No one's witness: a monstrous poetics
In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, ex...
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Sprache: | English |
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Duke University Press
[2021]
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Schriftenreihe: | Black Outdoors: Innovations in the Poetics of Study
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Zusammenfassung: | In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life |
Beschreibung: | 1 Online-Ressource (viii, 182 Seiten) |
ISBN: | 9781478021551 |
DOI: | 10.1515/9781478021551 |
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spelling | Zolf, Rachel 1968- Verfasser (DE-588)1133047122 aut No one's witness a monstrous poetics Rachel Zolf Durham Duke University Press [2021] © 2021 1 Online-Ressource (viii, 182 Seiten) txt rdacontent c rdamedia cr rdacarrier Black Outdoors: Innovations in the Poetics of Study In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh German literature History and criticism 20th century German literature Jewish authors History and criticism German literature 20th century History and criticism Holocaust, Jewish (1939-1945), in literature Poetics Psychic trauma in literature Celan, Paul / Criticism and interpretation German literature / Jewish authors / History and criticism German literature / 20th century / History and criticism Celan, Paul German literature German literature / Jewish authors Holocaust, Jewish (1939-1945) in literature 1900-1999 Criticism, interpretation, etc Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-1333-4 (DE-604)BV047573739 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-1424-9 (DE-604)BV047573739 https://doi.org/10.1515/9781478021551 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Zolf, Rachel 1968- No one's witness a monstrous poetics SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh German literature History and criticism 20th century German literature Jewish authors History and criticism German literature 20th century History and criticism Holocaust, Jewish (1939-1945), in literature Poetics Psychic trauma in literature |
title | No one's witness a monstrous poetics |
title_auth | No one's witness a monstrous poetics |
title_exact_search | No one's witness a monstrous poetics |
title_exact_search_txtP | No one's witness a monstrous poetics |
title_full | No one's witness a monstrous poetics Rachel Zolf |
title_fullStr | No one's witness a monstrous poetics Rachel Zolf |
title_full_unstemmed | No one's witness a monstrous poetics Rachel Zolf |
title_short | No one's witness |
title_sort | no one s witness a monstrous poetics |
title_sub | a monstrous poetics |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh German literature History and criticism 20th century German literature Jewish authors History and criticism German literature 20th century History and criticism Holocaust, Jewish (1939-1945), in literature Poetics Psychic trauma in literature |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies German literature History and criticism 20th century German literature Jewish authors History and criticism German literature 20th century History and criticism Holocaust, Jewish (1939-1945), in literature Poetics Psychic trauma in literature |
url | https://doi.org/10.1515/9781478021551 |
work_keys_str_mv | AT zolfrachel nooneswitnessamonstrouspoetics |