Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant
This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was tak...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2021]
|
| Schriftenreihe: | Literature and Philosophy
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics-Burke's Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth's Analysis of Beauty, and Kant's Critique of Judgment-with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) |
| Beschreibung: | 1 online resource (224 pages) 2 illustrations |
| ISBN: | 9780271031859 |
| DOI: | 10.1515/9780271031859 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047520911 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211019s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9780271031859 |9 978-0-271-03185-9 | ||
| 024 | 7 | |a 10.1515/9780271031859 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780271031859 | ||
| 035 | |a (OCoLC)1284800720 | ||
| 035 | |a (DE-599)BVBBV047520911 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 111/.85 |2 22 | |
| 100 | 1 | |a Huhn, Tom |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Imitation and Society |b The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |c Tom Huhn |
| 264 | 1 | |a University Park, PA |b Penn State University Press |c [2021] | |
| 264 | 4 | |c © 2004 | |
| 300 | |a 1 online resource (224 pages) |b 2 illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Literature and Philosophy | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | ||
| 520 | |a This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics-Burke's Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth's Analysis of Beauty, and Kant's Critique of Judgment-with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis | ||
| 546 | |a In English | ||
| 650 | 7 | |a PHILOSOPHY / Aesthetics |2 bisacsh | |
| 650 | 4 | |a Aesthetics |x Social aspects |x History |y 18th century | |
| 650 | 4 | |a Judgment (Aesthetics) |x Social aspects |x History |y 18th century | |
| 650 | 4 | |a Mimesis in art |x History | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780271031859 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032921638 | ||
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780271031859 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182860872024064 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Huhn, Tom |
| author_facet | Huhn, Tom |
| author_role | aut |
| author_sort | Huhn, Tom |
| author_variant | t h th |
| building | Verbundindex |
| bvnumber | BV047520911 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780271031859 (OCoLC)1284800720 (DE-599)BVBBV047520911 |
| dewey-full | 111/.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85 |
| dewey-search | 111/.85 |
| dewey-sort | 3111 285 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| doi_str_mv | 10.1515/9780271031859 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03722nmm a2200505zc 4500</leader><controlfield tag="001">BV047520911</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211019s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780271031859</subfield><subfield code="9">978-0-271-03185-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780271031859</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780271031859</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1284800720</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047520911</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.85</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Huhn, Tom</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Imitation and Society</subfield><subfield code="b">The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant</subfield><subfield code="c">Tom Huhn</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, PA</subfield><subfield code="b">Penn State University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2004</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (224 pages)</subfield><subfield code="b">2 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Literature and Philosophy</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics-Burke's Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth's Analysis of Beauty, and Kant's Critique of Judgment-with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY / Aesthetics</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics</subfield><subfield code="x">Social aspects</subfield><subfield code="x">History</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Judgment (Aesthetics)</subfield><subfield code="x">Social aspects</subfield><subfield code="x">History</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mimesis in art</subfield><subfield code="x">History</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032921638</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780271031859</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047520911 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:23:37Z |
| indexdate | 2024-07-10T09:14:16Z |
| institution | BVB |
| isbn | 9780271031859 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032921638 |
| oclc_num | 1284800720 |
| open_access_boolean | |
| owner | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (224 pages) 2 illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Penn State University Press |
| record_format | marc |
| series2 | Literature and Philosophy |
| spelling | Huhn, Tom Verfasser aut Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Tom Huhn University Park, PA Penn State University Press [2021] © 2004 1 online resource (224 pages) 2 illustrations txt rdacontent c rdamedia cr rdacarrier Literature and Philosophy Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics-Burke's Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth's Analysis of Beauty, and Kant's Critique of Judgment-with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis In English PHILOSOPHY / Aesthetics bisacsh Aesthetics Social aspects History 18th century Judgment (Aesthetics) Social aspects History 18th century Mimesis in art History https://doi.org/10.1515/9780271031859 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Huhn, Tom Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant PHILOSOPHY / Aesthetics bisacsh Aesthetics Social aspects History 18th century Judgment (Aesthetics) Social aspects History 18th century Mimesis in art History |
| title | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |
| title_auth | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |
| title_exact_search | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |
| title_exact_search_txtP | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |
| title_full | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Tom Huhn |
| title_fullStr | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Tom Huhn |
| title_full_unstemmed | Imitation and Society The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant Tom Huhn |
| title_short | Imitation and Society |
| title_sort | imitation and society the persistence of mimesis in the aesthetics of burke hogarth and kant |
| title_sub | The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant |
| topic | PHILOSOPHY / Aesthetics bisacsh Aesthetics Social aspects History 18th century Judgment (Aesthetics) Social aspects History 18th century Mimesis in art History |
| topic_facet | PHILOSOPHY / Aesthetics Aesthetics Social aspects History 18th century Judgment (Aesthetics) Social aspects History 18th century Mimesis in art History |
| url | https://doi.org/10.1515/9780271031859 |
| work_keys_str_mv | AT huhntom imitationandsocietythepersistenceofmimesisintheaestheticsofburkehogarthandkant |