Movies on our minds: the evolution of cinematic engagement
"We used to go to the movies. We used to speak of flicks, even flicking out. We used to stand in line with friends in delicious anticipation to buy tickets for a movie that got a rapturous review. We used to be ushered into blinding darkness within cavernous halls of downtown gilded-age theater...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | "We used to go to the movies. We used to speak of flicks, even flicking out. We used to stand in line with friends in delicious anticipation to buy tickets for a movie that got a rapturous review. We used to be ushered into blinding darkness within cavernous halls of downtown gilded-age theaters to look at enormous screens. And we might go without regard to when the feature began, enter in the middle, sit through its ending, its double-bill and shorts, and only then watch the beginning of what we wanted to see. A small personal triumph occurred when, seeing a flick with friends or family, you were the first one to get up to leave announcing that "this was the place in the movie where we came in."-- |
| Beschreibung: | xiv, 382 Seiten Illustrationen (teilweise farbig) 25 cm |
| ISBN: | 9780197567777 |
Internformat
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| spelling | Cutting, James Verfasser (DE-588)136238513 aut Movies on our minds the evolution of cinematic engagement James E. Cutting New York Oxford University Press [2021] © 2021 xiv, 382 Seiten Illustrationen (teilweise farbig) 25 cm txt rdacontent n rdamedia nc rdacarrier "We used to go to the movies. We used to speak of flicks, even flicking out. We used to stand in line with friends in delicious anticipation to buy tickets for a movie that got a rapturous review. We used to be ushered into blinding darkness within cavernous halls of downtown gilded-age theaters to look at enormous screens. And we might go without regard to when the feature began, enter in the middle, sit through its ending, its double-bill and shorts, and only then watch the beginning of what we wanted to see. A small personal triumph occurred when, seeing a flick with friends or family, you were the first one to get up to leave announcing that "this was the place in the movie where we came in."-- Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Zuschauer (DE-588)4127324-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Motion picture audiences / Psychology Motion pictures / Psychological aspects USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Zuschauer (DE-588)4127324-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 9780197567791 |
| spellingShingle | Cutting, James Movies on our minds the evolution of cinematic engagement Film (DE-588)4017102-4 gnd Zuschauer (DE-588)4127324-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4127324-2 (DE-588)4078704-7 |
| title | Movies on our minds the evolution of cinematic engagement |
| title_auth | Movies on our minds the evolution of cinematic engagement |
| title_exact_search | Movies on our minds the evolution of cinematic engagement |
| title_exact_search_txtP | Movies on our minds the evolution of cinematic engagement |
| title_full | Movies on our minds the evolution of cinematic engagement James E. Cutting |
| title_fullStr | Movies on our minds the evolution of cinematic engagement James E. Cutting |
| title_full_unstemmed | Movies on our minds the evolution of cinematic engagement James E. Cutting |
| title_short | Movies on our minds |
| title_sort | movies on our minds the evolution of cinematic engagement |
| title_sub | the evolution of cinematic engagement |
| topic | Film (DE-588)4017102-4 gnd Zuschauer (DE-588)4127324-2 gnd |
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