Experience music experiment: pragmatism and artistic research
Truth happens to an idea? So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of ?doing and undergoing.? But what do these ideas have to do with music, or with research conducted in and through music - that is, with ?artistic rese...
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Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leuven (Belgium)
Leuven University Press
2021
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Schriftenreihe: | Orpheus Institute series
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Truth happens to an idea? So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of ?doing and undergoing.? But what do these ideas have to do with music, or with research conducted in and through music - that is, with ?artistic research?? 0In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience - insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself. |
Beschreibung: | 288 Seiten Illustrationen |
ISBN: | 9789462702790 |
Internformat
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Datensatz im Suchindex
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Table of Contents 7 Acknowledgements 9 Introduction William Brooks 21 Music, Poetry, and Possession Richard Shusterman Part і: Doing 35 The Pragmatic Musical-Gestural Performer Winnie Huang 6i Shaping Interpretation through Experience: A Case for a Pragmatic Approach to Contemporary Music Performance Marco Fusi 77 Experiments in Experience: Listening to Rooms and Pianos Victoria Tzotzkova and Fiona Smyth 97 The Rehearsal Process: Finnissy, Hespos, and Pragmatic Approaches to Indeterminacy Clare Lesser Part 2: Making 121 As If Unobserved: Experiments towards a Publicly Visible Composition Practice Caitlin Rowley 141 Game-Show; or, The Playful Work of the Voice Nicholas Brown 157 The Velicon and Music of Experience Ivana Miladinovič Priča 5
Part 3: Observing 173 How to Embody Truth? Jenny Hval’s Experimentations with Music and Voice Thibault Galland 193 The Life of Rhythm: Musical Time, Dewey’s Pragmatism, and Jazz Improvisation Garry L. Hagberg 217 Peirce’s Aesthetic of Experiment Ann Warde 227 Music News in the Progressive Era: American Experience as Civic Participation, Everyday Living, and Music Making Deniz Ertan 249 Redefining Progress at the Intersection of AI and Artistic Research Ambrose Field 265 Online Materials 267 Notes on Contributors 271 Index 6 |
adam_txt |
Table of Contents 7 Acknowledgements 9 Introduction William Brooks 21 Music, Poetry, and Possession Richard Shusterman Part і: Doing 35 The Pragmatic Musical-Gestural Performer Winnie Huang 6i Shaping Interpretation through Experience: A Case for a Pragmatic Approach to Contemporary Music Performance Marco Fusi 77 Experiments in Experience: Listening to Rooms and Pianos Victoria Tzotzkova and Fiona Smyth 97 The Rehearsal Process: Finnissy, Hespos, and Pragmatic Approaches to Indeterminacy Clare Lesser Part 2: Making 121 As If Unobserved: Experiments towards a Publicly Visible Composition Practice Caitlin Rowley 141 Game-Show; or, The Playful Work of the Voice Nicholas Brown 157 The Velicon and Music of Experience Ivana Miladinovič Priča 5
Part 3: Observing 173 How to Embody Truth? Jenny Hval’s Experimentations with Music and Voice Thibault Galland 193 The Life of Rhythm: Musical Time, Dewey’s Pragmatism, and Jazz Improvisation Garry L. Hagberg 217 Peirce’s Aesthetic of Experiment Ann Warde 227 Music News in the Progressive Era: American Experience as Civic Participation, Everyday Living, and Music Making Deniz Ertan 249 Redefining Progress at the Intersection of AI and Artistic Research Ambrose Field 265 Online Materials 267 Notes on Contributors 271 Index 6 |
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author2 | Brooks, William 1943- |
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author_GND | (DE-588)1047133474 |
author_facet | Brooks, William 1943- |
building | Verbundindex |
bvnumber | BV047490977 |
classification_rvk | LP 16000 |
ctrlnum | (OCoLC)1277024917 (DE-599)BVBBV047490977 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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illustrated | Illustrated |
index_date | 2024-07-03T18:15:27Z |
indexdate | 2024-11-11T15:01:26Z |
institution | BVB |
isbn | 9789462702790 |
language | English |
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spelling | Experience music experiment pragmatism and artistic research edited by William Brooks Leuven (Belgium) Leuven University Press 2021 © 2021 288 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Orpheus Institute series Truth happens to an idea? So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of ?doing and undergoing.? But what do these ideas have to do with music, or with research conducted in and through music - that is, with ?artistic research?? 0In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience - insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself. Experiment (DE-588)4015999-1 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 gnd rswk-swf Musicology Music / Performance Musikhören (DE-588)4075127-2 s Musikerlebnis (DE-588)4170819-2 s Experiment (DE-588)4015999-1 s DE-604 Brooks, William 1943- (DE-588)1047133474 edt Erscheint auch als Online-Ausgabe 978-94-6166-392-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032892260&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Experience music experiment pragmatism and artistic research Experiment (DE-588)4015999-1 gnd Musikhören (DE-588)4075127-2 gnd Musikerlebnis (DE-588)4170819-2 gnd |
subject_GND | (DE-588)4015999-1 (DE-588)4075127-2 (DE-588)4170819-2 |
title | Experience music experiment pragmatism and artistic research |
title_auth | Experience music experiment pragmatism and artistic research |
title_exact_search | Experience music experiment pragmatism and artistic research |
title_exact_search_txtP | Experience music experiment pragmatism and artistic research |
title_full | Experience music experiment pragmatism and artistic research edited by William Brooks |
title_fullStr | Experience music experiment pragmatism and artistic research edited by William Brooks |
title_full_unstemmed | Experience music experiment pragmatism and artistic research edited by William Brooks |
title_short | Experience music experiment |
title_sort | experience music experiment pragmatism and artistic research |
title_sub | pragmatism and artistic research |
topic | Experiment (DE-588)4015999-1 gnd Musikhören (DE-588)4075127-2 gnd Musikerlebnis (DE-588)4170819-2 gnd |
topic_facet | Experiment Musikhören Musikerlebnis |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032892260&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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