Falsche Signale: Strategien der Mimikry in der Post-Internet Art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Zürich
Diaphanes
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext |
| Beschreibung: | 326 Seiten Illustrationen |
| ISBN: | 9783035804188 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047557606 | ||
| 003 | DE-604 | ||
| 005 | 20220422 | ||
| 007 | t | ||
| 008 | 211025s2021 gw a||| m||| 00||| ger d | ||
| 015 | |a 20,N51 |2 dnb | ||
| 020 | |a 9783035804188 |c : EUR 30.00 (DE), EUR 30.90 (AT), CHF 40.00 (freier Preis) |9 978-3-0358-0418-8 | ||
| 024 | 3 | |a 9783035804188 | |
| 035 | |a (OCoLC)1263338106 | ||
| 035 | |a (DE-599)DNB1223311627 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a ger | |
| 044 | |a gw |c XA-DE | ||
| 049 | |a DE-255 |a DE-19 |a DE-12 |a DE-20 | ||
| 084 | |a LH 60240 |0 (DE-625)94184: |2 rvk | ||
| 100 | 1 | |a Wagner, Ellen |d 1987- |e Verfasser |0 (DE-588)1165584425 |4 aut | |
| 245 | 1 | 0 | |a Falsche Signale |b Strategien der Mimikry in der Post-Internet Art |c Ellen Wagner |
| 264 | 1 | |a Zürich |b Diaphanes |c [2021] | |
| 300 | |a 326 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c Hochschule für Gestaltung Offenbach |d 2019 | ||
| 648 | 7 | |a Geschichte 2000-2021 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Neoliberalismus |0 (DE-588)4171438-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kulturindustrie |0 (DE-588)4444998-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Nachahmung |g Motiv |0 (DE-588)4204285-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeptionsästhetik |0 (DE-588)4129895-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Marketing |0 (DE-588)4037589-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Stereotyp |0 (DE-588)4057329-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Social Media |0 (DE-588)4639271-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Oberflächlichkeit |0 (DE-588)4401864-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Affirmation |0 (DE-588)4258166-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Anpassung |0 (DE-588)4128128-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Mimikry |0 (DE-588)4169992-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Internet |0 (DE-588)4308416-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kritik |0 (DE-588)4033229-9 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Internet |0 (DE-588)4308416-3 |D s |
| 689 | 0 | 2 | |a Nachahmung |g Motiv |0 (DE-588)4204285-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 1 | 1 | |a Internet |0 (DE-588)4308416-3 |D s |
| 689 | 1 | 2 | |a Anpassung |0 (DE-588)4128128-7 |D s |
| 689 | 1 | 3 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 2 | 1 | |a Kulturindustrie |0 (DE-588)4444998-7 |D s |
| 689 | 2 | 2 | |a Neoliberalismus |0 (DE-588)4171438-6 |D s |
| 689 | 2 | 3 | |a Kritik |0 (DE-588)4033229-9 |D s |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Mimikry |0 (DE-588)4169992-0 |D s |
| 689 | 3 | |5 DE-604 | |
| 689 | 4 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 4 | 1 | |a Anpassung |0 (DE-588)4128128-7 |D s |
| 689 | 4 | 2 | |a Affirmation |0 (DE-588)4258166-7 |D s |
| 689 | 4 | 3 | |a Stereotyp |0 (DE-588)4057329-1 |D s |
| 689 | 4 | 4 | |a Rezeptionsästhetik |0 (DE-588)4129895-0 |D s |
| 689 | 4 | 5 | |a Geschichte 2000-2021 |A z |
| 689 | 4 | |5 DE-604 | |
| 689 | 5 | 0 | |a Internet |0 (DE-588)4308416-3 |D s |
| 689 | 5 | 1 | |a Marketing |0 (DE-588)4037589-4 |D s |
| 689 | 5 | 2 | |a Social Media |0 (DE-588)4639271-3 |D s |
| 689 | 5 | 3 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 5 | 4 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 5 | 5 | |a Oberflächlichkeit |0 (DE-588)4401864-2 |D s |
| 689 | 5 | 6 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 5 | 7 | |a Geschichte 2000-2021 |A z |
| 689 | 5 | |5 DE-604 | |
| 710 | 2 | |a Diaphanes |0 (DE-588)1064211070 |4 pbl | |
| 751 | |a Offenbach am Main |0 (DE-588)4043359-6 |2 gnd |4 uvp | ||
| 856 | 4 | 2 | |m X:MVB |q text/html |u http://deposit.dnb.de/cgi-bin/dokserv?id=ea2411fd77f54d059af05c7ba5363243&prov=M&dok_var=1&dok_ext=htm |v 2020-12-16 |x Verlag |3 Inhaltstext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032933127 | ||
Datensatz im Suchindex
| _version_ | 1804182882364686336 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Wagner, Ellen 1987- |
| author_GND | (DE-588)1165584425 |
| author_facet | Wagner, Ellen 1987- |
| author_role | aut |
| author_sort | Wagner, Ellen 1987- |
| author_variant | e w ew |
| building | Verbundindex |
| bvnumber | BV047557606 |
| classification_rvk | LH 60240 |
| ctrlnum | (OCoLC)1263338106 (DE-599)DNB1223311627 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 2000-2021 gnd |
