Live at the Harlem Square Club, 1963:
"Shelved for over twenty years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo, as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social jour...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schriftenreihe: | 33 1/3
158 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Shelved for over twenty years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo, as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth "A Change is Gonna Come," the most important soul song ever written. This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. We'll stop and consider how he absorbed the teachings of Billie Holiday and Bob Dylan, as a writer and an agent of social change, looking at the differences between Cooke's true identity and what various factions of his audience wanted from him, and how this towering soul artist came to reconcile so many disparate elements on a stage in Florida on a winter night in 1963-a stage that extended well into the future, beyond Cooke's own life, beyond the 1960s, and into a perpetual here-and-now, so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity"-- |
| Beschreibung: | xi, 125 Seiten |
| ISBN: | 9781501355547 |
Internformat
MARC
| LEADER | 00000nam a22000008cb4500 | ||
|---|---|---|---|
| 001 | BV047511862 | ||
| 003 | DE-604 | ||
| 005 | 20220222 | ||
| 007 | t | ||
| 008 | 211014s2021 |||| 00||| eng d | ||
| 020 | |a 9781501355547 |c pbk. |9 978-1-5013-5554-7 | ||
| 035 | |a (OCoLC)1298744983 | ||
| 035 | |a (DE-599)BVBBV047511862 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Fleming, Colin |e Verfasser |0 (DE-588)134723740 |4 aut | |
| 245 | 1 | 0 | |a Live at the Harlem Square Club, 1963 |c Colin Fleming |
| 246 | 1 | 3 | |a Sam Cooke's live at the Harlem Square Club, 1963 |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2021 | |
| 300 | |a xi, 125 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a 33 1/3 |v 158 | |
| 505 | 8 | |a The Man Who Went -- Soul Rest, Soul Launch -- A Little Night Music -- Under the Trees and Over in Overtown -- Circle Sounds -- Promissory Party | |
| 520 | 3 | |a "Shelved for over twenty years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo, as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth "A Change is Gonna Come," the most important soul song ever written. This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. We'll stop and consider how he absorbed the teachings of Billie Holiday and Bob Dylan, as a writer and an agent of social change, looking at the differences between Cooke's true identity and what various factions of his audience wanted from him, and how this towering soul artist came to reconcile so many disparate elements on a stage in Florida on a winter night in 1963-a stage that extended well into the future, beyond Cooke's own life, beyond the 1960s, and into a perpetual here-and-now, so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity"-- | |
| 600 | 1 | 7 | |a Cooke, Sam |d 1931-1964 |0 (DE-588)120393654 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Cooke, Sam / Live at the Harlem Square Club | |
| 653 | 1 | |a Cooke, Sam / Criticism and interpretation | |
| 653 | 0 | |a Soul music / History and criticism | |
| 653 | 1 | |a Cooke, Sam | |
| 653 | 0 | |a Soul music | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Cooke, Sam |d 1931-1964 |0 (DE-588)120393654 |D p |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-1-5013-5554-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-5013-5555-4 |
| 830 | 0 | |a 33 1/3 |v 158 |w (DE-604)BV017798890 |9 158 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912718&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20220222 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032912718 | ||
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 0904 |g 73 |
Datensatz im Suchindex
| _version_ | 1804182851487268864 |
|---|---|
| adam_text | Contents Acknowledgments 1 2 3 4 5 6 The Man Who Went Soul Rest, Soul Launch A Little Night Music Under the Trees and Over in Overtown Circle Sounds Promissory Party x 1 15 25 55 79 107
|
| adam_txt |
Contents Acknowledgments 1 2 3 4 5 6 The Man Who Went Soul Rest, Soul Launch A Little Night Music Under the Trees and Over in Overtown Circle Sounds Promissory Party x 1 15 25 55 79 107 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Fleming, Colin |
| author_GND | (DE-588)134723740 |
| author_facet | Fleming, Colin |
| author_role | aut |
| author_sort | Fleming, Colin |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV047511862 |
| contents | The Man Who Went -- Soul Rest, Soul Launch -- A Little Night Music -- Under the Trees and Over in Overtown -- Circle Sounds -- Promissory Party |
| ctrlnum | (OCoLC)1298744983 (DE-599)BVBBV047511862 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03499nam a22004938cb4500</leader><controlfield tag="001">BV047511862</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220222 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">211014s2021 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501355547</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-5013-5554-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1298744983</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047511862</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fleming, Colin</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134723740</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Live at the Harlem Square Club, 1963</subfield><subfield code="c">Colin Fleming</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Sam Cooke's live at the Harlem Square Club, 1963</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 125 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">33 1/3</subfield><subfield code="v">158</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Man Who Went -- Soul Rest, Soul Launch -- A Little Night Music -- Under the Trees and Over in Overtown -- Circle Sounds -- Promissory Party</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Shelved for over