The Bible and modern British drama: from 1930 to the present day
Introduction -- Chapter 1 James Bridie's Apocryphal Plays -- Chapter 2 Laurence Housman's Biblical Drama -- Chapter 3 Christopher Fry's Old Testament Drama and Replacement Theology -- Chapter 4 From Dogma to Doubt: Dorothy L. Sayers's The Man Born to be King and Tim Rice and Andr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge advances in theatre & performance studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Introduction -- Chapter 1 James Bridie's Apocryphal Plays -- Chapter 2 Laurence Housman's Biblical Drama -- Chapter 3 Christopher Fry's Old Testament Drama and Replacement Theology -- Chapter 4 From Dogma to Doubt: Dorothy L. Sayers's The Man Born to be King and Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar -- Chapter 5 The Origins of Christianity Reassessed -- Chapter 6 Bible, Church, Nation and Theatre -- Afterword "The Bible and Modern British Drama: 1930 to the Present-Day is the first full-length study to explore how playwrights in the modern period have adapted popular biblical stories such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage. The book offers detailed and accessible interpretations of the work of well-known dramatists such as Christopher Fry, Howard Brenton, and Steven Berkoff, alongside the work of writers whose plays have been neglected in recent criticism, such as James Bridie and Laurence Housman. The drama is analyzed within the context of changes in religious belief and practice over the course of the modern period in Britain, comparing plays that approach the Bible from a traditional religious perspective with those that offer alternative viewpoints on the text, including the voices of gay, feminist, black, Jewish and Muslim dramatists. In doing so, the author offers a broad and in-depth exploration that is grounded in current scholarship, ranging from the past to present, across boundaries of race and gender. Ideal for students, researchers and general readers interested in understanding how the Bible has served as an important source text for British playwrights in the twentieth and twenty-first centuries, The Bible and Modern British Drama shows how Bible-based drama has been influential in creating and disseminating ideas of what constitutes a 'good' life, both on an individual and social level"-- |
| Beschreibung: | Literaturverzeichnis: Seite [174]-191 |
| Beschreibung: | vii, 198 Seiten |
| ISBN: | 9781032177045 |
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| adam_text | Contents Acknowledgements Introduction vi 1 1 James Bridie’s apocryphal plays 20 2 Laurence Housman’s biblical drama 45 3 Christopher Fry’s Old Testament drama and replacement theology 68 4 From dogma to doubt: Dorothy L.Sayers’s The Man Bom to be King and Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar 91 5 The origins of Christianity reassessed 120 6 Bible, Church, nation, and theatre 148 Afterword 172 Works cited Index 174 192
The Bible and Modern British Drama The Bible and Modem British Drama: 1930 to the Present Day is the first full length study to explore how playwrights in the modem period have adapted popular biblical stories, such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage. The book offers detailed and accessible interpretations of the work of wellknown dramatists such as Christopher Fry, Howard Brenton, and Steven Berkoff, alongside the work of writers whose plays have been neglected in recent criticism, such as James Bridie and Laurence Housman. The drama is analysed within the context of changes in religious belief and practice over the course of the modem period in Britain, comparing plays that approach the Bible from a traditional religious perspective with those that offer alternative viewpoints on the text, including the voices of gay, feminist, black, Jewish, and Muslim dramatists. In doing so, the author offers a broad and in-depth exploration that is grounded in current scholarship, ranging from the past to present, across boundaries of race and gender. Ideal for students, researchers, and general readers interested in understanding how the Bible has served as an important source text for British playwrights in the twentieth and twenty-first centuries, The Bible and Modem British Drama shows how Bible-based drama has been influential in creating and disseminat ing ideas of what constitutes a “good” life, both on an individual and social level.
