The Substance and the Shadow:
In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cézanne, published La proie et l'ombre, a little-known roman à clef featuring a thinly disguised Cézanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressio...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
|
Schriftenreihe: | Refiguring Modernism
6 |
Schlagworte: | |
Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cézanne, published La proie et l'ombre, a little-known roman à clef featuring a thinly disguised Cézanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressionist discussions on the nature of art. La proie et l'ombre offers a unique insight into the thoughts and lives of the Impressionists. Cézanne scholar Paul Smith has resurrected this all-but-forgotten novel, recognizing its value in expanding our understanding of the Impressionists' world in general and Cézanne's in particular.This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's-and, by extension, Cézanne's-attempts to cope with the shift.In a substantial introductory essay, Paul Smith discusses the nature of the roman à clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) |
Beschreibung: | 1 online resource (264 pages) 4 illustrations |
ISBN: | 9780271085753 |
Internformat
MARC
LEADER | 00000nmm a2200000zcb4500 | ||
---|---|---|---|
001 | BV047521024 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 211019s2021 |||| o||u| ||||||eng d | ||
020 | |a 9780271085753 |9 978-0-271-08575-3 | ||
024 | 7 | |a 10.1515/9780271085753 |2 doi | |
035 | |a (ZDB-23-DGG)9780271085753 | ||
035 | |a (OCoLC)1284792618 | ||
035 | |a (DE-599)BVBBV047521024 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 843/.8 |2 22 | |
100 | 1 | |a Smith, Paul |e Verfasser |4 aut | |
245 | 1 | 0 | |a The Substance and the Shadow |c Paul Smith |
264 | 1 | |a University Park, PA |b Penn State University Press |c [2021] | |
264 | 4 | |c © 2007 | |
300 | |a 1 online resource (264 pages) |b 4 illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Refiguring Modernism |v 6 | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | ||
520 | |a In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cézanne, published La proie et l'ombre, a little-known roman à clef featuring a thinly disguised Cézanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressionist discussions on the nature of art. La proie et l'ombre offers a unique insight into the thoughts and lives of the Impressionists. Cézanne scholar Paul Smith has resurrected this all-but-forgotten novel, recognizing its value in expanding our understanding of the Impressionists' world in general and Cézanne's in particular.This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's-and, by extension, Cézanne's-attempts to cope with the shift.In a substantial introductory essay, Paul Smith discusses the nature of the roman à clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts | ||
546 | |a In English | ||
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers |2 bisacsh | |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780271085753 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032921751 | ||
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://www.degruyter.com/isbn/9780271085753 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182861235879936 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Smith, Paul |
author_facet | Smith, Paul |
author_role | aut |
author_sort | Smith, Paul |
author_variant | p s ps |
building | Verbundindex |
bvnumber | BV047521024 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780271085753 (OCoLC)1284792618 (DE-599)BVBBV047521024 |
dewey-full | 843/.8 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 843 - French fiction |
dewey-raw | 843/.8 |
dewey-search | 843/.8 |
dewey-sort | 3843 18 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik |
discipline_str_mv | Romanistik |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03552nmm a2200469zcb4500</leader><controlfield tag="001">BV047521024</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211019s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780271085753</subfield><subfield code="9">978-0-271-08575-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780271085753</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780271085753</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1284792618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047521024</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">843/.8</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Smith, Paul</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Substance and the Shadow</subfield><subfield code="c">Paul Smith</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, PA</subfield><subfield code="b">Penn State University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (264 pages)</subfield><subfield code="b">4 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Refiguring Modernism</subfield><subfield code="v">6</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cézanne, published La proie et l'ombre, a little-known roman à clef featuring a thinly disguised Cézanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressionist discussions on the nature of art. La proie et l'ombre offers a unique insight into the thoughts and lives of the Impressionists. Cézanne scholar Paul Smith has resurrected this all-but-forgotten novel, recognizing its value in expanding our understanding of the Impressionists' world in general and Cézanne's in particular.This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's-and, by extension, Cézanne's-attempts to cope with the shift.In a substantial introductory essay, Paul Smith discusses the nature of the roman à clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032921751</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780271085753</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047521024 |
illustrated | Illustrated |
index_date | 2024-07-03T18:23:37Z |
indexdate | 2024-07-10T09:14:16Z |
institution | BVB |
isbn | 9780271085753 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032921751 |
oclc_num | 1284792618 |
open_access_boolean | |
owner | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 online resource (264 pages) 4 illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Penn State University Press |
record_format | marc |
series2 | Refiguring Modernism |
spelling | Smith, Paul Verfasser aut The Substance and the Shadow Paul Smith University Park, PA Penn State University Press [2021] © 2007 1 online resource (264 pages) 4 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring Modernism 6 Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) In 1878, the author Marius Roux, a noted friend of Emile Zola and Paul Cézanne, published La proie et l'ombre, a little-known roman à clef featuring a thinly disguised Cézanne as the main character, Germain Rambert. The text prominently features several conversations drawn from famous Impressionist discussions on the nature of art. La proie et l'ombre offers a unique insight into the thoughts and lives of the Impressionists. Cézanne scholar Paul Smith has resurrected this all-but-forgotten novel, recognizing its value in expanding our understanding of the Impressionists' world in general and Cézanne's in particular.This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's-and, by extension, Cézanne's-attempts to cope with the shift.In a substantial introductory essay, Paul Smith discusses the nature of the roman à clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts In English BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh https://www.degruyter.com/isbn/9780271085753 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Smith, Paul The Substance and the Shadow BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh |
title | The Substance and the Shadow |
title_auth | The Substance and the Shadow |
title_exact_search | The Substance and the Shadow |
title_exact_search_txtP | The Substance and the Shadow |
title_full | The Substance and the Shadow Paul Smith |
title_fullStr | The Substance and the Shadow Paul Smith |
title_full_unstemmed | The Substance and the Shadow Paul Smith |
title_short | The Substance and the Shadow |
title_sort | the substance and the shadow |
topic | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh |
topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers |
url | https://www.degruyter.com/isbn/9780271085753 |
work_keys_str_mv | AT smithpaul thesubstanceandtheshadow |