Pontormo and the art of devotion in Renaissance Italy:
"In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essenti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York
Cambridge University Press
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential parallels between narrative structure and the Christian faith: "Revelation is told as a biography of Christ ... The truth became visible through the narration of miraculous and significant events, res gestae, in the sense of true and important facts." Over time, however, Belting argues that narrative imagery of the Trecento developed a more complex, communicative language, allowing for psychological interpretation and allegorical readings; "Narrative adopted an instrumental scope.""-- |
| Beschreibung: | xii, 261 Seiten Illustrationen |
| ISBN: | 9781316510551 1316510557 |
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| 505 | 8 | |a Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? | |
| 520 | 3 | |a "In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential parallels between narrative structure and the Christian faith: "Revelation is told as a biography of Christ ... The truth became visible through the narration of miraculous and significant events, res gestae, in the sense of true and important facts." Over time, however, Belting argues that narrative imagery of the Trecento developed a more complex, communicative language, allowing for psychological interpretation and allegorical readings; "Narrative adopted an instrumental scope.""-- | |
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Datensatz im Suchindex
| _version_ | 1804182879637340160 |
|---|---|
| adam_text | PONTORMO
AND
THE
ART
OF
DEVOTION
IN
RENAISSANCE
ITALY
JESSICA
A.
MARATSOS
PEMBROKE COLLEGE, CAMBRIDGE UNIVERSITY
.....
~
...
CAMBRIDGE
:::
UNIVERSITY
PRESS
CONTENTS
LIST
EF
PLATES
LIST
EF
ILLUSTRATIONS
ACKNOWLEDGMENTS
LIST
EF
ABBREVIATIONS
INTRODUCTION:
DRAWING
DEVOTION,
IMITATING
NATURE
IN
CINQUECENTO
FLORENCE
PONTORMO
AND VASARI
PONTORMO
AND MANNERISM
STYLE
AND
IMITATION
IN
THE ARTS
DRAWING, NATURE, AND THE STUDIO
THE
STATUS
OF
THE CHRISTIAN IMAGE
PERFORMING
THE
PASSION
AT
THE
CERTOSA
DEL
GALLUZZO
LA
MANIERA
TEDESCA
THE
CARTHUSIAN
CONTEXT
PERFORMATIVITY
AUDIENCE AND EXPERIENCE
2
PICTORIAL
THEOLOGY
AND
THE
PARAGONE
IN
THE
CAPPONI
CHAPEL
SPACE
AND
PLANE,
RILIEVO
AND
COLORE
PATRONAGE AND POLITICS
FABRICATING DIVINE IMAGERY
NICODEMUS
AS
ARTIST
3
ELUSIVE
RHETORIC
AT
SAN
LORENZO
THE
PARISH
CHURCH
OF
SAN LORENZO
AN
ENIGMATIC ICONOGRAPHY
ART
AS
TEXT
RHETORIC,
POETICS, AND THE IMAGE
THE
ACCADEMIA FIORENTINA
PAGE
VU
VIII
X
XLL
6
9
12
15
22
29
41
46
58
66
73
74
83
91
96
I
II
II3
120
126
135
147
V
VI
CONTENTS
4
A
PONTORMO
LEGACY
IN
FLORENCE?
BACCIO BANDINELLI S
CHOIR
THE
CHANGED CULTURAL HORIZON
THE
MONTAUTO CHAPEL
BRONZINO
S
MARTYRDOM
OF
SAINT
LAWRENCE
FUNERALS AND TOMBS
NOTES
BIBLIOGRAPHY
INDEX
COLOR
PLATES
CAN
BE
FOUND
BETWEEN
PAGES
148
AND
149.
154
154
160
163
165
167
172
217
252
|
| adam_txt |
PONTORMO
AND
THE
ART
OF
DEVOTION
IN
RENAISSANCE
ITALY
JESSICA
A.
MARATSOS
PEMBROKE COLLEGE, CAMBRIDGE UNIVERSITY
.
~
.
CAMBRIDGE
:::
UNIVERSITY
PRESS
CONTENTS
LIST
EF
PLATES
LIST
EF
ILLUSTRATIONS
ACKNOWLEDGMENTS
LIST
EF
ABBREVIATIONS
INTRODUCTION:
DRAWING
DEVOTION,
IMITATING
NATURE
IN
CINQUECENTO
FLORENCE
PONTORMO
AND VASARI
PONTORMO
AND MANNERISM
STYLE
AND
IMITATION
IN
THE ARTS
DRAWING, NATURE, AND THE STUDIO
THE
STATUS
OF
THE CHRISTIAN IMAGE
PERFORMING
THE
PASSION
AT
THE
CERTOSA
DEL
GALLUZZO
LA
MANIERA
TEDESCA
THE
CARTHUSIAN
CONTEXT
PERFORMATIVITY
AUDIENCE AND EXPERIENCE
2
PICTORIAL
THEOLOGY
AND
THE
PARAGONE
IN
THE
CAPPONI
CHAPEL
SPACE
AND
PLANE,
RILIEVO
AND
COLORE
PATRONAGE AND POLITICS
FABRICATING DIVINE IMAGERY
NICODEMUS
AS
ARTIST
3
ELUSIVE
RHETORIC
AT
SAN
LORENZO
THE
PARISH
CHURCH
OF
SAN LORENZO
AN
ENIGMATIC ICONOGRAPHY
ART
AS
TEXT
RHETORIC,
POETICS, AND THE IMAGE
THE
ACCADEMIA FIORENTINA
PAGE
VU
VIII
X
XLL
6
9
12
15
22
29
41
46
58
66
73
74
83
91
96
I
II
II3
120
126
135
147
V
VI
CONTENTS
4
A
PONTORMO
LEGACY
IN
FLORENCE?