| era_facet | Geschichte 2000-2021 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03889nam a2200961 c 4500</leader><controlfield tag="001">BV047557606</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220422 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211025s2021 gw a||| m||| 00||| ger d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">20,N51</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035804188</subfield><subfield code="c">: EUR 30.00 (DE), EUR 30.90 (AT), CHF 40.00 (freier Preis)</subfield><subfield code="9">978-3-0358-0418-8</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783035804188</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1263338106</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DNB1223311627</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">XA-DE</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60240</subfield><subfield code="0">(DE-625)94184:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wagner, Ellen</subfield><subfield code="d">1987-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1165584425</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Falsche Signale</subfield><subfield code="b">Strategien der Mimikry in der Post-Internet Art</subfield><subfield code="c">Ellen Wagner</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Zürich</subfield><subfield code="b">Diaphanes</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">326 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Hochschule für Gestaltung Offenbach</subfield><subfield code="d">2019</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neoliberalismus</subfield><subfield code="0">(DE-588)4171438-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturindustrie</subfield><subfield code="0">(DE-588)4444998-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nachahmung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204285-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeptionsästhetik</subfield><subfield code="0">(DE-588)4129895-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Marketing</subfield><subfield code="0">(DE-588)4037589-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stereotyp</subfield><subfield code="0">(DE-588)4057329-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oberflächlichkeit</subfield><subfield code="0">(DE-588)4401864-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Affirmation</subfield><subfield code="0">(DE-588)4258166-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Anpassung</subfield><subfield code="0">(DE-588)4128128-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mimikry</subfield><subfield code="0">(DE-588)4169992-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kritik</subfield><subfield code="0">(DE-588)4033229-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Nachahmung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4204285-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Anpassung</subfield><subfield code="0">(DE-588)4128128-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Kulturindustrie</subfield><subfield code="0">(DE-588)4444998-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Neoliberalismus</subfield><subfield code="0">(DE-588)4171438-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Kritik</subfield><subfield code="0">(DE-588)4033229-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Mimikry</subfield><subfield code="0">(DE-588)4169992-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Anpassung</subfield><subfield code="0">(DE-588)4128128-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Affirmation</subfield><subfield code="0">(DE-588)4258166-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Stereotyp</subfield><subfield code="0">(DE-588)4057329-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="4"><subfield code="a">Rezeptionsästhetik</subfield><subfield code="0">(DE-588)4129895-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="5"><subfield code="a">Geschichte 2000-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Marketing</subfield><subfield code="0">(DE-588)4037589-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="3"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="4"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="5"><subfield code="a">Oberflächlichkeit</subfield><subfield code="0">(DE-588)4401864-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="6"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="7"><subfield code="a">Geschichte 2000-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Diaphanes</subfield><subfield code="0">(DE-588)1064211070</subfield><subfield code="4">pbl</subfield></datafield><datafield tag="751" ind1=" " ind2=" "><subfield code="a">Offenbach am Main</subfield><subfield code="0">(DE-588)4043359-6</subfield><subfield code="2">gnd</subfield><subfield code="4">uvp</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">X:MVB</subfield><subfield code="q">text/html</subfield><subfield code="u">http://deposit.dnb.de/cgi-bin/dokserv?id=ea2411fd77f54d059af05c7ba5363243&prov=M&dok_var=1&dok_ext=htm</subfield><subfield code="v">2020-12-16</subfield><subfield code="x">Verlag</subfield><subfield code="3">Inhaltstext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032933127</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV047557606 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:26:22Z |
