In search of Stanislavsky's creative state on the stage: with a practice as research case study
"This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY
Routledge
2021
|
| Schlagworte: | |
| Zusammenfassung: | "This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state"-- |
| Beschreibung: | xi, 266 Seiten Illustrationen, Portraits (schwarz-weiß) 24 cm |
| ISBN: | 9780367630737 9780367630645 |
Internformat
MARC
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| 020 | |a 9780367630737 |c paperback |9 978-0-367-63073-7 | ||
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| 100 | 1 | |a Curpan, Gabriela |e Verfasser |0 (DE-588)1245471929 |4 aut | |
| 245 | 1 | 0 | |a In search of Stanislavsky's creative state on the stage |b with a practice as research case study |c Gabriela Curpan |
| 264 | 1 | |a London ; New York, NY |b Routledge |c 2021 | |
| 300 | |a xi, 266 Seiten |b Illustrationen, Portraits (schwarz-weiß) |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a PAR methodology and the main research questions -- The creative state from the orthodox faith to oriental thought -- Humanism, spirituality, religion -- Stanislavsky's concept of 'nature' and the occult -- Spiritual principles -- From spiritual to creative principles -- From theory to practice -- levels of work -- The first stage of practice -- an actor's work on their 'self' -- The second stage -- an actor's work on their role -- 'Becoming' the character -- Rehearsing with active analysis -- The third stage -- performing as a state of being | |
| 520 | 3 | |a "This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state"-- | |
| 600 | 1 | 7 | |a Stanislavskij, Konstantin Sergeevič |d 1863-1938 |0 (DE-588)118616765 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schauspielkunst |0 (DE-588)4129090-2 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Stanislavsky, Konstantin / 1863-1938 / Criticism and interpretation / Case studies | |
| 653 | 0 | |a Method acting / Case studies | |
| 653 | 1 | |a Stanislavsky, Konstantin / 1863-1938 | |
| 653 | 0 | |a Method acting | |
| 653 | 6 | |a Case studies | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Stanislavskij, Konstantin Sergeevič |d 1863-1938 |0 (DE-588)118616765 |D p |
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Datensatz im Suchindex
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| author | Curpan, Gabriela |
| author_GND | (DE-588)1245471929 |
| author_facet | Curpan, Gabriela |
| author_role | aut |
| author_sort | Curpan, Gabriela |
| author_variant | g c gc |
| building | Verbundindex |
| bvnumber | BV047516378 |
| contents | PAR methodology and the main research questions -- The creative state from the orthodox faith to oriental thought -- Humanism, spirituality, religion -- Stanislavsky's concept of 'nature' and the occult -- Spiritual principles -- From spiritual to creative principles -- From theory to practice -- levels of work -- The first stage of practice -- an actor's work on their 'self' -- The second stage -- an actor's work on their role -- 'Becoming' the character -- Rehearsing with active analysis -- The third stage -- performing as a state of being |
| ctrlnum | (OCoLC)1286881496 (DE-599)BVBBV047516378 |
| format | Book |
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| id | DE-604.BV047516378 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:23:16Z |
| indexdate | 2024-07-10T09:14:14Z |
| institution | BVB |
| isbn | 9780367630737 9780367630645 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032917132 |
| oclc_num | 1286881496 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xi, 266 Seiten Illustrationen, Portraits (schwarz-weiß) 24 cm |
| psigel | BSB_NED_20211115 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge |
| record_format | marc |
| spelling | Curpan, Gabriela Verfasser (DE-588)1245471929 aut In search of Stanislavsky's creative state on the stage with a practice as research case study Gabriela Curpan London ; New York, NY Routledge 2021 xi, 266 Seiten Illustrationen, Portraits (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier PAR methodology and the main research questions -- The creative state from the orthodox faith to oriental thought -- Humanism, spirituality, religion -- Stanislavsky's concept of 'nature' and the occult -- Spiritual principles -- From spiritual to creative principles -- From theory to practice -- levels of work -- The first stage of practice -- an actor's work on their 'self' -- The second stage -- an actor's work on their role -- 'Becoming' the character -- Rehearsing with active analysis -- The third stage -- performing as a state of being "This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state"-- Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd rswk-swf Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Stanislavsky, Konstantin / 1863-1938 / Criticism and interpretation / Case studies Method acting / Case studies Stanislavsky, Konstantin / 1863-1938 Method acting Case studies Criticism, interpretation, etc Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 p Schauspielkunst (DE-588)4129090-2 s DE-604 Erscheint auch als Online-Ausgabe 9781000377057 |
| spellingShingle | Curpan, Gabriela In search of Stanislavsky's creative state on the stage with a practice as research case study PAR methodology and the main research questions -- The creative state from the orthodox faith to oriental thought -- Humanism, spirituality, religion -- Stanislavsky's concept of 'nature' and the occult -- Spiritual principles -- From spiritual to creative principles -- From theory to practice -- levels of work -- The first stage of practice -- an actor's work on their 'self' -- The second stage -- an actor's work on their role -- 'Becoming' the character -- Rehearsing with active analysis -- The third stage -- performing as a state of being Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd Schauspielkunst (DE-588)4129090-2 gnd |
| subject_GND | (DE-588)118616765 (DE-588)4129090-2 |
| title | In search of Stanislavsky's creative state on the stage with a practice as research case study |
| title_auth | In search of Stanislavsky's creative state on the stage with a practice as research case study |
| title_exact_search | In search of Stanislavsky's creative state on the stage with a practice as research case study |
| title_exact_search_txtP | In search of Stanislavsky's creative state on the stage with a practice as research case study |
| title_full | In search of Stanislavsky's creative state on the stage with a practice as research case study Gabriela Curpan |
| title_fullStr | In search of Stanislavsky's creative state on the stage with a practice as research case study Gabriela Curpan |
| title_full_unstemmed | In search of Stanislavsky's creative state on the stage with a practice as research case study Gabriela Curpan |
| title_short | In search of Stanislavsky's creative state on the stage |
| title_sort | in search of stanislavsky s creative state on the stage with a practice as research case study |
| title_sub | with a practice as research case study |
| topic | Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd Schauspielkunst (DE-588)4129090-2 gnd |
| topic_facet | Stanislavskij, Konstantin Sergeevič 1863-1938 Schauspielkunst |
| work_keys_str_mv | AT curpangabriela insearchofstanislavskyscreativestateonthestagewithapracticeasresearchcasestudy |