Storytelling for media: introduction to the theory and practice of narrative design
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
München
UVK Verlag
[2021]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 165 Seiten Illustrationen 18.5 cm x 12 cm |
ISBN: | 9783825257644 3825257649 |
Internformat
MARC
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245 | 1 | 0 | |a Storytelling for media |b introduction to the theory and practice of narrative design |c Joachim Friedmann |
264 | 1 | |a München |b UVK Verlag |c [2021] | |
264 | 4 | |c © 2021 | |
300 | |a 165 Seiten |b Illustrationen |c 18.5 cm x 12 cm | ||
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653 | |a Narrative Structure | ||
653 | |a Narrative Figure | ||
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Datensatz im Suchindex
DE-BY-862_location | 2000 |
---|---|
DE-BY-FWS_call_number | 2000/AP 13550 F911 |
DE-BY-FWS_katkey | 922437 |
DE-BY-FWS_media_number | 083000522412 |
_version_ | 1806177089495236608 |
adam_text | CONTENTS
1
STORYTELLING
-
MORE
THAN
JUST
TELLING
A
STORY
.................................
9
2
THE
NARRATIVE
FIGURE
-
LIFE,
THEME,
FUNCTION
...............................
13
2.1
FUNCTIONAL
FIGURES
.................................................................
14
2.2
MIMETIC
FIGURES
.....................................................................
18
2.3
THEMATIC
FIGURES
...................................................................
20
2.4
ANTI-NARRATIVE
FIGURES
...........................................................
24
3
SETTING
-
THE
NARRATIVE
SPACE
.........................................................
27
3.1
JURI
LOTMAN
AND
SEMANTIC
SPACE
.........................................
28
3.2
OTHER
OPTIONS
FOR
SPATIAL
SEMANTIZATION
............................
33
3.3
HIERARCHIZATION
OF
SPATIAL
EVENTS
.......................................
39
4
BINARY
NARRATIVE
OPPOSITIONS
-
OPPOSITES
MAKE
SENSE
................
41
4.1
THE
MEANING
OF
THE
NARRATIVE
.............................................
41
4.2
PRODUCTION
OF
MEANING
THROUGH
BINARY
NARRATIVE
OPPOSITIONS
............................................................................
42
4.3
IDEA
VS.
COUNTER
IDEA
-
NARRATIVE
OPPOSITIONS
IN
FILM
DRAMATURGY
..........................................................................
44
4.4
BINARY
NARRATIVE
OPPOSITIONS
AS
A
STRUCTURING
PRINCIPLE
IN
SERIAL
AND
INTERACTIVE
NARRATIVES
.........................................
45
5
CONFLICT
-
OBSTACLES
FORCE
ACTION
...................................................
51
5.1
CONFLICTS
AS
INITIAL
TRIGGERS
FOR
ACTION
...............................
51
5.2
BASIC
FORMS
OF
CONFLICT
.........................................................
52
5.3
THE
UNIVERSAL
CONFLICT
.........................................................
55
5.4
CONFLICT
TYPES
AND
TYPES
OF
PLOT
.........................................
65
5.5
WANT
AND
NEED
.......................................................................
66
6
TRANSFORMATION
-
WHAT
NEEDS
TO
CHANGE?
.....................................
69
6.1
TRANSFORMATION
VS.
CHANGE
.................................................
69
6.2
TRANSFORMATION
AS
A
CRITERION
OF
CLOSURE
............................
70
6.3
THE
CYCLIC
TRANSFORMATION
...................................................
74
6.4
TRANSFORMATIONS
IN
INTERACTIVE
NARRATIVES
..........................
76
7
EMOTION
-
PROGRESSION
OF
FEELINGS
...................................................
81
7.1
EMOTIONS
AS
GENRES
...............................................................
82
7.2
EMOTIONAL
PROGRESSION
AS
A
STRUCTURAL
PRINCIPLE
OF
NARRATIVES
...............................................................................
90
8
TURNING
POINTS
-
THE
EXPECTED
SURPRISE
.........................................
97
8.1
SCIENTIFIC
CONCEPTS
OF
THE
TURNING
POINT
............................
97
8.2
THE
TURNING
POINT
IN
APPLIED
DRAMATURGY
........................
100
8.3
THE
EFFECT
OF
TURNING
POINTS
IN
LITERATURE
AND
FILM
..........
102
8.4
TURNING
POINTS
AND
TRANSFORMATION
IN
INTERACTIVE
NARRATIVES
...............................................................................
106
9
NARRATIVE
STRUCTURE
-
THE
HERO S
JOURNEY
IN
THREE
ACTS
...................
ILL
9.1
DRAMATIC
STRUCTURE
...............................................................
ILL
9.2
MYTHOLOGICAL
STRUCTURE
...........................................................
114
9.3
ORAL
STRUCTURE
..........................................................................
115
9.4
INTERACTIVE
STRUCTURE
.............................................................
116
10
CAUSAL
RELATIONSHIPS
-
WHY
AND
HOW?
.............................................
119
10.1
CAUSALITY
AS
A
CONDITION
FOR
NARRATIVITY
...............................
