Beyoncé in Formation: Remixing Black Feminism
Making headlines when it was launched in 2015, Omise'eke Tinsley's undergraduate course "Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Austin
University of Texas Press
[2021]
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Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Making headlines when it was launched in 2015, Omise'eke Tinsley's undergraduate course "Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyoncé's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyoncé's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021) |
Beschreibung: | 1 online resource |
ISBN: | 9781477317716 |
DOI: | 10.7560/318393 |
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spelling | Tinsley, Omise'eke Natasha Verfasser aut Beyoncé in Formation Remixing Black Feminism Omise'eke Natasha Tinsley Austin University of Texas Press [2021] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021) Making headlines when it was launched in 2015, Omise'eke Tinsley's undergraduate course "Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyoncé's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyoncé's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America In English SOCIAL SCIENCE / Women's Studies bisacsh African American feminists African American women singers Biography African American women singers Feminism and music https://doi.org/10.7560/318393 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Tinsley, Omise'eke Natasha Beyoncé in Formation Remixing Black Feminism SOCIAL SCIENCE / Women's Studies bisacsh African American feminists African American women singers Biography African American women singers Feminism and music |
title | Beyoncé in Formation Remixing Black Feminism |
title_auth | Beyoncé in Formation Remixing Black Feminism |
title_exact_search | Beyoncé in Formation Remixing Black Feminism |
title_exact_search_txtP | Beyoncé in Formation Remixing Black Feminism |
title_full | Beyoncé in Formation Remixing Black Feminism Omise'eke Natasha Tinsley |
title_fullStr | Beyoncé in Formation Remixing Black Feminism Omise'eke Natasha Tinsley |
title_full_unstemmed | Beyoncé in Formation Remixing Black Feminism Omise'eke Natasha Tinsley |
title_short | Beyoncé in Formation |
title_sort | beyonce in formation remixing black feminism |
title_sub | Remixing Black Feminism |
topic | SOCIAL SCIENCE / Women's Studies bisacsh African American feminists African American women singers Biography African American women singers Feminism and music |
topic_facet | SOCIAL SCIENCE / Women's Studies African American feminists African American women singers Biography African American women singers Feminism and music |
url | https://doi.org/10.7560/318393 |
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