twenty years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo, as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth "A Change is Gonna Come," the most important soul song ever written. This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. We'll stop and consider how he absorbed the teachings of Billie Holiday and Bob Dylan, as a writer and an agent of social change, looking at the differences between Cooke's true identity and what various factions of his audience wanted from him, and how this towering soul artist came to reconcile so many disparate elements on a stage in Florida on a winter night in 1963-a stage that extended well into the future, beyond Cooke's own life, beyond the 1960s, and into a perpetual here-and-now, so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cooke, Sam</subfield><subfield code="d">1931-1964</subfield><subfield code="0">(DE-588)120393654</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cooke, Sam / Live at the Harlem Square Club</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cooke, Sam / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Soul music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Cooke, Sam</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Soul music</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Cooke, Sam</subfield><subfield code="d">1931-1964</subfield><subfield code="0">(DE-588)120393654</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePDF</subfield><subfield code="z">978-1-5013-5554-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-1-5013-5555-4</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">33 1/3</subfield><subfield code="v">158</subfield><subfield code="w">(DE-604)BV017798890</subfield><subfield code="9">158</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912718&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220222</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032912718</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| id | DE-604.BV047511862 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:22:10Z |
| indexdate | 2024-07-10T09:14:07Z |
| institution | BVB |
| isbn | 9781501355547 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032912718 |
| oclc_num | 1298744983 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xi, 125 Seiten |
| psigel | BSB_NED_20220222 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series | 33 1/3 |
| series2 | 33 1/3 |
| spelling | Fleming, Colin Verfasser (DE-588)134723740 aut Live at the Harlem Square Club, 1963 Colin Fleming Sam Cooke's live at the Harlem Square Club, 1963 New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xi, 125 Seiten txt rdacontent n rdamedia nc rdacarrier 33 1/3 158 The Man Who Went -- Soul Rest, Soul Launch -- A Little Night Music -- Under the Trees and Over in Overtown -- Circle Sounds -- Promissory Party "Shelved for over twenty years, Sam Cooke's Live at the Harlem Square Club, 1963, stands alongside Otis Redding's Live in Europe and James Brown's Live at the Apollo, as one of the finest live soul albums ever made. It also reveals a musical, spiritual, emotional, and social journey played out over one night on the stage of a sweaty Miami club, as Cooke made music that encapsulated everything he had ever cut, channeling forces that would soon birth "A Change is Gonna Come," the most important soul song ever written. This book covers Cooke's days with the Soul Stirrers, the gospel unit that was inventing a strand of soul in the 1950s, and continues on to his string of hit singles as a solo artist that reveal far more about this complex man and the complex music he was always fashioning. We'll stop and consider how he absorbed the teachings of Billie Holiday and Bob Dylan, as a writer and an agent of social change, looking at the differences between Cooke's true identity and what various factions of his audience wanted from him, and how this towering soul artist came to reconcile so many disparate elements on a stage in Florida on a winter night in 1963-a stage that extended well into the future, beyond Cooke's own life, beyond the 1960s, and into a perpetual here-and-now, so long as we all have need to look into ourselves and square our differences and become more human, and more connected with others in our humanity"-- Cooke, Sam 1931-1964 (DE-588)120393654 gnd rswk-swf Cooke, Sam / Live at the Harlem Square Club Cooke, Sam / Criticism and interpretation Soul music / History and criticism Cooke, Sam Soul music Criticism, interpretation, etc Cooke, Sam 1931-1964 (DE-588)120393654 p DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-5554-7 Erscheint auch als Online-Ausgabe, ebk 978-1-5013-5555-4 33 1/3 158 (DE-604)BV017798890 158 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912718&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fleming, Colin Live at the Harlem Square Club, 1963 33 1/3 The Man Who Went -- Soul Rest, Soul Launch -- A Little Night Music -- Under the Trees and Over in Overtown -- Circle Sounds -- Promissory Party Cooke, Sam 1931-1964 (DE-588)120393654 gnd |
| subject_GND | (DE-588)120393654 |
| title | Live at the Harlem Square Club, 1963 |
| title_alt | Sam Cooke's live at the Harlem Square Club, 1963 |
| title_auth | Live at the Harlem Square Club, 1963 |
| title_exact_search | Live at the Harlem Square Club, 1963 |
| title_exact_search_txtP | Live at the Harlem Square Club, 1963 |
| title_full | Live at the Harlem Square Club, 1963 Colin Fleming |
| title_fullStr | Live at the Harlem Square Club, 1963 Colin Fleming |
| title_full_unstemmed | Live at the Harlem Square Club, 1963 Colin Fleming |
| title_short | Live at the Harlem Square Club, 1963 |
| title_sort | live at the harlem square club 1963 |
| topic | Cooke, Sam 1931-1964 (DE-588)120393654 gnd |
| topic_facet | Cooke, Sam 1931-1964 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912718&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017798890 |
| work_keys_str_mv | AT flemingcolin liveattheharlemsquareclub1963 AT flemingcolin samcookesliveattheharlemsquareclub1963 |