The presence of the past: temporal experience and the new Hollywood soundtrack
"In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this...
Gespeichert in:
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schriftenreihe: | Oxford music/media series
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms associated with temporal alienation or distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown) and the nostalgia film (The Last Picture Show and American Graffiti). In these films, however, "the past" is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, bridging conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, the representation of media technology, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past"-- |
| Beschreibung: | viii, 250 Seiten Illustrationen (schwarz-weiß) |
| ISBN: | 9780190932695 9780190932688 |
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| 505 | 8 | |a Introduction. The Presence of the Past in the New Hollywood -- Bonnie and Clyde and the Aural Imagination of American Counterculture -- The Revisionist Western and the Mythic Past -- The Mythic Elements of Chinatown -- Radio, Memory, and the Past in the Nostalgia Film -- Badlands and the Music of Temporal Imminence | |
| 520 | 3 | |a "In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms associated with temporal alienation or distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown) and the nostalgia film (The Last Picture Show and American Graffiti). In these films, however, "the past" is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, bridging conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, the representation of media technology, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past"-- | |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments Introduction: The Presence of the Past in the New Hollywood vii 1 1. Bonnie and Clyde and the Aural Imagination of American Counterculture 28 2. The Revisionist Western and the Mythic Past 60 3. The Mythic Elements of Chinatown 93 4. Radio, Memory, and the Past in the Nostalgia Film 126 5. Badlands and the Music of Temporal Immanence 157 Notes Bibliography Index 197 231 243
|
| adam_txt |
Contents Acknowledgments Introduction: The Presence of the Past in the New Hollywood vii 1 1. Bonnie and Clyde and the Aural Imagination of American Counterculture 28 2. The Revisionist Western and the Mythic Past 60 3. The Mythic Elements of Chinatown 93 4. Radio, Memory, and the Past in the Nostalgia Film 126 5. Badlands and the Music of Temporal Immanence 157 Notes Bibliography Index 197 231 243 |
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| author | Bishop, Daniel 1982- |
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| bvnumber | BV047483187 |
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| contents | Introduction. The Presence of the Past in the New Hollywood -- Bonnie and Clyde and the Aural Imagination of American Counterculture -- The Revisionist Western and the Mythic Past -- The Mythic Elements of Chinatown -- Radio, Memory, and the Past in the Nostalgia Film -- Badlands and the Music of Temporal Imminence |
| ctrlnum | (OCoLC)1286876135 (DE-599)BVBBV047483187 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1967-1974 gnd |
| era_facet | Geschichte 1967-1974 |
| format | Thesis Book |
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| spelling | Bishop, Daniel 1982- Verfasser (DE-588)1242438467 aut The presence of the past temporal experience and the new Hollywood soundtrack Daniel Bishop New York, NY Oxford University Press [2021] © 2021 viii, 250 Seiten Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Oxford music/media series Dissertation basiert auf einer Dissertation Introduction. The Presence of the Past in the New Hollywood -- Bonnie and Clyde and the Aural Imagination of American Counterculture -- The Revisionist Western and the Mythic Past -- The Mythic Elements of Chinatown -- Radio, Memory, and the Past in the Nostalgia Film -- Badlands and the Music of Temporal Imminence "In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms associated with temporal alienation or distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown) and the nostalgia film (The Last Picture Show and American Graffiti). In these films, however, "the past" is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, bridging conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, the representation of media technology, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past"-- Geschichte 1967-1974 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Vergangenheit Motiv (DE-588)4187703-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Motion picture music / History and criticism Film soundtracks / History and criticism Nostalgia in motion pictures History in motion pictures Film soundtracks Motion picture music Criticism, interpretation, etc (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Vergangenheit Motiv (DE-588)4187703-2 s Filmmusik (DE-588)4017129-2 s Geschichte 1967-1974 z DE-604 Online version 9780190932718 Bishop, Daniel, 1982- Presence of the past [1.] New York : Oxford University Press, 2021 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032884632&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bishop, Daniel 1982- The presence of the past temporal experience and the new Hollywood soundtrack Introduction. The Presence of the Past in the New Hollywood -- Bonnie and Clyde and the Aural Imagination of American Counterculture -- The Revisionist Western and the Mythic Past -- The Mythic Elements of Chinatown -- Radio, Memory, and the Past in the Nostalgia Film -- Badlands and the Music of Temporal Imminence Filmmusik (DE-588)4017129-2 gnd Vergangenheit Motiv (DE-588)4187703-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4187703-2 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | The presence of the past temporal experience and the new Hollywood soundtrack |
| title_auth | The presence of the past temporal experience and the new Hollywood soundtrack |
| title_exact_search | The presence of the past temporal experience and the new Hollywood soundtrack |
| title_exact_search_txtP | The presence of the past temporal experience and the new Hollywood soundtrack |
| title_full | The presence of the past temporal experience and the new Hollywood soundtrack Daniel Bishop |
| title_fullStr | The presence of the past temporal experience and the new Hollywood soundtrack Daniel Bishop |
| title_full_unstemmed | The presence of the past temporal experience and the new Hollywood soundtrack Daniel Bishop |
| title_short | The presence of the past |
| title_sort | the presence of the past temporal experience and the new hollywood soundtrack |
| title_sub | temporal experience and the new Hollywood soundtrack |
| topic | Filmmusik (DE-588)4017129-2 gnd Vergangenheit Motiv (DE-588)4187703-2 gnd |
| topic_facet | Filmmusik Vergangenheit Motiv USA Hochschulschrift |
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