The Oxford handbook of sound art:
Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and perform...
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| Weitere Verfasser: | , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2021
|
| Schriftenreihe: | Oxford handbooks online
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-Y3 DE-Y2 DE-739 Volltext |
| Zusammenfassung: | Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged |
| Beschreibung: | Also issued in print: 2021. - Includes bibliographical references and index Witnessing Space - Andrea Polli -- - Now in the network - Michael Rofe -- - Sound and Wonder: Siren, Ethnometric Museum and Sound Art Theatre - Ray Lee -- - One Multiplicity: Sound, Science, Technology, and Culture - Ian Clothier -- - Sound and Thing - Aden Evens -- - A New Materiality: Post Speaker Sound Art - Fari Bradley -- - Sacrificial Floors and Tables: Making/ Unmaking Sound - John Richards -- - The unreliable mediator: Loudspeakers in Sound Art Heard Through Music on a Long, Thin Wire - David Prior -- - The ding in itself - John Mowitt -- - Sound Art as Locative Narrative - Emma Whittaker -- - Sound is Silence - Greg Hainge -- - Against a falling Fabric: Neoliberal Acousmatics - Seth Kim-Cohen -- - Echo's Embrace: The Art of Building with Sound - Frances Crow -- - Materiality: The fabrication of Sound - Dugal McKinnon -- - Fukushima: Silences That Count - Sophie Houdart -- - Sonic Sense: The Meaning of the Invisible - Salom e Voegelin -- - Soundfullness - Christof Migone -- - Last breath, sensing life - Zeynep Bulut -- - Intimate Listening - Mark Paterson -- - Danfo - Emeka Ogboh -- - Minor Acoustics: Sound Art, Relationality, and Poetic Listening - Brandon Labelle -- - Inhabiting the Uninhabitable: Encountering Atmospheres as Other Worlds - Jane Grant -- - The Sonic Undercommons: Sound Art in Radical Black Arts Traditions - Gascia Ouzounian -- - A Social Sonic Paradigm: Sound Art in Southern Africa - Tegan Bristow, Joao Orrechia -- - Composing Fragmented Relations With Materials, Locations, and Archives - Jen Southern, Samuel Thulin -- - Origin Stories: Race, Silence, and What We Call 'Sound Art' - Jennifer Lynn Stoever -- - Sound Art: Hearing in particular - John Drever -- - Listening: Flexibility through Noise, Resonance through Rhythm - Susan Denham, Istv an Winkler -- - Felt Spaces - Gernot B ohme -- - State Listening - Ultra-red -- - Chthonic: 72 hours Below Earth Day: The Sensed, the Remembered, the Lost and the Reconstructed - Louise K. Wilson -- - The Art that is made out of Time - Stephen Kennedy -- - Sound in Mediated Space - DooEun Choi -- - 'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as Sound - Angus Carlyle -- - Sound Art and Time - Christoph Cox -- - The Inter-human Cortex - John Matthias |
| Beschreibung: | 1 Online-Ressource (632 Seiten) |
| ISBN: | 9780190274085 |
| DOI: | 10.1093/oxfordhb/9780190274054.001.0001 |
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| index_date | 2024-07-03T18:17:14Z |
| indexdate | 2025-01-21T13:01:13Z |
| institution | BVB |
| isbn | 9780190274085 |
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| series2 | Oxford handbooks online |
| spelling | The Oxford handbook of sound art edited by Jane Grant, John Matthias and David Prior Handbook of sound art Sound art New York Oxford University Press 2021 1 Online-Ressource (632 Seiten) txt rdacontent c rdamedia cr rdacarrier Oxford handbooks online Also issued in print: 2021. - Includes bibliographical references and index Witnessing Space - Andrea Polli -- - Now in the network - Michael Rofe -- - Sound and Wonder: Siren, Ethnometric Museum and Sound Art Theatre - Ray Lee -- - One Multiplicity: Sound, Science, Technology, and Culture - Ian Clothier -- - Sound and Thing - Aden Evens -- - A New Materiality: Post Speaker Sound Art - Fari Bradley -- - Sacrificial Floors and Tables: Making/ Unmaking Sound - John Richards -- - The unreliable mediator: Loudspeakers in Sound Art Heard Through Music on a Long, Thin Wire - David Prior -- - The ding in itself - John Mowitt -- - Sound Art as Locative Narrative - Emma Whittaker -- - Sound is Silence - Greg Hainge -- - Against a falling Fabric: Neoliberal Acousmatics - Seth Kim-Cohen -- - Echo's Embrace: The Art of Building with Sound - Frances Crow -- - Materiality: The fabrication of Sound - Dugal McKinnon -- - Fukushima: Silences That Count - Sophie Houdart -- - Sonic Sense: The Meaning of the Invisible - Salom e Voegelin -- - Soundfullness - Christof Migone -- - Last breath, sensing life - Zeynep Bulut -- - Intimate Listening - Mark Paterson -- - Danfo - Emeka Ogboh -- - Minor Acoustics: Sound Art, Relationality, and Poetic Listening - Brandon Labelle -- - Inhabiting the Uninhabitable: Encountering Atmospheres as Other Worlds - Jane Grant -- - The Sonic Undercommons: Sound Art in Radical Black Arts Traditions - Gascia Ouzounian -- - A Social Sonic Paradigm: Sound Art in Southern Africa - Tegan Bristow, Joao Orrechia -- - Composing Fragmented Relations With Materials, Locations, and Archives - Jen Southern, Samuel Thulin -- - Origin Stories: Race, Silence, and What We Call 'Sound Art' - Jennifer Lynn Stoever -- - Sound Art: Hearing in particular - John Drever -- - Listening: Flexibility through Noise, Resonance through Rhythm - Susan Denham, Istv an Winkler -- - Felt Spaces - Gernot B ohme -- - State Listening - Ultra-red -- - Chthonic: 72 hours Below Earth Day: The Sensed, the Remembered, the Lost and the Reconstructed - Louise K. Wilson -- - The Art that is made out of Time - Stephen Kennedy -- - Sound in Mediated Space - DooEun Choi -- - 'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as Sound - Angus Carlyle -- - Sound Art and Time - Christoph Cox -- - The Inter-human Cortex - John Matthias Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged Sound art / History and criticism Akustik (DE-588)4000988-9 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Sound Studies (DE-588)1036986756 gnd rswk-swf Sound Studies (DE-588)1036986756 s Klangkunst (DE-588)4430771-8 s Akustik (DE-588)4000988-9 s DE-604 Grant, Jane ca. 20./21. Jh. (DE-588)1049674642 edt Matthias, John ca. 20./21. Jh. (DE-588)1049675681 edt Prior, David ca. 20./21. Jh. (DE-588)1115209256 edt Erscheint auch als Druck-Ausgabe 978-0-19-027405-4 https://doi.org/10.1093/oxfordhb/9780190274054.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Oxford handbook of sound art Sound art / History and criticism Akustik (DE-588)4000988-9 gnd Klangkunst (DE-588)4430771-8 gnd Sound Studies (DE-588)1036986756 gnd |
| subject_GND | (DE-588)4000988-9 (DE-588)4430771-8 (DE-588)1036986756 |
| title | The Oxford handbook of sound art |
| title_alt | Handbook of sound art Sound art |
| title_auth | The Oxford handbook of sound art |
| title_exact_search | The Oxford handbook of sound art |
| title_exact_search_txtP | The Oxford handbook of sound art |
| title_full | The Oxford handbook of sound art edited by Jane Grant, John Matthias and David Prior |
| title_fullStr | The Oxford handbook of sound art edited by Jane Grant, John Matthias and David Prior |
| title_full_unstemmed | The Oxford handbook of sound art edited by Jane Grant, John Matthias and David Prior |
| title_short | The Oxford handbook of sound art |
| title_sort | the oxford handbook of sound art |
| topic | Sound art / History and criticism Akustik (DE-588)4000988-9 gnd Klangkunst (DE-588)4430771-8 gnd Sound Studies (DE-588)1036986756 gnd |
| topic_facet | Sound art / History and criticism Akustik Klangkunst Sound Studies |
| url | https://doi.org/10.1093/oxfordhb/9780190274054.001.0001 |
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