The play of law in modern British theatre:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2021]
|
| Schriftenreihe: | Edinburgh critical studies in law, literature and the humanities
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 221 Seiten 24 cm |
| ISBN: | 9781474450157 9781474450140 |
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Datensatz im Suchindex
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Contents Acknowledgements Introduction 1 2 3 4 5 6 7 8 Murmurings Thinking the Unthinkable Churchill’s Wars Uneasy Heads The Haunting of KingCharles III Feasts of Filth Tears in the Fabric A Revenger’s Tragedy vi 1 ц 36 56 92 114 139 161 193 Conclusion 213 Index 217
The first book to investigate the place of law in modern and contemporary drama Theatre, according to the prominent British playwright David Hare, is our most effective 'court of justice'. This book assesses the credibility of this arresting claim in the immediate context of contemporary British theatre by investigating the place and purpose of law in a range of modern dramatic settings and writings. Each chapter focusses on a particular area of law and the work of a particular playwright and in doing so illustrates the important role of theatre in articulating legal and political issues to a modern audience. Exploring a range of different genres in contemporary drama; including the historical, the poetic, realist, documentary and 'in-yerface', this volume explores the capacity of modern playwrights to engage with issues such as pornography, murder, the experience of terrorism, the function of Parliament, and the role of the monarchy. |
| adam_txt |
Contents Acknowledgements Introduction 1 2 3 4 5 6 7 8 Murmurings Thinking the Unthinkable Churchill’s Wars Uneasy Heads The Haunting of KingCharles III Feasts of Filth Tears in the Fabric A Revenger’s Tragedy vi 1 ц 36 56 92 114 139 161 193 Conclusion 213 Index 217
The first book to investigate the place of law in modern and contemporary drama Theatre, according to the prominent British playwright David Hare, is our most effective 'court of justice'. This book assesses the credibility of this arresting claim in the immediate context of contemporary British theatre by investigating the place and purpose of law in a range of modern dramatic settings and writings. Each chapter focusses on a particular area of law and the work of a particular playwright and in doing so illustrates the important role of theatre in articulating legal and political issues to a modern audience. Exploring a range of different genres in contemporary drama; including the historical, the poetic, realist, documentary and 'in-yerface', this volume explores the capacity of modern playwrights to engage with issues such as pornography, murder, the experience of terrorism, the function of Parliament, and the role of the monarchy. |
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| discipline | Allgemeines Rechtswissenschaft Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Rechtswissenschaft Anglistik / Amerikanistik |
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| spellingShingle | Ward, Ian 1963- The play of law in modern British theatre English drama 21st century History and criticism Law in literature Politics in literature Recht Motiv (DE-588)4121561-8 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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| title | The play of law in modern British theatre |
| title_auth | The play of law in modern British theatre |
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| title_full | The play of law in modern British theatre Ian Ward |
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| title_full_unstemmed | The play of law in modern British theatre Ian Ward |
| title_short | The play of law in modern British theatre |
| title_sort | the play of law in modern british theatre |
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