Corporeal politics: dancing East Asia
"Corporeal Politics: Dancing East Asia investigates the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communicati...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2020
|
| Schriftenreihe: | Studies in dance history series
|
| Schlagworte: | |
| Zusammenfassung: | "Corporeal Politics: Dancing East Asia investigates the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. In Corporeal Politics: Dancing East Asia, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of "corporeal politics"--The close attention to bodily acts in specific cultural contexts-each study in this book challenges existing dance and theatre histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests."-- |
| Beschreibung: | xiii, 355 pages illustrations 23 cm |
| ISBN: | 9780472074556 9780472054558 0472054554 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047556864 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 211025s2020 a||| b||| 00||| eng d | ||
| 020 | |a 9780472074556 |9 9780472074556 | ||
| 020 | |a 9780472054558 |c pbk |9 9780472054558 | ||
| 020 | |a 0472054554 |9 0472054554 | ||
| 035 | |a (DE-599)BVBBV047556864 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 | ||
| 245 | 1 | 0 | |a Corporeal politics |b dancing East Asia |c edited by Katherine Mezur and Emily Wilcox |
| 264 | 1 | |a Ann Arbor |b University of Michigan Press |c 2020 | |
| 300 | |a xiii, 355 pages |b illustrations |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in dance history series | |
| 505 | 8 | |a Sexuality, status, and the female dancer: legacies of imperial China / Beverly Bossier -- Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s / Catherine Yeh -- The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements / Nan Ma -- Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde / Kazuko Kuniyoshi -- Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene / Okju Son -- Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian / Emily Wilcox -- Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) / Ji Hyon (Kayla) Yuh -- Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s / Mariko Okada -- Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism / Tara Rodman -- Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese / Ya-ping Chen -- Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea / Suzy Kim -- The dilemma of Chinese classical dance: traditional or contemporary? / Dong Jiang -- Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond / Ting-Ting Chang -- Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography / Katherine Mezur -- Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea / Soo Ryon Yoon -- Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA / Yatin Lin -- Coda: To dance East Asia / Katherine Mezur | |
| 520 | 3 | |a "Corporeal Politics: Dancing East Asia investigates the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. In Corporeal Politics: Dancing East Asia, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of "corporeal politics"--The close attention to bodily acts in specific cultural contexts-each study in this book challenges existing dance and theatre histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests."-- | |
| 650 | 0 | 7 | |a Tänzer |0 (DE-588)4136608-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tänzerin |0 (DE-588)4207110-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tanz |0 (DE-588)4059028-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Ostasien |0 (DE-588)4075727-4 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Dance / Political aspects / East Asia | |
| 653 | 0 | |a Dancers / East Asia | |
| 653 | 0 | |a Dance | |
| 653 | 0 | |a Dance / Political aspects | |
| 653 | 0 | |a Dancers | |
| 653 | 2 | |a East Asia | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |x University of Michigan |y April 7-8, 2017 |z Ann Arbor |2 gnd-content | |
| 689 | 0 | 0 | |a Ostasien |0 (DE-588)4075727-4 |D g |
| 689 | 0 | 1 | |a Tanz |0 (DE-588)4059028-8 |D s |
| 689 | 0 | 2 | |a Tänzer |0 (DE-588)4136608-6 |D s |
| 689 | 0 | 3 | |a Tänzerin |0 (DE-588)4207110-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Mezur, Katherine |e Sonstige |0 (DE-588)122132215X |4 oth | |
| 700 | 1 | |a Wilcox, Emily |d 1981- |e Sonstige |0 (DE-588)117886569X |4 oth | |
| 776 | 0 | 8 | |i Online version |t Corporeal politics |d Ann Arbor : University of Michigan Press, 2020 |z 9780472126941 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032932407 | ||
Datensatz im Suchindex
| _version_ | 1804182881134706688 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author_GND | (DE-588)122132215X (DE-588)117886569X |
| building | Verbundindex |
| bvnumber | BV047556864 |
| contents | Sexuality, status, and the female dancer: legacies of imperial China / Beverly Bossier -- Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s / Catherine Yeh -- The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements / Nan Ma -- Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde / Kazuko Kuniyoshi -- Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene / Okju Son -- Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian / Emily Wilcox -- Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) / Ji Hyon (Kayla) Yuh -- Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s / Mariko Okada -- Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism / Tara Rodman -- Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese / Ya-ping Chen -- Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea / Suzy Kim -- The dilemma of Chinese classical dance: traditional or contemporary? / Dong Jiang -- Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond / Ting-Ting Chang -- Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography / Katherine Mezur -- Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea / Soo Ryon Yoon -- Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA / Yatin Lin -- Coda: To dance East Asia / Katherine Mezur |
