The good poem according to Philodemus:
"The poetics of Philodemus of Gadara, who was a first century BCE Epicurean philosopher and poet, whose On Poems survives among the Herculaneum papyri. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The poetics of Philodemus of Gadara, who was a first century BCE Epicurean philosopher and poet, whose On Poems survives among the Herculaneum papyri. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create a hard-to-pin-down psychological effect in the audience. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, the author summarizes the views of Philodemus' opponents, the terminology of Hellenistic literary criticism, and the history of the Garden's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. The book concludes with an appendix of topics that Philodemus handles but which do not fit neatly into another chapter. His views on genre, mimesis, "appropriateness," utility, and various technical terms are discussed."-- |
| Beschreibung: | xiv, 307 Seiten |
| ISBN: | 9780190912819 |
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Datensatz im Suchindex
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| adam_text | Contents Preface xi Abbreviations xv Introduction: Philodemus and His Prolepsis of the Good Poem §1 Introduction to Philodemus’Works §2 The Structure and Content of the On Poems §3 Background and Method of This Study §4 Conclusions §5 Kanonike and the Canon §6 The Prolepsis of Poetry and the Possibility of an Epicurean Theory of Poetry §7 The Hypographê of “Poem” §8 The Problem of Meter 1 1 3 5 8 11 16 23 31 1. Epicurean Poetics before Philodemus §1 Introduction §2 Epicurus §3 Metrodorus §4 Hermarchus, Polyaenus, and the Other Third- and Second-Century Epicureans §5 Colotes §6 Demetrius Laco §7 Zeno of Sidon §8 Siro §9 Conclusion 38 38 39 50 52 53 56 60 61 61 2. Philodemus’ Terminology and Opponents §1 Introduction §2 A Partial Hellenistic Literary-Critical Lexicon §3 Crates and the Critics in His Treatise §3a Megaclides §3b Andromenides §3c Heracleodorus §3d Heracleodorus and Philodemus on Cookery and Poetry §3e Pausimachus §3f Crates of Mallos §3g The Kritikoi, the “Philosophers,” and Crates §4 “Critic A” of Book III 64 64 65 69 70 71 74 77 84 89 94 97
viii CONTENTS §5 Aristotle §6 Heraclides of Pontus §7 The Critics in Philomelus §7a The Anonymous Critics in Philomelus §7b Praxiphanes of Miletus §7c Demetrius of Byzantium §8 NeoptolemusofParium §9 The Stoics §9a Diogenes of Babylon §9b The Anonymous Stoic (Formerly Known as Aristo) §10 The Anonymous Doxai in Zeno §11 Conclusion 98 99 102 103 103 104 107 110 113 117 120 121 3. Poetryas Tedine and the Use of Poetry §1 Introduction §2 The Hypographë of Technē and the “Technicity of Rhetoric” §3 The Technicity of Poetry §4 The Utility of the Technē of Poetry §5 The Utility of Poems §6 Conclusion 123 123 124 130 137 139 149 4. Form and Content §1 Introduction §2 ύποτεταγμένη διάνοια in Philodemus §3 The Interrelation between Form and Content §4 Form and Content in Practice §5 The Goal for Content §6 The Goal for Form §7 Form and Content in Philodemus’Poetry §8 Conclusion 150 150 151 157 164 170 174 180 186 5. The Judgment of Poems and Their Psychological Effect §1 Introduction §2 Intellectualist Poetics §3 The Judgment of Poems §4 “Further Thoughts” §5 Light from Rhetoric III and the Pleasure of Poetry §6 Psychagõgia and Pleasure in Philodemus’ Epigrams §7 Conclusion 188 188 188 191 197 202 211 216 Conclusion: Philodemus the Epicurean on the Arts §1 Philodemus’Poetics: A Look Back §2 What’s Epicurean about Philodemus’ Views on the Fine Arts? 218 218 220 Appendix: An Epicurean Critical Miscellany §1 Introduction 227 227
CONTENTS §2 Music and Poetry §3 Rhetoric and Poetry §4 to πρέπον: Characterization, Verisimilitude, and the Suspension of Disbelief §5 The Prolepsis of the Genres §6 Genre in Philodemus’ Epigrams §7 The Imitation of Things §8 The Imitation of Earlier Poets §9 The “Ban” on Metathesis Bibliography Index Locorum Index Verborum Graecorum Potiorum Subject Index ІХ 227 233 235 239 245 249 254 257 261 277 289 299
|
| adam_txt |