| indexdate | 2024-07-10T09:14:36Z |
| institution | BVB |
| institution_GND | (DE-588)1064211070 |
| isbn | 9783035804188 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032933127 |
| oclc_num | 1263338106 |
| open_access_boolean | |
| owner | DE-255 DE-19 DE-BY-UBM DE-12 DE-20 |
| owner_facet | DE-255 DE-19 DE-BY-UBM DE-12 DE-20 |
| physical | 326 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Diaphanes |
| record_format | marc |
| spelling | Wagner, Ellen 1987- Verfasser (DE-588)1165584425 aut Falsche Signale Strategien der Mimikry in der Post-Internet Art Ellen Wagner Zürich Diaphanes [2021] 326 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation Hochschule für Gestaltung Offenbach 2019 Geschichte 2000-2021 gnd rswk-swf Neoliberalismus (DE-588)4171438-6 gnd rswk-swf Kulturindustrie (DE-588)4444998-7 gnd rswk-swf Nachahmung Motiv (DE-588)4204285-9 gnd rswk-swf Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Marketing (DE-588)4037589-4 gnd rswk-swf Stereotyp (DE-588)4057329-1 gnd rswk-swf Social Media (DE-588)4639271-3 gnd rswk-swf Oberflächlichkeit (DE-588)4401864-2 gnd rswk-swf Affirmation (DE-588)4258166-7 gnd rswk-swf Anpassung (DE-588)4128128-7 gnd rswk-swf Mimikry (DE-588)4169992-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Kritik (DE-588)4033229-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kunst (DE-588)4114333-4 s Internet (DE-588)4308416-3 s Nachahmung Motiv (DE-588)4204285-9 s DE-604 Anpassung (DE-588)4128128-7 s Ästhetik (DE-588)4000626-8 s Kulturindustrie (DE-588)4444998-7 s Neoliberalismus (DE-588)4171438-6 s Kritik (DE-588)4033229-9 s Mimikry (DE-588)4169992-0 s Affirmation (DE-588)4258166-7 s Stereotyp (DE-588)4057329-1 s Rezeptionsästhetik (DE-588)4129895-0 s Geschichte 2000-2021 z Marketing (DE-588)4037589-4 s Social Media (DE-588)4639271-3 s Rezeption (DE-588)4049716-1 s Oberflächlichkeit (DE-588)4401864-2 s Kunstkritik (DE-588)4033659-1 s Diaphanes (DE-588)1064211070 pbl Offenbach am Main (DE-588)4043359-6 gnd uvp X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=ea2411fd77f54d059af05c7ba5363243&prov=M&dok_var=1&dok_ext=htm 2020-12-16 Verlag Inhaltstext |
| spellingShingle | Wagner, Ellen 1987- Falsche Signale Strategien der Mimikry in der Post-Internet Art Neoliberalismus (DE-588)4171438-6 gnd Kulturindustrie (DE-588)4444998-7 gnd Nachahmung Motiv (DE-588)4204285-9 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Kunstkritik (DE-588)4033659-1 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd Marketing (DE-588)4037589-4 gnd Stereotyp (DE-588)4057329-1 gnd Social Media (DE-588)4639271-3 gnd Oberflächlichkeit (DE-588)4401864-2 gnd Affirmation (DE-588)4258166-7 gnd Anpassung (DE-588)4128128-7 gnd Mimikry (DE-588)4169992-0 gnd Ästhetik (DE-588)4000626-8 gnd Internet (DE-588)4308416-3 gnd Kritik (DE-588)4033229-9 gnd |
| subject_GND | (DE-588)4171438-6 (DE-588)4444998-7 (DE-588)4204285-9 (DE-588)4129895-0 (DE-588)4033659-1 (DE-588)4049716-1 (DE-588)4114333-4 (DE-588)4037589-4 (DE-588)4057329-1 (DE-588)4639271-3 (DE-588)4401864-2 (DE-588)4258166-7 (DE-588)4128128-7 (DE-588)4169992-0 (DE-588)4000626-8 (DE-588)4308416-3 (DE-588)4033229-9 (DE-588)4113937-9 |
| title | Falsche Signale Strategien der Mimikry in der Post-Internet Art |
| title_auth | Falsche Signale Strategien der Mimikry in der Post-Internet Art |
| title_exact_search | Falsche Signale Strategien der Mimikry in der Post-Internet Art |
| title_exact_search_txtP | Falsche Signale Strategien der Mimikry in der Post-Internet Art |
| title_full | Falsche Signale Strategien der Mimikry in der Post-Internet Art Ellen Wagner |
| title_fullStr | Falsche Signale Strategien der Mimikry in der Post-Internet Art Ellen Wagner |
| title_full_unstemmed | Falsche Signale Strategien der Mimikry in der Post-Internet Art Ellen Wagner |
| title_short | Falsche Signale |
| title_sort | falsche signale strategien der mimikry in der post internet art |
| title_sub | Strategien der Mimikry in der Post-Internet Art |
| topic | Neoliberalismus (DE-588)4171438-6 gnd Kulturindustrie (DE-588)4444998-7 gnd Nachahmung Motiv (DE-588)4204285-9 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd Kunstkritik (DE-588)4033659-1 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd Marketing (DE-588)4037589-4 gnd Stereotyp (DE-588)4057329-1 gnd Social Media (DE-588)4639271-3 gnd Oberflächlichkeit (DE-588)4401864-2 gnd Affirmation (DE-588)4258166-7 gnd Anpassung (DE-588)4128128-7 gnd Mimikry (DE-588)4169992-0 gnd Ästhetik (DE-588)4000626-8 gnd Internet (DE-588)4308416-3 gnd Kritik (DE-588)4033229-9 gnd |
| topic_facet | Neoliberalismus Kulturindustrie Nachahmung Motiv Rezeptionsästhetik Kunstkritik Rezeption Kunst Marketing Stereotyp Social Media Oberflächlichkeit Affirmation Anpassung Mimikry Ästhetik Internet Kritik Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=ea2411fd77f54d059af05c7ba5363243&prov=M&dok_var=1&dok_ext=htm |
| work_keys_str_mv | AT wagnerellen falschesignalestrategiendermimikryinderpostinternetart AT diaphanes falschesignalestrategiendermimikryinderpostinternetart |