Without God: Michel Houellebecq and Materialist Horror
Michel Houellebecq is France's most famous and controversial living novelist. Since his first novel in 1994, Houellebecq's work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on Janua...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, PA
Penn State University Press
[2016]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | Michel Houellebecq is France's most famous and controversial living novelist. Since his first novel in 1994, Houellebecq's work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that Islamist militants killed twelve people in an attack on their offices and also the day that his most recent novel, Soumission-the story of France in 2022 under a Muslim president-appeared in bookstores. Without God uses religion as a lens to examine how Houellebecq gives voice to the underside of the progressive ethos that has animated French and Western social, political, and religious thought since the 1960s.Focusing on Houellebecq's complicated relationship with religion, Louis Betty shows that the novelist, who is at best agnostic, "is a deeply and unavoidably religious writer." In exploring the religious, theological, and philosophical aspects of Houellebecq's work, Betty situates the author within the broader context of a French and Anglo-American history of ideas-ideas such as utopian socialism, the sociology of secularization, and quantum physics. Materialism, Betty contends, is the true destroyer of human intimacy and spirituality in Houellebecq's work; the prevailing worldview it conveys is one of nihilism and hedonism in a postmodern, post-Christian Europe. In Betty's analysis, "materialist horror" emerges as a philosophical and aesthetic concept that describes and amplifies contemporary moral and social decadence in Houellebecq's fiction |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
Beschreibung: | 1 online resource (176 pages) |
ISBN: | 9780271078090 |
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isbn | 9780271078090 |
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spelling | Betty, Louis Verfasser aut Without God Michel Houellebecq and Materialist Horror Louis Betty University Park, PA Penn State University Press [2016] © 2016 1 online resource (176 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Michel Houellebecq is France's most famous and controversial living novelist. Since his first novel in 1994, Houellebecq's work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that Islamist militants killed twelve people in an attack on their offices and also the day that his most recent novel, Soumission-the story of France in 2022 under a Muslim president-appeared in bookstores. Without God uses religion as a lens to examine how Houellebecq gives voice to the underside of the progressive ethos that has animated French and Western social, political, and religious thought since the 1960s.Focusing on Houellebecq's complicated relationship with religion, Louis Betty shows that the novelist, who is at best agnostic, "is a deeply and unavoidably religious writer." In exploring the religious, theological, and philosophical aspects of Houellebecq's work, Betty situates the author within the broader context of a French and Anglo-American history of ideas-ideas such as utopian socialism, the sociology of secularization, and quantum physics. Materialism, Betty contends, is the true destroyer of human intimacy and spirituality in Houellebecq's work; the prevailing worldview it conveys is one of nihilism and hedonism in a postmodern, post-Christian Europe. In Betty's analysis, "materialist horror" emerges as a philosophical and aesthetic concept that describes and amplifies contemporary moral and social decadence in Houellebecq's fiction In English LITERARY CRITICISM / European / French bisacsh Materialism in literature Religion in literature https://www.degruyter.com/isbn/9780271078090 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Betty, Louis Without God Michel Houellebecq and Materialist Horror LITERARY CRITICISM / European / French bisacsh Materialism in literature Religion in literature |
title | Without God Michel Houellebecq and Materialist Horror |
title_auth | Without God Michel Houellebecq and Materialist Horror |
title_exact_search | Without God Michel Houellebecq and Materialist Horror |
title_exact_search_txtP | Without God Michel Houellebecq and Materialist Horror |
title_full | Without God Michel Houellebecq and Materialist Horror Louis Betty |
title_fullStr | Without God Michel Houellebecq and Materialist Horror Louis Betty |
title_full_unstemmed | Without God Michel Houellebecq and Materialist Horror Louis Betty |
title_short | Without God |
title_sort | without god michel houellebecq and materialist horror |
title_sub | Michel Houellebecq and Materialist Horror |
topic | LITERARY CRITICISM / European / French bisacsh Materialism in literature Religion in literature |
topic_facet | LITERARY CRITICISM / European / French Materialism in literature Religion in literature |
url | https://www.degruyter.com/isbn/9780271078090 |
work_keys_str_mv | AT bettylouis withoutgodmichelhouellebecqandmaterialisthorror |