When Venus mocked the pope: ancient sculptures in the possessi of Renaissance Rome
"In Renaissance Rome, each pope marked the beginning of his reign with a ceremo-nial possesso, a procession in which the new pontiff and his retinue traversed the city, marching in triumph from the Vatican to St John Lateran and back again. Considered from the perspective of the possesso, colle...
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2021
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Schlagworte: | |
Zusammenfassung: | "In Renaissance Rome, each pope marked the beginning of his reign with a ceremo-nial possesso, a procession in which the new pontiff and his retinue traversed the city, marching in triumph from the Vatican to St John Lateran and back again. Considered from the perspective of the possesso, collections can be understood as lasting traces of ephemeral celebrations and a type of display similar triumphal spolia and triumphal arches. Examining these relationships in more detail loosens an overly strict understanding of Rome’s early collections as private ‘muse-ums’ and focuses attention on the movement of antique sculptures between private and public space. Enshrined in museums, ancient sculptures seem far removed from the history of processions and temporary decor. The Venus pudica set up by a goldsmith serves as a reminder of the ripe potential for satire and inversion when antique statues on the street were juxtaposed with the papal cortege." |
Beschreibung: | Illustrationen |
ISBN: | 978-0-367-41638-6 |
Internformat
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Datensatz im Suchindex
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language | English |
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spelling | Christian, Kathleen 1971- Verfasser (DE-588)137004583 aut When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome Kathleen W. Christian 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier "In Renaissance Rome, each pope marked the beginning of his reign with a ceremo-nial possesso, a procession in which the new pontiff and his retinue traversed the city, marching in triumph from the Vatican to St John Lateran and back again. Considered from the perspective of the possesso, collections can be understood as lasting traces of ephemeral celebrations and a type of display similar triumphal spolia and triumphal arches. Examining these relationships in more detail loosens an overly strict understanding of Rome’s early collections as private ‘muse-ums’ and focuses attention on the movement of antique sculptures between private and public space. Enshrined in museums, ancient sculptures seem far removed from the history of processions and temporary decor. The Venus pudica set up by a goldsmith serves as a reminder of the ripe potential for satire and inversion when antique statues on the street were juxtaposed with the papal cortege." Geschichte 1470-1550 gnd rswk-swf Papst (DE-588)4044561-6 gnd rswk-swf Prozession (DE-588)4176065-7 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Inthronisation (DE-588)4185362-3 gnd rswk-swf Triumphzug (DE-588)4186249-1 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Rom (DE-588)4050471-2 gnd rswk-swf Vatikanstadt (DE-588)4062404-3 gnd rswk-swf Renaissance, Rezeption (DE-2581)TH000005253 gbd Italien, Rezeption (DE-2581)TH000005524 gbd Vatikanstadt (DE-588)4062404-3 g Rom (DE-588)4050471-2 g Papst (DE-588)4044561-6 s Inthronisation (DE-588)4185362-3 s Triumphzug (DE-588)4186249-1 s Prozession (DE-588)4176065-7 s Kunst (DE-588)4114333-4 s Antike (DE-588)4068754-5 s Sammlung (DE-588)4128844-0 s DE-604 Geschichte 1470-1550 z pages:147-175 Public statues across time and cultures / edited by Christopher P. Dickenson New York ; London, 2021 Seite 147-175 Routledge research in art history (DE-604)BV047522908 978-0-367-41638-6 |
spellingShingle | Christian, Kathleen 1971- When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome Papst (DE-588)4044561-6 gnd Prozession (DE-588)4176065-7 gnd Sammlung (DE-588)4128844-0 gnd Inthronisation (DE-588)4185362-3 gnd Triumphzug (DE-588)4186249-1 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4044561-6 (DE-588)4176065-7 (DE-588)4128844-0 (DE-588)4185362-3 (DE-588)4186249-1 (DE-588)4068754-5 (DE-588)4114333-4 (DE-588)4050471-2 (DE-588)4062404-3 |
title | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome |
title_auth | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome |
title_exact_search | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome |
title_exact_search_txtP | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome |
title_full | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome Kathleen W. Christian |
title_fullStr | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome Kathleen W. Christian |
title_full_unstemmed | When Venus mocked the pope ancient sculptures in the possessi of Renaissance Rome Kathleen W. Christian |
title_short | When Venus mocked the pope |
title_sort | when venus mocked the pope ancient sculptures in the possessi of renaissance rome |
title_sub | ancient sculptures in the possessi of Renaissance Rome |
topic | Papst (DE-588)4044561-6 gnd Prozession (DE-588)4176065-7 gnd Sammlung (DE-588)4128844-0 gnd Inthronisation (DE-588)4185362-3 gnd Triumphzug (DE-588)4186249-1 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Papst Prozession Sammlung Inthronisation Triumphzug Antike Kunst Rom Vatikanstadt |
work_keys_str_mv | AT christiankathleen whenvenusmockedthepopeancientsculpturesinthepossessiofrenaissancerome |