119
10.2
FORMS
OF
CAUSALITY
...................................................................
120
10.3
FORMS
OF
NON-CAUSAL
NARRATIVE
...........................................
123
10.4
CAUSALITY
AND
INTERACTIVITY
.....................................................
125
11
SUBTEXT
AND
GAPPING
-
INVOLVING
THE
RECIPIENTS
..........................
129
11.1
GAPPING
AS
A
TEXT-AND
MEDIA-SPECIFIC
STRATEGY
................
129
11.2
SUBTEXT
......................................................................................
130
11.3
GENERATING
TENSION
THROUGH
INFORMATION
MANAGEMENT
...
132
11.4
INFORMATION
MANAGEMENT
IN
INTERACTIVE
STORIES
................
137
12
SEMANTIC
OBJECTS
-
MCGUFFINS,
HORCRUXES
AND
HOLY
GRAILS
..........
141
12.1
PLOT-FUNCTIONAL
VS.
NON-FUNCTIONAL
.....................................
141
12.2
SEMANTIC
OBJECTS
IN
NARRATIVE
MEDIA
.................................
145
12.3
THE
SEMANTIZATION
OF
OBJECTS
AS
A
COMMUNICATION
STRATEGY
147
13
EPILOGUE:
VALUES
AND
A
WORLDVIEW
.................................................
151
14
GLOSSARY
............................................................................................
155
15
BIBLIOGRAPHY
........................................................................................
159
16
LIST
OF
FIGURES
......................................................................................
163
|
adam_txt |
CONTENTS
1
STORYTELLING
-
MORE
THAN
JUST
TELLING
A
STORY
.
9
2
THE
NARRATIVE
FIGURE
-
LIFE,
THEME,
FUNCTION
.
13
2.1
FUNCTIONAL
FIGURES
.
14
2.2
MIMETIC
FIGURES
.
18
2.3
THEMATIC
FIGURES
.
20
2.4
ANTI-NARRATIVE
FIGURES
.
24
3
SETTING
-
THE
NARRATIVE
SPACE
.
27
3.1
JURI
LOTMAN
AND
SEMANTIC
SPACE
.
28
3.2
OTHER
OPTIONS
FOR
SPATIAL
SEMANTIZATION
.
33
3.3
HIERARCHIZATION
OF
SPATIAL
EVENTS
.
39
4
BINARY
NARRATIVE
OPPOSITIONS
-
OPPOSITES
MAKE
SENSE
.
41
4.1
THE
MEANING
OF
THE
NARRATIVE
.
41
4.2
PRODUCTION
OF
MEANING
THROUGH
BINARY
NARRATIVE
OPPOSITIONS
.
42
4.3
IDEA
VS.
COUNTER
IDEA
-
NARRATIVE
OPPOSITIONS
IN
FILM
DRAMATURGY
.
44
4.4
BINARY
NARRATIVE
OPPOSITIONS
AS
A
STRUCTURING
PRINCIPLE
IN
SERIAL
AND
INTERACTIVE
NARRATIVES
.
45
5
CONFLICT
-
OBSTACLES
FORCE
ACTION
.
51
5.1
CONFLICTS
AS
INITIAL
TRIGGERS
FOR
ACTION
.
51
5.2
BASIC
FORMS
OF
CONFLICT
.
52
5.3
THE
UNIVERSAL
CONFLICT
.
55
5.4
CONFLICT
TYPES
AND
TYPES
OF
PLOT
.
65
5.5
WANT
AND
NEED
.
66
6
TRANSFORMATION
-
WHAT
NEEDS
TO
CHANGE?
.
69
6.1
TRANSFORMATION
VS.
CHANGE
.
69
6.2
TRANSFORMATION
AS
A
CRITERION
OF
CLOSURE
.
70
6.3
THE
CYCLIC
TRANSFORMATION
.
74
6.4
TRANSFORMATIONS
IN
INTERACTIVE
NARRATIVES
.
76
7
EMOTION
-
PROGRESSION
OF
FEELINGS
.
81
7.1
EMOTIONS
AS
GENRES
.
82
7.2
EMOTIONAL
PROGRESSION
AS
A
STRUCTURAL
PRINCIPLE
OF
NARRATIVES
.
90
8
TURNING
POINTS
-
THE
EXPECTED
SURPRISE
.
97
8.1
SCIENTIFIC
CONCEPTS
OF
THE
TURNING
POINT
.
97
8.2
THE
TURNING
POINT
IN
APPLIED
DRAMATURGY
.
100
8.3
THE
EFFECT
OF
TURNING
POINTS
IN
LITERATURE
AND
FILM
.
102
8.4
TURNING
POINTS
AND
TRANSFORMATION
IN
INTERACTIVE
NARRATIVES
.
106
9
NARRATIVE
STRUCTURE
-
THE
HERO'S
JOURNEY
IN
THREE
ACTS
.
ILL
9.1
DRAMATIC
STRUCTURE
.
ILL
9.2
MYTHOLOGICAL
STRUCTURE
.
114
9.3
ORAL
STRUCTURE
.