Contents Preface xi Abbreviations xv Introduction: Philodemus and His Prolepsis of the Good Poem §1 Introduction to Philodemus’Works §2 The Structure and Content of the On Poems §3 Background and Method of This Study §4 Conclusions §5 Kanonike and the Canon §6 The Prolepsis of Poetry and the Possibility of an Epicurean Theory of Poetry §7 The Hypographê of “Poem” §8 The Problem of Meter 1 1 3 5 8 11 16 23 31 1. Epicurean Poetics before Philodemus §1 Introduction §2 Epicurus §3 Metrodorus §4 Hermarchus, Polyaenus, and the Other Third- and Second-Century Epicureans §5 Colotes §6 Demetrius Laco §7 Zeno of Sidon §8 Siro §9 Conclusion 38 38 39 50 52 53 56 60 61 61 2. Philodemus’ Terminology and Opponents §1 Introduction §2 A Partial Hellenistic Literary-Critical Lexicon §3 Crates and the Critics in His Treatise §3a Megaclides §3b Andromenides §3c Heracleodorus §3d Heracleodorus and Philodemus on Cookery and Poetry §3e Pausimachus §3f Crates of Mallos §3g The Kritikoi, the “Philosophers,” and Crates §4 “Critic A” of Book III 64 64 65 69 70 71 74 77 84 89 94 97
viii CONTENTS §5 Aristotle §6 Heraclides of Pontus §7 The Critics in Philomelus §7a The Anonymous Critics in Philomelus §7b Praxiphanes of Miletus §7c Demetrius of Byzantium §8 NeoptolemusofParium §9 The Stoics §9a Diogenes of Babylon §9b The Anonymous Stoic (Formerly Known as Aristo) §10 The Anonymous Doxai in Zeno §11 Conclusion 98 99 102 103 103 104' 107 110 113 117 120 121 3. Poetryas Tedine and the Use of Poetry §1 Introduction §2 The Hypographë of Technē and the “Technicity of Rhetoric” §3 The Technicity of Poetry §4 The Utility of the Technē of Poetry §5 The Utility of Poems §6 Conclusion 123 123 124 130 137 139 149 4. Form and Content §1 Introduction §2 ύποτεταγμένη διάνοια in Philodemus §3 The Interrelation between Form and Content §4 Form and Content in Practice §5 The Goal for Content §6 The Goal for Form §7 Form and Content in Philodemus’Poetry §8 Conclusion 150 150 151 157 164 170 174 180 186 5. The Judgment of Poems and Their Psychological Effect §1 Introduction §2 Intellectualist Poetics §3 The Judgment of Poems §4 “Further Thoughts” §5 Light from Rhetoric III and the Pleasure of Poetry §6 Psychagõgia and Pleasure in Philodemus’ Epigrams §7 Conclusion 188 188 188 191 197 202 211 216 Conclusion: Philodemus the Epicurean on the Arts §1 Philodemus’Poetics: A Look Back §2 What’s Epicurean about Philodemus’ Views on the Fine Arts? 218 218 220 Appendix: An Epicurean Critical Miscellany §1 Introduction 227 227
CONTENTS §2 Music and Poetry §3 Rhetoric and Poetry §4 to πρέπον: Characterization, Verisimilitude, and the Suspension of Disbelief §5 The Prolepsis of the Genres §6 Genre in Philodemus’ Epigrams §7 The Imitation of Things §8 The Imitation of Earlier Poets §9 The “Ban” on Metathesis Bibliography Index Locorum Index Verborum Graecorum Potiorum Subject Index ІХ 227 233 235 239 245 249 254 257 261 277 289 299 |
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| spelling | McOsker, Michael ca. 20./21. Jh. Verfasser (DE-588)1229027564 aut The good poem according to Philodemus Michael McOsker New York, NY Oxford University Press [2021] © 2021 xiv, 307 Seiten txt rdacontent n rdamedia nc rdacarrier "The poetics of Philodemus of Gadara, who was a first century BCE Epicurean philosopher and poet, whose On Poems survives among the Herculaneum papyri. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create a hard-to-pin-down psychological effect in the audience. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, the author summarizes the views of Philodemus' opponents, the terminology of Hellenistic literary criticism, and the history of the Garden's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. The book concludes with an appendix of topics that Philodemus handles but which do not fit neatly into another chapter. His views on genre, mimesis, "appropriateness," utility, and various technical terms are discussed."-- Originaltexte in griechischer Sprache und Schriftzeichen Philodemus ca. v110 - v35 De poematis (DE-588)4299957-1 gnd rswk-swf Philodemus / approximately 110 B.C.-approximately 40 B.C. / On poems Poetics / History / To 1500 Greek poetry / History and criticism / Theory, etc On poems (Philodemus) Poetics To 1500 Criticism, interpretation, etc History Literary criticism Philodemus Gadarensis phil. TLG 1595 (DE-2581)TH000002307 gbd Epikureer (DE-2581)TH000006624 gbd Philodemus ca. v110 - v35 De poematis (DE-588)4299957-1 u DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-091283-3 Erscheint auch als Online-Ausgabe 978-0-19-091284-0 (DE-604)BV047662694 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032937889&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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