Becoming Clara Schumann: performance strategies and aesthetics in the culture of the musical canon
"Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was not only an accomplished strategist--having played roughly 1,300 concerts in her 61-year career across western and central Europe-but also played an integral role in shaping the reception of her husband's music. Revolutionary for the time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of music's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance"-- |
| Beschreibung: | xiii, 308 Seiten Notenbeispiele 24 cm |
| ISBN: | 9780253058294 9780253058287 |
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| 505 | 8 | |a Introduction -- Schumann's early-career concert vehicles : transcendent interiority and the cutting edge of popular pianism -- The imagined revelation fo musical works -- The compositional agency of the revelatory interpreter -- Clara Schuman's 1840 compositions and her midcentury persona -- Navigating and shaping local concert scenes and canons : Clara Schumann's 1854-1856 tours -- Revelatory interpretation and the performance of memory -- Epilogue | |
| 520 | 3 | |a "Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was not only an accomplished strategist--having played roughly 1,300 concerts in her 61-year career across western and central Europe-but also played an integral role in shaping the reception of her husband's music. Revolutionary for the time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of music's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance"-- | |
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| 653 | 1 | |a Schumann, Clara / 1819-1896 / Appreciation | |
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| 653 | 1 | |a Schumann, Clara / 1819-1896 | |
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Datensatz im Suchindex
| _version_ | 1806595314687148032 |
|---|---|
| adam_text |
CONTENTS Acknowledgments Chronology ix xi Introduction і 1 Schumann’s Early-Career Concert Vehicles: Transcendent Interiority and the Cutting Edge of Popular Pianism 21 2 The Imagined Revelation of Musical Works 67 3 The Compositional Agency of the Revelatory Interpreter 100 4 Clara Schumann’s 1840s Compositions and Her Midcentury Persona 147 5 Navigating and Shaping Local Concert Scenes and Canons: Clara Schumann’s 1854-1856 Tours 193 6 Revelatory Interpretation and the Performance of Memory 243 Epilogue 279 Bibliography Index 297 283 |
| adam_txt |
CONTENTS Acknowledgments Chronology ix xi Introduction і 1 Schumann’s Early-Career Concert Vehicles: Transcendent Interiority and the Cutting Edge of Popular Pianism 21 2 The Imagined Revelation of Musical Works 67 3 The Compositional Agency of the Revelatory Interpreter 100 4 Clara Schumann’s 1840s Compositions and Her Midcentury Persona 147 5 Navigating and Shaping Local Concert Scenes and Canons: Clara Schumann’s 1854-1856 Tours 193 6 Revelatory Interpretation and the Performance of Memory 243 Epilogue 279 Bibliography Index 297 283 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Stefaniak, Alexander 1983- |
| author_GND | (DE-588)1117095398 |
| author_facet | Stefaniak, Alexander 1983- |
| author_role | cmp |
| author_sort | Stefaniak, Alexander 1983- |
| author_variant | a s as |
| building | Verbundindex |
| bvnumber | BV047556512 |
| classification_rvk | LP 65710 |
| contents | Introduction -- Schumann's early-career concert vehicles : transcendent interiority and the cutting edge of popular pianism -- The imagined revelation fo musical works -- The compositional agency of the revelatory interpreter -- Clara Schuman's 1840 compositions and her midcentury persona -- Navigating and shaping local concert scenes and canons : Clara Schumann's 1854-1856 tours -- Revelatory interpretation and the performance of memory -- Epilogue |
| ctrlnum | (OCoLC)1296332594 (DE-599)BVBBV047556512 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Musical Score Book |
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| isbn | 9780253058294 9780253058287 |
| language | English |
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| spelling | Stefaniak, Alexander 1983- Komponist (DE-588)1117095398 cmp Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon Alexander Stefaniak Bloomington, Indiana Indiana University Press [2021] xiii, 308 Seiten Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction -- Schumann's early-career concert vehicles : transcendent interiority and the cutting edge of popular pianism -- The imagined revelation fo musical works -- The compositional agency of the revelatory interpreter -- Clara Schuman's 1840 compositions and her midcentury persona -- Navigating and shaping local concert scenes and canons : Clara Schumann's 1854-1856 tours -- Revelatory interpretation and the performance of memory -- Epilogue "Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was not only an accomplished strategist--having played roughly 1,300 concerts in her 61-year career across western and central Europe-but also played an integral role in shaping the reception of her husband's music. Revolutionary for the time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of music's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance"-- Schumann, Clara 1819-1896 (DE-588)11861164X gnd rswk-swf Pianistin (DE-588)4426550-5 gnd rswk-swf Schumann, Clara / 1819-1896 Schumann, Clara / 1819-1896 / Performances Schumann, Clara / 1819-1896 / Appreciation Piano / Performance / Germany / History / 19th century Art appreciation Performances Piano / Performance Germany 1800-1899 History Schumann, Clara 1819-1896 (DE-588)11861164X p Pianistin (DE-588)4426550-5 s DE-604 Erscheint auch als Online-Ausgabe 978-0-253-05826-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032932058&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stefaniak, Alexander 1983- Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon Introduction -- Schumann's early-career concert vehicles : transcendent interiority and the cutting edge of popular pianism -- The imagined revelation fo musical works -- The compositional agency of the revelatory interpreter -- Clara Schuman's 1840 compositions and her midcentury persona -- Navigating and shaping local concert scenes and canons : Clara Schumann's 1854-1856 tours -- Revelatory interpretation and the performance of memory -- Epilogue Schumann, Clara 1819-1896 (DE-588)11861164X gnd Pianistin (DE-588)4426550-5 gnd |
| subject_GND | (DE-588)11861164X (DE-588)4426550-5 |
| title | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon |
| title_auth | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon |
| title_exact_search | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon |
| title_exact_search_txtP | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon |
| title_full | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon Alexander Stefaniak |
| title_fullStr | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon Alexander Stefaniak |
| title_full_unstemmed | Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon Alexander Stefaniak |
| title_short | Becoming Clara Schumann |
| title_sort | becoming clara schumann performance strategies and aesthetics in the culture of the musical canon |
| title_sub | performance strategies and aesthetics in the culture of the musical canon |
| topic | Schumann, Clara 1819-1896 (DE-588)11861164X gnd Pianistin (DE-588)4426550-5 gnd |
| topic_facet | Schumann, Clara 1819-1896 Pianistin |
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