Le chant intime: the interpretation of French mélodie
"Le Chant intime is the very first book, since Pierre Bernac's landmark work in 1978, to deal specifically with the topic of the interpretation of French mélodie, written by a singer. It offers an essay about the general approach to be taken when preparing a French song, and analyses of a...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "Le Chant intime is the very first book, since Pierre Bernac's landmark work in 1978, to deal specifically with the topic of the interpretation of French mélodie, written by a singer. It offers an essay about the general approach to be taken when preparing a French song, and analyses of a selection of 60 selected mélodies (none of which appear in Bernac's book), from Berlioz to contemorary composers like Hersant and Lancino. More than rules, Le Chant intime tries to give paths to be taken; more than answers, questions to be addressed. The lesson of Debussy's Pelléas et Mélisande has served as a guiding principle: a song should be the junction of two dreams - the composer's and the poet's - not an explanation or an elicitation. Or, as Poulenc put it so wittily: a song should always be "a love affair, not an arranged marriage." |
| Beschreibung: | x, 283 Seiten Notenbeispiele |
| ISBN: | 9780190884178 9780190884185 |
Internformat
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| 245 | 1 | 0 | |a Le chant intime |b the interpretation of French mélodie |c François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan |
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| 520 | 3 | |a "Le Chant intime is the very first book, since Pierre Bernac's landmark work in 1978, to deal specifically with the topic of the interpretation of French mélodie, written by a singer. It offers an essay about the general approach to be taken when preparing a French song, and analyses of a selection of 60 selected mélodies (none of which appear in Bernac's book), from Berlioz to contemorary composers like Hersant and Lancino. More than rules, Le Chant intime tries to give paths to be taken; more than answers, questions to be addressed. The lesson of Debussy's Pelléas et Mélisande has served as a guiding principle: a song should be the junction of two dreams - the composer's and the poet's - not an explanation or an elicitation. Or, as Poulenc put it so wittily: a song should always be "a love affair, not an arranged marriage." | |
| 653 | 0 | |a Songs, French / France / History and criticism | |
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Datensatz im Suchindex
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| id | DE-604.BV047523078 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:23:54Z |
| indexdate | 2024-07-10T09:14:20Z |
| institution | BVB |
| isbn | 9780190884178 9780190884185 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032923791 |
| oclc_num | 1265034031 |
| open_access_boolean | |
| owner | DE-703 |
| owner_facet | DE-703 |
| physical | x, 283 Seiten Notenbeispiele |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Le Roux, François 1955- Verfasser (DE-588)123750172 aut Chant intime Le chant intime the interpretation of French mélodie François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan New York Oxford University Press [2021] x, 283 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Le Chant intime is the very first book, since Pierre Bernac's landmark work in 1978, to deal specifically with the topic of the interpretation of French mélodie, written by a singer. It offers an essay about the general approach to be taken when preparing a French song, and analyses of a selection of 60 selected mélodies (none of which appear in Bernac's book), from Berlioz to contemorary composers like Hersant and Lancino. More than rules, Le Chant intime tries to give paths to be taken; more than answers, questions to be addressed. The lesson of Debussy's Pelléas et Mélisande has served as a guiding principle: a song should be the junction of two dreams - the composer's and the poet's - not an explanation or an elicitation. Or, as Poulenc put it so wittily: a song should always be "a love affair, not an arranged marriage." Songs, French / France / History and criticism Songs, French / Interpretation (Phrasing, dynamics, etc.) Raynaldy, Romain Verfasser aut Kahan, Sylvia 1952- (DE-588)135017343 trl Erscheint auch als Online-Ausgabe, updf 978-0-19-755227-8 Erscheint auch als Online-Ausgabe, oso 978-0-19-756451-6 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-755228-5 |
| spellingShingle | Le Roux, François 1955- Raynaldy, Romain Le chant intime the interpretation of French mélodie |
| title | Le chant intime the interpretation of French mélodie |
| title_alt | Chant intime |
| title_auth | Le chant intime the interpretation of French mélodie |
| title_exact_search | Le chant intime the interpretation of French mélodie |
| title_exact_search_txtP | Le chant intime the interpretation of French mélodie |
| title_full | Le chant intime the interpretation of French mélodie François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan |
| title_fullStr | Le chant intime the interpretation of French mélodie François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan |
| title_full_unstemmed | Le chant intime the interpretation of French mélodie François Le Roux, Romain Raynaldy ; english translation by Sylvia Kahan |
| title_short | Le chant intime |
| title_sort | le chant intime the interpretation of french melodie |
| title_sub | the interpretation of French mélodie |
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