BACCIO BANDINELLI'S
CHOIR
THE
CHANGED CULTURAL HORIZON
THE
MONTAUTO CHAPEL
BRONZINO
'S
MARTYRDOM
OF
SAINT
LAWRENCE
FUNERALS AND TOMBS
NOTES
BIBLIOGRAPHY
INDEX
COLOR
PLATES
CAN
BE
FOUND
BETWEEN
PAGES
148
AND
149.
154
154
160
163
165
167
172
217
252 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Maratsos, Jessica 1977- |
| author_GND | (DE-588)14391765X |
| author_facet | Maratsos, Jessica 1977- |
| author_role | aut |
| author_sort | Maratsos, Jessica 1977- |
| author_variant | j m jm |
| building | Verbundindex |
| bvnumber | BV047555930 |
| classification_rvk | LI 68850 |
| contents | Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? |
| ctrlnum | (OCoLC)1286862680 (DE-599)BVBBV047555930 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1500-1570 gnd |
| era_facet | Geschichte 1500-1570 |
| format | Thesis Book |
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| spelling | Maratsos, Jessica 1977- Verfasser (DE-588)14391765X aut Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge Cambridge ; New York Cambridge University Press 2021 xii, 261 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation Columbia University 2014 Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? "In Italy narrative representation simultaneously played a crucial role in the newly developing realm of pictorial naturalism and acted as a fundamental feature of Christian imagery. Hans Belting, in outlining a significant shift in this mode of art at the time of Giotto, highlights the essential parallels between narrative structure and the Christian faith: "Revelation is told as a biography of Christ ... The truth became visible through the narration of miraculous and significant events, res gestae, in the sense of true and important facts." Over time, however, Belting argues that narrative imagery of the Trecento developed a more complex, communicative language, allowing for psychological interpretation and allegorical readings; "Narrative adopted an instrumental scope.""-- Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd rswk-swf Geschichte 1500-1570 gnd rswk-swf Hingabe (DE-588)4129206-6 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Pontormo, Jacopo da / 1494-1556 / Criticism and interpretation Christian art and symbolism / Italy / Renaissance, 1450-1600 Devotion in art Pontormo, Jacopo da / 1494-1556 Christian art and symbolism / Renaissance Italy 1450-1600 Criticism, interpretation, etc (DE-588)4113937-9 Hochschulschrift gnd-content Pontormo, Jacopo 1494-1557 (DE-588)118822713 p Florenz (DE-588)4017581-9 g Hingabe (DE-588)4129206-6 s Geschichte 1500-1570 z DE-604 Erscheint auch als Online-Ausgabe 978-1-00-903795-2 (DE-604)BV047861885 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032931478&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Maratsos, Jessica 1977- Pontormo and the art of devotion in Renaissance Italy Introduction: Drawing Devotion, Imitating Nature in Cinquecento Florence -- Performing the Passion at the Certosa del Galluzzo -- Pictorial Theology and the Paragone in the Capponi Chapel -- Elusive Rhetoric at San Lorenzo -- A Pontormo Legacy in Florence? Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd Hingabe (DE-588)4129206-6 gnd |
| subject_GND | (DE-588)118822713 (DE-588)4129206-6 (DE-588)4017581-9 (DE-588)4113937-9 |
| title | Pontormo and the art of devotion in Renaissance Italy |
| title_auth | Pontormo and the art of devotion in Renaissance Italy |
| title_exact_search | Pontormo and the art of devotion in Renaissance Italy |
| title_exact_search_txtP | Pontormo and the art of devotion in Renaissance Italy |
| title_full | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
| title_fullStr | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
| title_full_unstemmed | Pontormo and the art of devotion in Renaissance Italy Jessica A. Maratsos, Pembroke College, Cambridge |
| title_short | Pontormo and the art of devotion in Renaissance Italy |
| title_sort | pontormo and the art of devotion in renaissance italy |
| topic | Pontormo, Jacopo 1494-1557 (DE-588)118822713 gnd Hingabe (DE-588)4129206-6 gnd |
| topic_facet | Pontormo, Jacopo 1494-1557 Hingabe Florenz Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032931478&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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