Group dynamics: the Blue Rider : Lenbachhaus
"The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnati...
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| Format: | Buch |
| Sprache: | English |
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Berlin
Hatje Cantz
[2021]
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| Schlagworte: | |
| Zusammenfassung: | "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists--among them Gabriele Münter, Alfred Kubin, Maria Marc and Elisabeth Epstein--not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety. Exhibition: Lenbachhaus, München, Germany (First part: 23.03.2021 - 05.03.2023; Second part: 19.10.2021 - 24.04.2022) |
| Beschreibung: | 444 pages illustrations (chiefly color) 27 cm |
| ISBN: | 9783775748414 3775748415 |
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| 520 | 3 | |a "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists--among them Gabriele Münter, Alfred Kubin, Maria Marc and Elisabeth Epstein--not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety. Exhibition: Lenbachhaus, München, Germany (First part: 23.03.2021 - 05.03.2023; Second part: 19.10.2021 - 24.04.2022) | |
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For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety. 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| genre | (DE-588)4135467-9 Ausstellungskatalog Städtische Galerie im Lenbachhaus und Kunstbau München 23.03.2021- München gnd-content |
| genre_facet | Ausstellungskatalog Städtische Galerie im Lenbachhaus und Kunstbau München 23.03.2021- München |
| id | DE-604.BV047475344 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:10:55Z |
| indexdate | 2024-07-10T09:13:09Z |
| institution | BVB |
| institution_GND | (DE-588)1054877130 |
| isbn | 9783775748414 3775748415 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032876932 |
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| owner | DE-M507 |
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| physical | 444 pages illustrations (chiefly color) 27 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Hatje Cantz |
| record_format | marc |
| spelling | Group dynamics the Blue Rider : Lenbachhaus edited by Matthias Mühling, Annegret Hoberg, and Anna Straetmans Berlin Hatje Cantz [2021] 444 pages illustrations (chiefly color) 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists--among them Gabriele Münter, Alfred Kubin, Maria Marc and Elisabeth Epstein--not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety. Exhibition: Lenbachhaus, München, Germany (First part: 23.03.2021 - 05.03.2023; Second part: 19.10.2021 - 24.04.2022) Blaue Reiter (Group of artists) / Exhibitions Städtische Galerie im Lenbachhaus München / Exhibitions Expressionism (Art) / Germany / 20th century Art, Modern / 20th century / Exhibitions Art, Modern Blaue Reiter (Group of artists) 1900-1999 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Städtische Galerie im Lenbachhaus und Kunstbau München 23.03.2021- München gnd-content Mühling, Matthias 1968- (DE-588)128469862 edt Hoberg, Annegret 1955- (DE-588)111209617 edt Straetmans, Anna edt Städtische Galerie im Lenbachhaus und Kunstbau München (DE-588)1054877130 isb Parallele Sprachausgabe deutsch Gruppendynamik - Der Blaue Reiter 978-3-7757-4840-7 (DE-604)BV047103078 |
| spellingShingle | Group dynamics the Blue Rider : Lenbachhaus |
| subject_GND | (DE-588)4135467-9 |
| title | Group dynamics the Blue Rider : Lenbachhaus |
| title_auth | Group dynamics the Blue Rider : Lenbachhaus |
| title_exact_search | Group dynamics the Blue Rider : Lenbachhaus |
| title_exact_search_txtP | Group dynamics the Blue Rider : Lenbachhaus |
| title_full | Group dynamics the Blue Rider : Lenbachhaus edited by Matthias Mühling, Annegret Hoberg, and Anna Straetmans |
| title_fullStr | Group dynamics the Blue Rider : Lenbachhaus edited by Matthias Mühling, Annegret Hoberg, and Anna Straetmans |
| title_full_unstemmed | Group dynamics the Blue Rider : Lenbachhaus edited by Matthias Mühling, Annegret Hoberg, and Anna Straetmans |
| title_short | Group dynamics |
| title_sort | group dynamics the blue rider lenbachhaus |
| title_sub | the Blue Rider : Lenbachhaus |
| topic_facet | Ausstellungskatalog Städtische Galerie im Lenbachhaus und Kunstbau München 23.03.2021- München |
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