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Contents Acknowledgements Introduction vi 1 1 James Bridie’s apocryphal plays 20 2 Laurence Housman’s biblical drama 45 3 Christopher Fry’s Old Testament drama and replacement theology 68 4 From dogma to doubt: Dorothy L.Sayers’s The Man Bom to be King and Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar 91 5 The origins of Christianity reassessed 120 6 Bible, Church, nation, and theatre 148 Afterword 172 Works cited Index 174 192
The Bible and Modern British Drama The Bible and Modem British Drama: 1930 to the Present Day is the first full length study to explore how playwrights in the modem period have adapted popular biblical stories, such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage. The book offers detailed and accessible interpretations of the work of wellknown dramatists such as Christopher Fry, Howard Brenton, and Steven Berkoff, alongside the work of writers whose plays have been neglected in recent criticism, such as James Bridie and Laurence Housman. The drama is analysed within the context of changes in religious belief and practice over the course of the modem period in Britain, comparing plays that approach the Bible from a traditional religious perspective with those that offer alternative viewpoints on the text, including the voices of gay, feminist, black, Jewish, and Muslim dramatists. In doing so, the author offers a broad and in-depth exploration that is grounded in current scholarship, ranging from the past to present, across boundaries of race and gender. Ideal for students, researchers, and general readers interested in understanding how the Bible has served as an important source text for British playwrights in the twentieth and twenty-first centuries, The Bible and Modem British Drama shows how Bible-based drama has been influential in creating and disseminat ing ideas of what constitutes a “good” life, both on an individual and social level. |
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| spelling | Brewer, Mary F. 1968- Verfasser (DE-588)1065696477 aut The Bible and modern British drama from 1930 to the present day Mary F. Brewer First issued in paperback London ; New York Routledge, Taylor & Francis Group 2021 vii, 198 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre & performance studies Literaturverzeichnis: Seite [174]-191 Introduction -- Chapter 1 James Bridie's Apocryphal Plays -- Chapter 2 Laurence Housman's Biblical Drama -- Chapter 3 Christopher Fry's Old Testament Drama and Replacement Theology -- Chapter 4 From Dogma to Doubt: Dorothy L. Sayers's The Man Born to be King and Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar -- Chapter 5 The Origins of Christianity Reassessed -- Chapter 6 Bible, Church, Nation and Theatre -- Afterword "The Bible and Modern British Drama: 1930 to the Present-Day is the first full-length study to explore how playwrights in the modern period have adapted popular biblical stories such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage. The book offers detailed and accessible interpretations of the work of well-known dramatists such as Christopher Fry, Howard Brenton, and Steven Berkoff, alongside the work of writers whose plays have been neglected in recent criticism, such as James Bridie and Laurence Housman. The drama is analyzed within the context of changes in religious belief and practice over the course of the modern period in Britain, comparing plays that approach the Bible from a traditional religious perspective with those that offer alternative viewpoints on the text, including the voices of gay, feminist, black, Jewish and Muslim dramatists. In doing so, the author offers a broad and in-depth exploration that is grounded in current scholarship, ranging from the past to present, across boundaries of race and gender. Ideal for students, researchers and general readers interested in understanding how the Bible has served as an important source text for British playwrights in the twentieth and twenty-first centuries, The Bible and Modern British Drama shows how Bible-based drama has been influential in creating and disseminating ideas of what constitutes a 'good' life, both on an individual and social level"-- Bibel (DE-588)4006406-2 gnd rswk-swf Geschichte 1930-2019 gnd rswk-swf Religious drama, English 20th century History and criticism Religious drama, English 21st century History and criticism Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Bible / In literature Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Bibel (DE-588)4006406-2 u Geschichte 1930-2019 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032912176&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Brewer, Mary F. 1968- The Bible and modern British drama from 1930 to the present day Bibel (DE-588)4006406-2 gnd Religious drama, English 20th century History and criticism Religious drama, English 21st century History and criticism Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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| title | The Bible and modern British drama from 1930 to the present day |
| title_auth | The Bible and modern British drama from 1930 to the present day |
| title_exact_search | The Bible and modern British drama from 1930 to the present day |
| title_exact_search_txtP | The Bible and modern British drama from 1930 to the present day |
| title_full | The Bible and modern British drama from 1930 to the present day Mary F. Brewer |
| title_fullStr | The Bible and modern British drama from 1930 to the present day Mary F. Brewer |
| title_full_unstemmed | The Bible and modern British drama from 1930 to the present day Mary F. Brewer |
| title_short | The Bible and modern British drama |
| title_sort | the bible and modern british drama from 1930 to the present day |
| title_sub | from 1930 to the present day |
| topic | Bibel (DE-588)4006406-2 gnd Religious drama, English 20th century History and criticism Religious drama, English 21st century History and criticism Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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