| ctrlnum | (DE-599)BVBBV047556864 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05318nam a2200529 c 4500</leader><controlfield tag="001">BV047556864</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211025s2020 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472074556</subfield><subfield code="9">9780472074556</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472054558</subfield><subfield code="c">pbk</subfield><subfield code="9">9780472054558</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0472054554</subfield><subfield code="9">0472054554</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047556864</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Corporeal politics</subfield><subfield code="b">dancing East Asia</subfield><subfield code="c">edited by Katherine Mezur and Emily Wilcox</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 355 pages</subfield><subfield code="b">illustrations</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in dance history series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Sexuality, status, and the female dancer: legacies of imperial China / Beverly Bossier -- Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s / Catherine Yeh -- The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements / Nan Ma -- Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde / Kazuko Kuniyoshi -- Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene / Okju Son -- Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian / Emily Wilcox -- Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) / Ji Hyon (Kayla) Yuh -- Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s / Mariko Okada -- Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism / Tara Rodman -- Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese / Ya-ping Chen -- Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea / Suzy Kim -- The dilemma of Chinese classical dance: traditional or contemporary? / Dong Jiang -- Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond / Ting-Ting Chang -- Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography / Katherine Mezur -- Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea / Soo Ryon Yoon -- Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA / Yatin Lin -- Coda: To dance East Asia / Katherine Mezur</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Corporeal Politics: Dancing East Asia investigates the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. In Corporeal Politics: Dancing East Asia, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of "corporeal politics"--The close attention to bodily acts in specific cultural contexts-each study in this book challenges existing dance and theatre histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests."--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tänzer</subfield><subfield code="0">(DE-588)4136608-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tänzerin</subfield><subfield code="0">(DE-588)4207110-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Ostasien</subfield><subfield code="0">(DE-588)4075727-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dance / Political aspects / East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dancers / East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dance</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dance / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dancers</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="x">University of Michigan</subfield><subfield code="y">April 7-8, 2017</subfield><subfield code="z">Ann Arbor</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ostasien</subfield><subfield code="0">(DE-588)4075727-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tanz</subfield><subfield code="0">(DE-588)4059028-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Tänzer</subfield><subfield code="0">(DE-588)4136608-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Tänzerin</subfield><subfield code="0">(DE-588)4207110-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mezur, Katherine</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)122132215X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wilcox, Emily</subfield><subfield code="d">1981-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)117886569X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="t">Corporeal politics</subfield><subfield code="d">Ann Arbor : University of Michigan Press, 2020</subfield><subfield code="z">9780472126941</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032932407</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift University of Michigan April 7-8, 2017 Ann Arbor gnd-content |
| genre_facet | Konferenzschrift University of Michigan April 7-8, 2017 Ann Arbor |
| geographic | Ostasien (DE-588)4075727-4 gnd |
| geographic_facet | Ostasien |
| id | DE-604.BV047556864 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:26:07Z |
| indexdate | 2024-07-10T09:14:35Z |
| institution | BVB |
| isbn | 9780472074556 9780472054558 0472054554 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032932407 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM |
| owner_facet | DE-19 DE-BY-UBM |
| physical | xiii, 355 pages illustrations 23 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Michigan Press |
| record_format | marc |
| series2 | Studies in dance history series |
