The Oxford handbook of contemporary ballet:
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxx, 982 Seiten Illustrationen |
| ISBN: | 9780190871499 |
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| 245 | 1 | 0 | |a The Oxford handbook of contemporary ballet |c edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen |
| 246 | 1 | 3 | |a Handbook of contemporary ballet |
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| 520 | 3 | |a "Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"-- | |
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| dewey-search | 792.8 |
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| discipline | Allgemeines |
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| id | DE-604.BV047523104 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:23:54Z |
| indexdate | 2024-07-10T09:14:20Z |
| institution | BVB |
| isbn | 9780190871499 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032923816 |
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| physical | xxx, 982 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
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| publisher | Oxford University Press |
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| spelling | The Oxford handbook of contemporary ballet edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen Handbook of contemporary ballet New York, NY Oxford University Press [2021] xxx, 982 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"-- Ballett (DE-588)4004351-4 gnd rswk-swf Ballet Modern dance Ballett (DE-588)4004351-4 s DE-604 Farrugia-Kriel, Kathrina (DE-588)1235489140 edt Nunes Jensen, Jill ca. 20./21. Jh. (DE-588)1235489272 edt Erscheint auch als Online-Ausgabe 978-0-19-087152-9 |
| spellingShingle | The Oxford handbook of contemporary ballet Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)4004351-4 |
| title | The Oxford handbook of contemporary ballet |
| title_alt | Handbook of contemporary ballet |
| title_auth | The Oxford handbook of contemporary ballet |
| title_exact_search | The Oxford handbook of contemporary ballet |
| title_exact_search_txtP | The Oxford handbook of contemporary ballet |
| title_full | The Oxford handbook of contemporary ballet edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen |
| title_fullStr | The Oxford handbook of contemporary ballet edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen |
| title_full_unstemmed | The Oxford handbook of contemporary ballet edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen |
| title_short | The Oxford handbook of contemporary ballet |
| title_sort | the oxford handbook of contemporary ballet |
| topic | Ballett (DE-588)4004351-4 gnd |
| topic_facet | Ballett |
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