Artistic research in jazz: positions, theories, methods
Artistic Research in Jazz : An Introduction / Michael Kahr -- Part I. Improvisation, Theory and History. Improvising Artistic Research / Marcel Cobussen ; Improvising Touch : Musical Improvisation Considered as a Tactile Practice / Vincent Meelberg ; Mapping Jazz's Affect : Implications for Mus...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Artistic Research in Jazz : An Introduction / Michael Kahr -- Part I. Improvisation, Theory and History. Improvising Artistic Research / Marcel Cobussen ; Improvising Touch : Musical Improvisation Considered as a Tactile Practice / Vincent Meelberg ; Mapping Jazz's Affect : Implications for Music Theory and Analysis / Chris Stover ; Artistic Research in Jazz : Historical Contexts / Michael Kahr -- Part II. Institutional and Pedagogical Considerations. Wordplay : Negotiating the Conservatory "Culture Clash" / Petter Frost Fadnes ; The Lessons of Jazz : What We Teach When We Teach Jazz in College / Tracy McMullen ; It Don't Mean a Thing Without My Web Fan Base Thing : A Dance of Cultural Relevancy in Jazz Education Culture Today / William C. Banfield -- Part III. Specific Projects. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves" : Practice-led Research Beckons to Research-led Practice / Roger T. Dean ; Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation : A Methodology for Artistic Research in Jazz / Robert L. Burke ; Articulating Musical Practice and Research : Notes on a South African Recording Project / Marc Duby ; Embodied Hope : An Empathically Creative Approach to Contemporary Jazz / Andrew Bain "This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research. This edited collection presents an in-depth discourse on shared and specific approaches to practice-as-research in jazz and popular music. A panel of eleven international contributors provide an understanding of the specificity of current practice in jazz and popular music, both improvisational and composed. The topics addressed throughout consider the cultural, institutional, epistemological, philosophical, ethical, and practical aspects of the discipline, as well as the influence of race, gender and politics. The book is structured in three parts: first, on topics related to improvisation, theory and history; second, on institutional and pedagogical positions; and third, on methodical approaches in four specific research projects conducted by the authors. In thinking outside established theoretical frameworks, this book invites further exploration and participation, and encourages practitioners, scholars, students and teachers at all academic levels to shape the future of jazz research collectively. It will be of interest to students in jazz and popular music studies, performance studies, improvisation studies, music philosophy, music aesthetics, and Western art music research"-- |
Beschreibung: | xxii, 201 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780367225957 9781032019055 |
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520 | 3 | |a Artistic Research in Jazz : An Introduction / Michael Kahr -- Part I. Improvisation, Theory and History. Improvising Artistic Research / Marcel Cobussen ; Improvising Touch : Musical Improvisation Considered as a Tactile Practice / Vincent Meelberg ; Mapping Jazz's Affect : Implications for Music Theory and Analysis / Chris Stover ; Artistic Research in Jazz : Historical Contexts / Michael Kahr -- Part II. Institutional and Pedagogical Considerations. Wordplay : Negotiating the Conservatory "Culture Clash" / Petter Frost Fadnes ; The Lessons of Jazz : What We Teach When We Teach Jazz in College / Tracy McMullen ; It Don't Mean a Thing Without My Web Fan Base Thing : A Dance of Cultural Relevancy in Jazz Education Culture Today / William C. Banfield -- Part III. Specific Projects. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves" : Practice-led Research Beckons to Research-led Practice / Roger T. Dean ; Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation : A Methodology for Artistic Research in Jazz / Robert L. Burke ; Articulating Musical Practice and Research : Notes on a South African Recording Project / Marc Duby ; Embodied Hope : An Empathically Creative Approach to Contemporary Jazz / Andrew Bain | |
520 | 3 | |a "This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research. This edited collection presents an in-depth discourse on shared and specific approaches to practice-as-research in jazz and popular music. A panel of eleven international contributors provide an understanding of the specificity of current practice in jazz and popular music, both improvisational and composed. The topics addressed throughout consider the cultural, institutional, epistemological, philosophical, ethical, and practical aspects of the discipline, as well as the influence of race, gender and politics. The book is structured in three parts: first, on topics related to improvisation, theory and history; second, on institutional and pedagogical positions; and third, on methodical approaches in four specific research projects conducted by the authors. In thinking outside established theoretical frameworks, this book invites further exploration and participation, and encourages practitioners, scholars, students and teachers at all academic levels to shape the future of jazz research collectively. It will be of interest to students in jazz and popular music studies, performance studies, improvisation studies, music philosophy, music aesthetics, and Western art music research"-- | |
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Datensatz im Suchindex
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adam_text | Contents vii viii viii ix xv Figures Tables Photograph Contributors Preface and Acknowledgments MICHAEL KAHR Artistic Research in Jazz: An Introduction xvi MICHAEL KAHR PARTI Improvisation, Theory, and History 1 1 З Improvising Artistic Research MARCEL COBUSSEN 2 Improvising Touch: Musical Improvisation Considered as a Tactile Practice 15 VINCENT MEELBERG 3 Mapping Jazz’s Affect: Implications for Music Theory and Analysis 29 CHRIS STOVER 4 Artistic Research in Jazz: Historical Contexts 46 MICHAEL KAHR PART II Institutional and Pedagogical Considerations 5 Wordplay: Negotiating the Conservatory ‘Culture Clash’ PETTER FROST FADNES 65 67
