An artful relic: the Shroud of Turin in Baroque Italy
In 1578, a fourteen-foot linen sheet bearing faint bloodstained imprints was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ's body for entombment. From that year into the next century, the Shroud of Turin emerged as Chr...
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Format: | Elektronisch E-Book |
Sprache: | English |
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University Park, PA
Pennsylvania State University Press
[2021]
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Zusammenfassung: | In 1578, a fourteen-foot linen sheet bearing faint bloodstained imprints was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ's body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity's preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds light on the origins of one of the world's most famous and controversial religious objects.Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud's mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth's historical conception as an object of religious devotion. Examining the period of the Shroud's most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic-a divine painting attributed to God's artistry that contains traces of Christ's body. Through probing analyses of materials created to perpetuate the Shroud's cult following-including devotional, historical, and theological treatises as well as printed and painted reproductions-Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud's bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud's emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin |
Beschreibung: | 1 Online-Ressource (xi, 203 Seiten) Illustrationen |
ISBN: | 9780271091082 |
DOI: | 10.1515/9780271091082 |
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spelling | Casper, Andrew R. Verfasser (DE-588)136881475 aut An artful relic the Shroud of Turin in Baroque Italy Andrew R. Casper University Park, PA Pennsylvania State University Press [2021] © 2021 1 Online-Ressource (xi, 203 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In 1578, a fourteen-foot linen sheet bearing faint bloodstained imprints was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ's body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity's preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds light on the origins of one of the world's most famous and controversial religious objects.Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud's mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth's historical conception as an object of religious devotion. Examining the period of the Shroud's most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic-a divine painting attributed to God's artistry that contains traces of Christ's body. Through probing analyses of materials created to perpetuate the Shroud's cult following-including devotional, historical, and theological treatises as well as printed and painted reproductions-Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud's bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud's emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin ART / History / Baroque & Rococo bisacsh Rezeption (DE-588)4049716-1 gnd rswk-swf Turiner Grabtuch (DE-588)4127043-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Turiner Grabtuch (DE-588)4127043-5 s Rezeption (DE-588)4049716-1 s Italien (DE-588)4027833-5 g DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-271-09039-9 https://doi.org/10.1515/9780271091082 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Casper, Andrew R. An artful relic the Shroud of Turin in Baroque Italy ART / History / Baroque & Rococo bisacsh Rezeption (DE-588)4049716-1 gnd Turiner Grabtuch (DE-588)4127043-5 gnd |
subject_GND | (DE-588)4049716-1 (DE-588)4127043-5 (DE-588)4027833-5 |
title | An artful relic the Shroud of Turin in Baroque Italy |
title_auth | An artful relic the Shroud of Turin in Baroque Italy |
title_exact_search | An artful relic the Shroud of Turin in Baroque Italy |
title_exact_search_txtP | An artful relic the Shroud of Turin in Baroque Italy |
title_full | An artful relic the Shroud of Turin in Baroque Italy Andrew R. Casper |
title_fullStr | An artful relic the Shroud of Turin in Baroque Italy Andrew R. Casper |
title_full_unstemmed | An artful relic the Shroud of Turin in Baroque Italy Andrew R. Casper |
title_short | An artful relic |
title_sort | an artful relic the shroud of turin in baroque italy |
title_sub | the Shroud of Turin in Baroque Italy |
topic | ART / History / Baroque & Rococo bisacsh Rezeption (DE-588)4049716-1 gnd Turiner Grabtuch (DE-588)4127043-5 gnd |
topic_facet | ART / History / Baroque & Rococo Rezeption Turiner Grabtuch Italien |
url | https://doi.org/10.1515/9780271091082 |
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