The unsung artistry of George Orwell: the novels from Burmese days to Nineteen eighty-four
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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Ausgabe: | First issued in paperback |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | viii, Seiten 24 cm |
ISBN: | 9781032179964 |
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Datensatz im Suchindex
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adam_text | Contents Preface Acknowledgements List ofAbbreviations Introduction լ Orwell: The Proletarian Novelist Nineteen Eighty-Four and Animal Farm: Prole vs Intellectual Orwell, Chaplin and The Common Man Coming Up for Air and George Bowling: The ‘Material Boy’ ѵгг ix x 1 9 13 16 22 2 Aspects of Orwell’s Political Aesthetic That Nighttown Scene ֊ What Was Orwell Thinking? Orwell and Bernard Shaw: More than Pamphleteers Nineteen Eighty-Four. Orwell vs Upward 27 28 32 36 3 41 47 59 63 Who Is Speaking? Orwell’s Narrative Perspectives Representations of Thought Orwell’s Hold over His Fictional Reality: Dorothy’s Story Keep the Aspidistra Flying and Psychological Perspective 4 The Influence of George Gissing Narrating Discontent: The Management of Narrative Sympathies Gissing and The Common Man 71 72 83 5 Orwell’s Women: Working Against Gissing’s Models Lady and Unladylike Figures Inverting the Madonna-Whore Paradigm Blurring Distinctions Dorothy Hare: Orwell’s not so Odd Woman 91 94 101 106 111 6 Orwell’s Unique Style Taking from Gissing Orwell, Shaw and the Series Unexpected Beginnings: The Alien Focus Framing Failure: Orwell and the Condition of England Novel Orwell’s Observations: Fact or Fallacy? 117 117 121 123 128 133 Conclusion 143 Bibliography Index 147 155
In a timely and radically new reappraisal of George Orwell s fiction, Loraine Saunders reads Orwell s novels as tales of successful emancipation rather than as chronicles of failure. Contending that Orwell s novels have been undervalued as works of art, she offers extensive textual analysis to reveal an author who is in far more control of his prose than has been appreciated. Persuasively demonstrating that Orwell s novels of the 1930s such as A Clergyman s Dauginei՜ and Keep The Aspidistra Flying are no less important as literature than Animal Farm and Nineteen Eighty-Four, Saunders argues they have been victims of a critical tradition whose practitioners have misunderstood Orwell s narrative style, failed to appreciate Orwell s political stance, and were predisposed to find little merit in Orwell s novels. Saunders devotes significant attention to George Gissing s influence on Orwell, particularly with regard to his representations of women. She also examines Orwell s socialism in the context of the political climate of the 1930s, finding that Orwell, in his successful negotiation of the fine balance between art and propaganda, had much more in common with Charlie Chaplin than with writers like Stephen Spender or W. H. Auden. As a result of Saunders s detailed and accessible analysis, which illuminates how Orwell harmonized allegory with documentary, polyphonic voice with monophonic, and elegy with comedy, Orwell s contributions to the genre of political fiction are finally recognized.
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Contents Preface Acknowledgements List ofAbbreviations Introduction լ Orwell: The Proletarian Novelist Nineteen Eighty-Four and Animal Farm: Prole vs Intellectual Orwell, Chaplin and The Common Man Coming Up for Air and George Bowling: The ‘Material Boy’ ѵгг ix x 1 9 13 16 22 2 Aspects of Orwell’s Political Aesthetic That Nighttown Scene ֊ What Was Orwell Thinking? Orwell and Bernard Shaw: More than Pamphleteers Nineteen Eighty-Four. Orwell vs Upward 27 28 32 36 3 41 47 59 63 Who Is Speaking? Orwell’s Narrative Perspectives Representations of Thought Orwell’s Hold over His Fictional Reality: Dorothy’s Story Keep the Aspidistra Flying and Psychological Perspective 4 The Influence of George Gissing Narrating Discontent: The Management of Narrative Sympathies Gissing and The Common Man 71 72 83 5 Orwell’s Women: Working Against Gissing’s Models Lady and Unladylike Figures Inverting the Madonna-Whore Paradigm Blurring Distinctions Dorothy Hare: Orwell’s not so Odd Woman 91 94 101 106 111 6 Orwell’s Unique Style Taking from Gissing Orwell, Shaw and the Series Unexpected Beginnings: The Alien Focus Framing Failure: Orwell and the Condition of England Novel Orwell’s Observations: Fact or Fallacy? 117 117 121 123 128 133 Conclusion 143 Bibliography Index 147 155
In a timely and radically new reappraisal of George Orwell's fiction, Loraine Saunders reads Orwell's novels as tales of successful emancipation rather than as chronicles of failure. Contending that Orwell's novels have been undervalued as works of art, she offers extensive textual analysis to reveal an author who is in far more control of his prose than has been appreciated. Persuasively demonstrating that Orwell's novels of the 1930s such as A Clergyman's Dauginei՜ and Keep The Aspidistra Flying are no less important as literature than Animal Farm and Nineteen Eighty-Four, Saunders argues they have been victims of a critical tradition whose practitioners have misunderstood Orwell's narrative style, failed to appreciate Orwell's political stance, and were predisposed to find little merit in Orwell's novels. Saunders devotes significant attention to George Gissing's influence on Orwell, particularly with regard to his representations of women. She also examines Orwell's socialism in the context of the political climate of the 1930s, finding that Orwell, in his successful negotiation of the fine balance between art and propaganda, had much more in common with Charlie Chaplin than with writers like Stephen Spender or W. H. Auden. As a result of Saunders's detailed and accessible analysis, which illuminates how Orwell harmonized allegory' with documentary, polyphonic voice with monophonic, and elegy with comedy, Orwell's contributions to the genre of political fiction are finally recognized. |
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author | Saunders, Loraine ca. 20./21. Jh |
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spelling | Saunders, Loraine ca. 20./21. Jh. Verfasser (DE-588)1245404822 aut The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four Loraine Saunders, Liverpool Hope University, UK First issued in paperback London ; New York Routledge, Taylor & Francis Group 2021 viii, Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Orwell, George 1903-1950 (DE-588)118590359 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Orwell, George / 1903-1950 / Criticism and interpretation Orwell, George / 1903-1950 Criticism, interpretation, etc Orwell, George 1903-1950 (DE-588)118590359 p Roman (DE-588)4050479-7 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912253&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Saunders, Loraine ca. 20./21. Jh The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four Orwell, George 1903-1950 (DE-588)118590359 gnd Roman (DE-588)4050479-7 gnd |
subject_GND | (DE-588)118590359 (DE-588)4050479-7 |
title | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four |
title_auth | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four |
title_exact_search | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four |
title_exact_search_txtP | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four |
title_full | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four Loraine Saunders, Liverpool Hope University, UK |
title_fullStr | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four Loraine Saunders, Liverpool Hope University, UK |
title_full_unstemmed | The unsung artistry of George Orwell the novels from Burmese days to Nineteen eighty-four Loraine Saunders, Liverpool Hope University, UK |
title_short | The unsung artistry of George Orwell |
title_sort | the unsung artistry of george orwell the novels from burmese days to nineteen eighty four |
title_sub | the novels from Burmese days to Nineteen eighty-four |
topic | Orwell, George 1903-1950 (DE-588)118590359 gnd Roman (DE-588)4050479-7 gnd |
topic_facet | Orwell, George 1903-1950 Roman |
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