vi Contents 6 The Lessons or Jazz: What We Teach When We Teach Jazz in Coilege 85 TRACY MCMULLEN 7 It Don’t Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today 98 WILLIAM C. BANFIELD PART III 113 Specific Projects 8 Silent Groove, Frames and Applied Improvisation in Miles Davis’ “Shhh/Peaceful” and austraLYSIS’ “Silent Waves”: Practice-led Research Beckons to Research-led Practice 115 ROGER T. DEAN 9 Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in J azz 135 ROBERT L. BURKE 10 Articulating Musical Practice and Research: Notes on a South African Recording Proj ect 155 MARC DUBY 11 Embodied Hope: An Empathically Creative Approach to Contemporary Jazz 175 ANDREW BAIN Index 192
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adam_txt |
Contents vii viii viii ix xv Figures Tables Photograph Contributors Preface and Acknowledgments MICHAEL KAHR Artistic Research in Jazz: An Introduction xvi MICHAEL KAHR PARTI Improvisation, Theory, and History 1 1 З Improvising Artistic Research MARCEL COBUSSEN 2 Improvising Touch: Musical Improvisation Considered as a Tactile Practice 15 VINCENT MEELBERG 3 Mapping Jazz’s Affect: Implications for Music Theory and Analysis 29 CHRIS STOVER 4 Artistic Research in Jazz: Historical Contexts 46 MICHAEL KAHR PART II Institutional and Pedagogical Considerations 5 Wordplay: Negotiating the Conservatory ‘Culture Clash’ PETTER FROST FADNES 65 67
vi Contents 6 The Lessons or Jazz: What We Teach When We Teach Jazz in Coilege 85 TRACY MCMULLEN 7 It Don’t Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today 98 WILLIAM C. BANFIELD PART III 113 Specific Projects 8 Silent Groove, Frames and Applied Improvisation in Miles Davis’ “Shhh/Peaceful” and austraLYSIS’ “Silent Waves”: Practice-led Research Beckons to Research-led Practice 115 ROGER T. DEAN 9 Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in J azz 135 ROBERT L. BURKE 10 Articulating Musical Practice and Research: Notes on a South African Recording Proj ect 155 MARC DUBY 11 Embodied Hope: An Empathically Creative Approach to Contemporary Jazz 175 ANDREW BAIN Index 192 |
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spelling | Artistic research in jazz positions, theories, methods edited by Michael Kahr New York ; London Routledge, Taylor & Francis Group 2022 xxii, 201 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Artistic Research in Jazz : An Introduction / Michael Kahr -- Part I. Improvisation, Theory and History. Improvising Artistic Research / Marcel Cobussen ; Improvising Touch : Musical Improvisation Considered as a Tactile Practice / Vincent Meelberg ; Mapping Jazz's Affect : Implications for Music Theory and Analysis / Chris Stover ; Artistic Research in Jazz : Historical Contexts / Michael Kahr -- Part II. Institutional and Pedagogical Considerations. Wordplay : Negotiating the Conservatory "Culture Clash" / Petter Frost Fadnes ; The Lessons of Jazz : What We Teach When We Teach Jazz in College / Tracy McMullen ; It Don't Mean a Thing Without My Web Fan Base Thing : A Dance of Cultural Relevancy in Jazz Education Culture Today / William C. Banfield -- Part III. Specific Projects. Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves" : Practice-led Research Beckons to Research-led Practice / Roger T. Dean ; Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation : A Methodology for Artistic Research in Jazz / Robert L. Burke ; Articulating Musical Practice and Research : Notes on a South African Recording Project / Marc Duby ; Embodied Hope : An Empathically Creative Approach to Contemporary Jazz / Andrew Bain "This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research. This edited collection presents an in-depth discourse on shared and specific approaches to practice-as-research in jazz and popular music. A panel of eleven international contributors provide an understanding of the specificity of current practice in jazz and popular music, both improvisational and composed. The topics addressed throughout consider the cultural, institutional, epistemological, philosophical, ethical, and practical aspects of the discipline, as well as the influence of race, gender and politics. The book is structured in three parts: first, on topics related to improvisation, theory and history; second, on institutional and pedagogical positions; and third, on methodical approaches in four specific research projects conducted by the authors. In thinking outside established theoretical frameworks, this book invites further exploration and participation, and encourages practitioners, scholars, students and teachers at all academic levels to shape the future of jazz research collectively. It will be of interest to students in jazz and popular music studies, performance studies, improvisation studies, music philosophy, music aesthetics, and Western art music research"-- Jazz (DE-588)4028532-7 gnd rswk-swf Künstlerische Forschung (DE-588)1068661038 gnd rswk-swf Jazz / History and criticism Jazz / Philosophy and aesthetics Improvisation (Music) Jazz / Instruction and study Musicology (DE-588)4143413-4 Aufsatzsammlung gnd-content Jazz (DE-588)4028532-7 s Künstlerische Forschung (DE-588)1068661038 s DE-604 Kahr, Michael 1975- (DE-588)135298709 edt Erscheint auch als Online-Ausgabe, ebk. 978-0-429-27583-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032887817&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Artistic research in jazz positions, theories, methods Jazz (DE-588)4028532-7 gnd Künstlerische Forschung (DE-588)1068661038 gnd |
subject_GND | (DE-588)4028532-7 (DE-588)1068661038 (DE-588)4143413-4 |
title | Artistic research in jazz positions, theories, methods |
title_auth | Artistic research in jazz positions, theories, methods |
title_exact_search | Artistic research in jazz positions, theories, methods |
title_exact_search_txtP | Artistic research in jazz positions, theories, methods |
title_full | Artistic research in jazz positions, theories, methods edited by Michael Kahr |
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title_full_unstemmed | Artistic research in jazz positions, theories, methods edited by Michael Kahr |
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