, how his prophetic vision of media and its capacities to alter both society and individual psyches was itself informed by avant-garde artistic practices.” Robert Slifkin, New York University Alex Kitnick is assistant professor of art history and visual culture at Bard College. The University of Chicago Press www.press.uchicago.edu BOOK + COVER DESIGN: JILL SHIMABUKURO |
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| spelling | Kitnick, Alex 1981- Verfasser (DE-588)1011571803 aut Distant early warning Marshall McLuhan and the transformation of the avant-garde Alex Kitnick Marshall McLuhan and the transformation of the avant-garde Chicago ; London The University of Chicago Press 2021 208 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Medientheorie (DE-588)7610872-7 gnd rswk-swf McLuhan, Marshall / 1911-1980 / Aesthetics Avant-garde (Aesthetics) Art, Modern / 20th century / Philosophy Art criticism / History / 20th century McLuhan, Marshall / 1911-1980 Aesthetics Art criticism Art, Modern / Philosophy 1900-1999 History McLuhan, Marshall 1911-1980 (DE-588)118729977 p Avantgarde (DE-588)4133965-4 s Kunstkritik (DE-588)4033659-1 s Medientheorie (DE-588)7610872-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-75359-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032952232&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032952232&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kitnick, Alex 1981- Distant early warning Marshall McLuhan and the transformation of the avant-garde McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd Kunstkritik (DE-588)4033659-1 gnd Avantgarde (DE-588)4133965-4 gnd Medientheorie (DE-588)7610872-7 gnd |
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| title | Distant early warning Marshall McLuhan and the transformation of the avant-garde |
| title_alt | Marshall McLuhan and the transformation of the avant-garde |
| title_auth | Distant early warning Marshall McLuhan and the transformation of the avant-garde |
| title_exact_search | Distant early warning Marshall McLuhan and the transformation of the avant-garde |
| title_exact_search_txtP | Distant early warning Marshall McLuhan and the transformation of the avant-garde |
| title_full | Distant early warning Marshall McLuhan and the transformation of the avant-garde Alex Kitnick |
| title_fullStr | Distant early warning Marshall McLuhan and the transformation of the avant-garde Alex Kitnick |
| title_full_unstemmed | Distant early warning Marshall McLuhan and the transformation of the avant-garde Alex Kitnick |
| title_short | Distant early warning |
| title_sort | distant early warning marshall mcluhan and the transformation of the avant garde |
| title_sub | Marshall McLuhan and the transformation of the avant-garde |
| topic | McLuhan, Marshall 1911-1980 (DE-588)118729977 gnd Kunstkritik (DE-588)4033659-1 gnd Avantgarde (DE-588)4133965-4 gnd Medientheorie (DE-588)7610872-7 gnd |
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