| spelling | Corporeal politics dancing East Asia edited by Katherine Mezur and Emily Wilcox Ann Arbor University of Michigan Press 2020 xiii, 355 pages illustrations 23 cm txt rdacontent n rdamedia nc rdacarrier Studies in dance history series Sexuality, status, and the female dancer: legacies of imperial China / Beverly Bossier -- Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s / Catherine Yeh -- The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements / Nan Ma -- Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde / Kazuko Kuniyoshi -- Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene / Okju Son -- Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian / Emily Wilcox -- Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) / Ji Hyon (Kayla) Yuh -- Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s / Mariko Okada -- Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism / Tara Rodman -- Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese / Ya-ping Chen -- Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea / Suzy Kim -- The dilemma of Chinese classical dance: traditional or contemporary? / Dong Jiang -- Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond / Ting-Ting Chang -- Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography / Katherine Mezur -- Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea / Soo Ryon Yoon -- Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA / Yatin Lin -- Coda: To dance East Asia / Katherine Mezur "Corporeal Politics: Dancing East Asia investigates the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. In Corporeal Politics: Dancing East Asia, leading international scholars investigate the development of dance as a deeply meaningful and complex cultural practice across time, placing special focus on the intertwining of East Asia dance and politics and the role of dance as a medium of transcultural interaction and communication across borders. Countering common narratives of dance history that emphasize the US and Europe as centers of origin and innovation, the expansive creativity of dance artists in East Asia asserts its importance as a site of critical theorization and reflection on global artistic developments in the performing arts. Through the lens of "corporeal politics"--The close attention to bodily acts in specific cultural contexts-each study in this book challenges existing dance and theatre histories to re-investigate the performer's role in devising the politics and aesthetics of their performance, as well as the multidimensional impact of their lives and artistic works. Corporeal Politics addresses a wide range of performance styles and genres, including dances produced for the concert stage, as well as those presented in popular entertainments, private performance spaces, and street protests."-- Tänzer (DE-588)4136608-6 gnd rswk-swf Tänzerin (DE-588)4207110-0 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Ostasien (DE-588)4075727-4 gnd rswk-swf Dance / Political aspects / East Asia Dancers / East Asia Dance Dance / Political aspects Dancers East Asia History (DE-588)1071861417 Konferenzschrift University of Michigan April 7-8, 2017 Ann Arbor gnd-content Ostasien (DE-588)4075727-4 g Tanz (DE-588)4059028-8 s Tänzer (DE-588)4136608-6 s Tänzerin (DE-588)4207110-0 s DE-604 Mezur, Katherine Sonstige (DE-588)122132215X oth Wilcox, Emily 1981- Sonstige (DE-588)117886569X oth Online version Corporeal politics Ann Arbor : University of Michigan Press, 2020 9780472126941 |
| spellingShingle | Corporeal politics dancing East Asia Sexuality, status, and the female dancer: legacies of imperial China / Beverly Bossier -- Mei Lanfang and modern dance: transcultural innovation in Peking opera, 1910s-1920s / Catherine Yeh -- The conflicted monk: choreographic adaptations of Si fan (Longing for the Mundane) in Japan's and Chinas new dance movements / Nan Ma -- Murayama Tomoyoshi and dance of Modern Times: A Forerunner of the Japanese Avant-garde / Kazuko Kuniyoshi -- Korean dance beyond Koreanness: Park Yeong-in in the German modern dance scene / Okju Son -- Diasporic moves: Sinophone epistemology in the choreography of Dai Ailian / Emily Wilcox -- Choreographing neoliberal marginalization: dancing migrant bodies in the South Korean musical Bballae (Laundry) / Ji Hyon (Kayla) Yuh -- Masking Japanese militarism as a dream of Sino-Japanese friendship: Miyako Odori performances in the 1930s / Mariko Okada -- Imagined choreographies: Ito Michio's Philippines pageant and the transpacific performance of Japanese imperialism / Tara Rodman -- Exorcism and reclamation: Lin Lee-chen's Jiao and the corporeal history of the Taiwanese / Ya-ping Chen -- Choe Seung-hui between classical and folk: aesthetics of national form and socialist content in North Korea / Suzy Kim -- The dilemma of Chinese classical dance: traditional or contemporary? / Dong Jiang -- Negotiating Chinese identity through a double-minority voice and the female dancing body: Yang Liping's Spirit of the Peacock and beyond / Ting-Ting Chang -- Cracking history's codes in crocodile time: the sweat, powder, and glitter of women butoh artists' collective choreography / Katherine Mezur -- Fans, sashes, and Jesus: evangelical activism and anti-LGBTQ performance in South Korea / Soo Ryon Yoon -- Choreographing digital performance in twenty-first-century Taiwan: Huang Yi & KUKA / Yatin Lin -- Coda: To dance East Asia / Katherine Mezur Tänzer (DE-588)4136608-6 gnd Tänzerin (DE-588)4207110-0 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4136608-6 (DE-588)4207110-0 (DE-588)4059028-8 (DE-588)4075727-4 (DE-588)1071861417 |
| title | Corporeal politics dancing East Asia |
| title_auth | Corporeal politics dancing East Asia |
| title_exact_search | Corporeal politics dancing East Asia |
| title_exact_search_txtP | Corporeal politics dancing East Asia |
| title_full | Corporeal politics dancing East Asia edited by Katherine Mezur and Emily Wilcox |
| title_fullStr | Corporeal politics dancing East Asia edited by Katherine Mezur and Emily Wilcox |
| title_full_unstemmed | Corporeal politics dancing East Asia edited by Katherine Mezur and Emily Wilcox |
| title_short | Corporeal politics |
| title_sort | corporeal politics dancing east asia |
| title_sub | dancing East Asia |
| topic | Tänzer (DE-588)4136608-6 gnd Tänzerin (DE-588)4207110-0 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Tänzer Tänzerin Tanz Ostasien Konferenzschrift University of Michigan April 7-8, 2017 Ann Arbor |
| work_keys_str_mv | AT mezurkatherine corporealpoliticsdancingeastasia AT wilcoxemily corporealpoliticsdancingeastasia |