115
9.4
INTERACTIVE
STRUCTURE
.
116
10
CAUSAL
RELATIONSHIPS
-
WHY
AND
HOW?
.
119
10.1
CAUSALITY
AS
A
CONDITION
FOR
NARRATIVITY
.
119
10.2
FORMS
OF
CAUSALITY
.
120
10.3
FORMS
OF
NON-CAUSAL
NARRATIVE
.
123
10.4
CAUSALITY
AND
INTERACTIVITY
.
125
11
SUBTEXT
AND
GAPPING
-
INVOLVING
THE
RECIPIENTS
.
129
11.1
GAPPING
AS
A
TEXT-AND
MEDIA-SPECIFIC
STRATEGY
.
129
11.2
SUBTEXT
.
130
11.3
GENERATING
TENSION
THROUGH
INFORMATION
MANAGEMENT
.
132
11.4
INFORMATION
MANAGEMENT
IN
INTERACTIVE
STORIES
.
137
12
SEMANTIC
OBJECTS
-
MCGUFFINS,
HORCRUXES
AND
HOLY
GRAILS
.
141
12.1
PLOT-FUNCTIONAL
VS.
NON-FUNCTIONAL
.
141
12.2
SEMANTIC
OBJECTS
IN
NARRATIVE
MEDIA
.
145
12.3
THE
SEMANTIZATION
OF
OBJECTS
AS
A
COMMUNICATION
STRATEGY
147
13
EPILOGUE:
VALUES
AND
A
WORLDVIEW
.
151
14
GLOSSARY
.
155
15
BIBLIOGRAPHY
.
159
16
LIST
OF
FIGURES
.
163 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Friedmann, Joachim 1966- |
author_GND | (DE-588)1115346784 |
author_facet | Friedmann, Joachim 1966- |
author_role | aut |
author_sort | Friedmann, Joachim 1966- |
author_variant | j f jf |
building | Verbundindex |
bvnumber | BV047476260 |
classification_rvk | EC 4600 AP 13550 |
ctrlnum | (OCoLC)1268235774 (DE-599)DNB1237512565 |
discipline | Allgemeines Literaturwissenschaft |
discipline_str_mv | Allgemeines Literaturwissenschaft |
format | Book |
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genre | (DE-588)4123623-3 Lehrbuch gnd-content |
genre_facet | Lehrbuch |
id | DE-604.BV047476260 |
illustrated | Illustrated |
index_date | 2024-07-03T18:11:19Z |
indexdate | 2024-08-01T11:31:40Z |
institution | BVB |
institution_GND | (DE-588)5161273-2 (DE-588)106537268X |
isbn | 9783825257644 3825257649 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032877832 |
oclc_num | 1268235774 |
open_access_boolean | |
owner | DE-862 DE-BY-FWS DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-188 DE-B170 DE-M472 DE-11 DE-M347 DE-1049 DE-739 DE-824 DE-Po75 |
owner_facet | DE-862 DE-BY-FWS DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-188 DE-B170 DE-M472 DE-11 DE-M347 DE-1049 DE-739 DE-824 DE-Po75 |
physical | 165 Seiten Illustrationen 18.5 cm x 12 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | UVK Verlag |
record_format | marc |
spellingShingle | Friedmann, Joachim 1966- Storytelling for media introduction to the theory and practice of narrative design Erzählen (DE-588)4132307-5 gnd Erzähltechnik (DE-588)4124854-5 gnd |
subject_GND | (DE-588)4132307-5 (DE-588)4124854-5 (DE-588)4123623-3 |
title | Storytelling for media introduction to the theory and practice of narrative design |
title_auth | Storytelling for media introduction to the theory and practice of narrative design |
title_exact_search | Storytelling for media introduction to the theory and practice of narrative design |
title_exact_search_txtP | Storytelling for media introduction to the theory and practice of narrative design |
title_full | Storytelling for media introduction to the theory and practice of narrative design Joachim Friedmann |
title_fullStr | Storytelling for media introduction to the theory and practice of narrative design Joachim Friedmann |
title_full_unstemmed | Storytelling for media introduction to the theory and practice of narrative design Joachim Friedmann |
title_short | Storytelling for media |
title_sort | storytelling for media introduction to the theory and practice of narrative design |
title_sub | introduction to the theory and practice of narrative design |
topic | Erzählen (DE-588)4132307-5 gnd Erzähltechnik (DE-588)4124854-5 gnd |
topic_facet | Erzählen Erzähltechnik Lehrbuch |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032877832&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT friedmannjoachim storytellingformediaintroductiontothetheoryandpracticeofnarrativedesign AT unitaschenbuchergmbh storytellingformediaintroductiontothetheoryandpracticeofnarrativedesign AT uvkverlagsgesellschaftmbh storytellingformediaintroductiontothetheoryandpracticeofnarrativedesign |
Inhaltsverzeichnis
THWS Schweinfurt Zentralbibliothek Lesesaal
Signatur: |
2000 AP 13550 F911 |
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Exemplar 1 | ausleihbar Verfügbar Bestellen |