Soviet Salvage: Imperial Debris, Revolutionary Reuse, and Russian Constructivism
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Cla...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2017]
|
| Schriftenreihe: | Refiguring Modernism
23 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies-the "engineer" and "bricoleur"-illustrate, respectively, the canonical Constructivists and artists on the movement's margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union's early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (248 pages) 34 color/66 b&w illustrations |
| ISBN: | 9780271080420 |
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| 520 | |a In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies-the "engineer" and "bricoleur"-illustrate, respectively, the canonical Constructivists and artists on the movement's margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union's early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture | ||
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| spelling | Walworth, Catherine Verfasser aut Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism Catherine Walworth University Park, PA Penn State University Press [2017] © 2017 1 online resource (248 pages) 34 color/66 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring Modernism 23 Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected "elitist" media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life.Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies-the "engineer" and "bricoleur"-illustrate, respectively, the canonical Constructivists and artists on the movement's margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers.An engaging multidisciplinary study of objects and their makers during the Soviet Union's early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture In English ART / History / Modern (late 19th Century to 1945) bisacsh https://www.degruyter.com/isbn/9780271080420 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Walworth, Catherine Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism ART / History / Modern (late 19th Century to 1945) bisacsh |
| title | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism |
| title_auth | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism |
| title_exact_search | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism |
| title_exact_search_txtP | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism |
| title_full | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism Catherine Walworth |
| title_fullStr | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism Catherine Walworth |
| title_full_unstemmed | Soviet Salvage Imperial Debris, Revolutionary Reuse, and Russian Constructivism Catherine Walworth |
| title_short | Soviet Salvage |
| title_sort | soviet salvage imperial debris revolutionary reuse and russian constructivism |
| title_sub | Imperial Debris, Revolutionary Reuse, and Russian Constructivism |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh |
| topic_facet | ART / History / Modern (late 19th Century to 1945) |
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