Kitsch and Art:
What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
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Schlagworte: | |
Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
Beschreibung: | 1 online resource (168 pages) 9 illustrations |
ISBN: | 9780271074184 |
DOI: | 10.1515/9780271074184 |
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520 | |a What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation | ||
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author | Kulka, Thomas |
author_facet | Kulka, Thomas |
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discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9780271074184 |
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illustrated | Illustrated |
index_date | 2024-07-03T18:23:37Z |
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institution | BVB |
isbn | 9780271074184 |
language | English |
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spelling | Kulka, Thomas Verfasser aut Kitsch and Art Thomas Kulka University Park, PA Penn State University Press [2021] © 1996 1 online resource (168 pages) 9 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation In English PHILOSOPHY / Aesthetics bisacsh Arts, Modern 20th century Kitsch https://doi.org/10.1515/9780271074184 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kulka, Thomas Kitsch and Art PHILOSOPHY / Aesthetics bisacsh Arts, Modern 20th century Kitsch |
title | Kitsch and Art |
title_auth | Kitsch and Art |
title_exact_search | Kitsch and Art |
title_exact_search_txtP | Kitsch and Art |
title_full | Kitsch and Art Thomas Kulka |
title_fullStr | Kitsch and Art Thomas Kulka |
title_full_unstemmed | Kitsch and Art Thomas Kulka |
title_short | Kitsch and Art |
title_sort | kitsch and art |
topic | PHILOSOPHY / Aesthetics bisacsh Arts, Modern 20th century Kitsch |
topic_facet | PHILOSOPHY / Aesthetics Arts, Modern 20th century Kitsch |
url | https://doi.org/10.1515/9780271074184 |
work_keys_str_mv | AT kulkathomas kitschandart |