Subversive stages: theater in pre- and post-communist Hungary, Romania, and Bulgaria
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Budapest ; New York
CEU Press, Central European University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | DE-521 |
| Beschreibung: | 1 Online-Ressource (xx, 217 Seiten) |
| ISBN: | 9789633861189 |
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| 505 | 8 | |a Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion | |
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Datensatz im Suchindex
| _version_ | 1820867938527215617 |
|---|---|
| adam_text | |
| adam_txt | |
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| author | Orlich, Ileana Alexandra |
| author_GND | (DE-588)1089520549 |
| author_facet | Orlich, Ileana Alexandra |
| author_role | aut |
| author_sort | Orlich, Ileana Alexandra |
| author_variant | i a o ia iao |
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| bvnumber | BV047506148 |
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| contents | Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion |
| ctrlnum | (OCoLC)1286857587 (DE-599)BVBBV047506148 |
| discipline | Allgemeines Slavistik Romanistik |
| discipline_str_mv | Allgemeines Außereuropäische Sprachen und Literaturen Slavistik Literaturwissenschaft Romanistik |
| era | Geschichte 1900-2000 Geschichte gnd |
| era_facet | Geschichte 1900-2000 Geschichte |
| format | Electronic eBook |
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| isbn | 9789633861189 |
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| spelling | Orlich, Ileana Alexandra Verfasser (DE-588)1089520549 aut Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria Ileana Alexandra Orlich Budapest ; New York CEU Press, Central European University Press 2017 1 Online-Ressource (xx, 217 Seiten) txt rdacontent c rdamedia cr rdacarrier Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion Shakespeare, William / 1564-1616 / Adaptations / History and criticism Molière 1622-1673 (DE-588)11858331X gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1900-2000 Geschichte gnd rswk-swf East European drama / 20th century / History and criticism Russian drama / Adaptations / History and criticism French drama / Adaptations / History and criticism English drama / Adaptations / History and criticism Communism and literature / Europe, Eastern Kommunismus (DE-588)4031892-8 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Postkommunismus (DE-588)4998161-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Molière 1622-1673 (DE-588)11858331X p Shakespeare, William 1564-1616 (DE-588)118613723 p Osteuropa (DE-588)4075739-0 g Drama (DE-588)4012899-4 s Kommunismus (DE-588)4031892-8 s Postkommunismus (DE-588)4998161-4 s Politik (DE-588)4046514-7 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-963-386-116-5 |
| spellingShingle | Orlich, Ileana Alexandra Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion Shakespeare, William / 1564-1616 / Adaptations / History and criticism Molière 1622-1673 (DE-588)11858331X gnd Shakespeare, William 1564-1616 (DE-588)118613723 gnd East European drama / 20th century / History and criticism Russian drama / Adaptations / History and criticism French drama / Adaptations / History and criticism English drama / Adaptations / History and criticism Communism and literature / Europe, Eastern Kommunismus (DE-588)4031892-8 gnd Politik (DE-588)4046514-7 gnd Postkommunismus (DE-588)4998161-4 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)11858331X (DE-588)118613723 (DE-588)4031892-8 (DE-588)4046514-7 (DE-588)4998161-4 (DE-588)4012899-4 (DE-588)4075739-0 |
| title | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria |
| title_auth | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria |
| title_exact_search | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria |
| title_exact_search_txtP | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria |
| title_full | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria Ileana Alexandra Orlich |
| title_fullStr | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria Ileana Alexandra Orlich |
| title_full_unstemmed | Subversive stages theater in pre- and post-communist Hungary, Romania, and Bulgaria Ileana Alexandra Orlich |
| title_short | Subversive stages |
| title_sort | subversive stages theater in pre and post communist hungary romania and bulgaria |
| title_sub | theater in pre- and post-communist Hungary, Romania, and Bulgaria |
| topic | Shakespeare, William / 1564-1616 / Adaptations / History and criticism Molière 1622-1673 (DE-588)11858331X gnd Shakespeare, William 1564-1616 (DE-588)118613723 gnd East European drama / 20th century / History and criticism Russian drama / Adaptations / History and criticism French drama / Adaptations / History and criticism English drama / Adaptations / History and criticism Communism and literature / Europe, Eastern Kommunismus (DE-588)4031892-8 gnd Politik (DE-588)4046514-7 gnd Postkommunismus (DE-588)4998161-4 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Adaptations / History and criticism Molière 1622-1673 Shakespeare, William 1564-1616 East European drama / 20th century / History and criticism Russian drama / Adaptations / History and criticism French drama / Adaptations / History and criticism English drama / Adaptations / History and criticism Communism and literature / Europe, Eastern Kommunismus Politik Postkommunismus Drama Osteuropa |
| work_keys_str_mv | AT orlichileanaalexandra subversivestagestheaterinpreandpostcommunisthungaryromaniaandbulgaria |