Why the sublime is aesthetic awe:
"This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2021
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| Schlagworte: | |
| Zusammenfassung: | "This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe and the experience of the sublime, showing that all of the options except the proposed one suffer from serious shortcomings. In maintaining that the experience of the sublime is best conceived as aesthetic awe, I draw from historical theories of the sublime as well as recent work in empirical psychology." |
| ISSN: | 0021-8529 |
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| 520 | 3 | |a "This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe and the experience of the sublime, showing that all of the options except the proposed one suffer from serious shortcomings. In maintaining that the experience of the sublime is best conceived as aesthetic awe, I draw from historical theories of the sublime as well as recent work in empirical psychology." | |
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| spelling | Clewis, Robert R. 1977- Verfasser (DE-588)13815158X aut Why the sublime is aesthetic awe Robert R. Clewis 2021 txt rdacontent n rdamedia nc rdacarrier "This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe and the experience of the sublime, showing that all of the options except the proposed one suffer from serious shortcomings. In maintaining that the experience of the sublime is best conceived as aesthetic awe, I draw from historical theories of the sublime as well as recent work in empirical psychology." Das Erhabene (DE-588)4148823-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Ehrfurcht (DE-588)4013691-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Das Erhabene (DE-588)4148823-4 s Ehrfurcht (DE-588)4013691-7 s DE-604 volume:79 number:3 year:2021 pages:301-314 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2021 Volume 79, number 3 (summer 2021), Seite 301-314 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Clewis, Robert R. 1977- Why the sublime is aesthetic awe Das Erhabene (DE-588)4148823-4 gnd Ästhetik (DE-588)4000626-8 gnd Ehrfurcht (DE-588)4013691-7 gnd |
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| title | Why the sublime is aesthetic awe |
| title_auth | Why the sublime is aesthetic awe |
| title_exact_search | Why the sublime is aesthetic awe |
| title_exact_search_txtP | Why the sublime is aesthetic awe |
| title_full | Why the sublime is aesthetic awe Robert R. Clewis |
| title_fullStr | Why the sublime is aesthetic awe Robert R. Clewis |
| title_full_unstemmed | Why the sublime is aesthetic awe Robert R. Clewis |
| title_short | Why the sublime is aesthetic awe |
| title_sort | why the sublime is aesthetic awe |
| topic | Das Erhabene (DE-588)4148823-4 gnd Ästhetik (DE-588)4000626-8 gnd Ehrfurcht (DE-588)4013691-7 gnd |
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