Medieval art 250-1450: matter, making, and meaning
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| Hauptverfasser: | , |
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| Format: | Buch |
| Sprache: | English |
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New York ; Oxford
Oxford University Press
[2022]
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxvi, 454 Illustrationen, Karte |
| ISBN: | 9780190499693 |
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viii I TABLE OF CONTENTS chapter լ MIGRATIONS AND MATERIALITY: 600-800 _ _ _ _ _ _ _ _ _ _ _ 97 Approach 97 Audience 98 Box 3.1 Thinkers: Materiality 99 Monasticism and Spiritual Migration 100 Box 3.2 What’s in a Name? Insular, Hiberno-Saxon, and Anglo-Saxon 101 St. Augustine’s Abbey in Canterbury 102 The Monasteries of St. Peter’s in Wearmouth and St. Paul’s at Jarrow 103 Box 3.3 Period Text: Bede. The Lives of The Abbots of Wearmouth and Jarrow 105 The Monastery of Skellig Michael 106 Monastic Saints and Their Relics 108 St. Cuileáin’s Bell 108 The Cathach of St. Columba and Other Relics 110 The Relics of St. Cuthbert 113 The Persistence of Buried Objects 115 Sutton Hoo and the Tomb of King Raedwald 115 The Staffordshire Hoard 119 The Ardagh Chalice 120 Sculpture in Stone and Bone 122 The Ruthwell Cross 122 The Franks Casket 124 The Matter of Manuscripts 127 The Book of Durrow 128 The Lindisfarne Gospels and the Codex Amiatinus 130 The Book of Kells 134 Box 3.4 Medieval Goes Pop: The Secret ofKells 136 Conclusion and Questions for Discussion 137 Cross-Temporal Exploration: Materiality 138 Selected Bibliography 139 CHAPTER 4 IMAGES AND EMPIRES: 750-900 _ Approach 141 Box 4.1 Thinkers: Appropriation 142 Audience 143 Box 4.2 What’s in a Name? The Carolingian Renaissance 145 Recreating Imperial Tradition 146 141
TABLE OF CONTENTS І Charlemagne’s Palace Chapel 146 The Godescalc Gospel Lectionary 151 A Carolingian Ivory Book Cover 153 The First Bible of Charles the Bald 155 An Equestrian Sculpture 157 Crystal Objects and Royal Patronage 159 Iconoclasm in the Byzantine Empire and the Carolingian Response 162 Box 4.3 Period Text: Theodulf of Orléans, Opus Caroli Regis 164 Theodulf’s Oratory in Germigny-des-Prés, France 165 The End of Iconoclasm in Byzantium 167 Box 4.4 Medieval Goes Pop: Costumes and Fashion 169 Building Monastic Traditions 171 The Monastery of Saint-Riquier 171 Abbey Church at Corvey 173 The Plan of St. Gall 175 Monastic Manuscripts: The Ebbo Gospels and the Utrecht Psalter 178 Islam and Christianity in Spain: The Great Mosque of Cordoba 181 Before the Mosque: The Church of St. Vincent 181 The Construction of the Mosque 183 The Tenth-Century Mihrab and Later Changes to the Mosque 185 Conclusion and Questions for Discussion 187 Cross-Temporal Exploration: Appropriation 188 Selected Bibliography 189 CHAPTER 5 ENCOUNTERS AND EXCHANGES: 900-1030 Approach 191 Box 5.1 Thinkers: Race and Medieval Studies 192 Audience 193 Box 5.2 What’s in a Name? Mozarabic 195 Connections: Art on the Move 196 The Cuerdale Hoard 196 Byzantine Ivories 196 Box 5.3 Medieval Goes Pop: Vikings on the Screen 197 Leire/Pamplona Casket 199 Magdeburg Ivories 200 Conversions, Conflicts, and Co-existence 202 The Holy Lance 202 The Jelling Stones 203 191 ІХ
X I TABLE OF CONTENTS San Miguel de Escalada 204 Box 5.4 Period Text: Hallfreör Óttarsson (the Troublesome Poet) 205 Beatus Apocalypse Manuscripts 208 Power and Alterity 211 The Marriage Charter of Theophanu 211 The Lothar Cross 212 St. Michael’s of Hildesheim 214 Bernward’s Bronze Doors 216 Muiredach’s Cross 220 Bodies and Difference 222 Gero Crucifix 222 Image of Bishop Petros from Pachoras, Nubia 223 Gospels of Otto III 226 Menologion of Basil II 228 The Wonders of the East 231 Conclusions and Questions for Discussion 233 Cross-Temporal Exploration: Encounters and Exchanges 234 Selected Bibliography 235 CHAPTERS NATURE AND LANDSCAPE: 1030-1140 Approach 237 Audience 238 Box 6.1 Thinkers: Ecocriticism 239 Box 6.2 What’s in a Name? Romanesque 241 Maps, Architecture, and Claiming Land 242 The Cotton World Map 242 The Bayeux Embroidery 244 Durham Cathedral 245 Palatine Chapel, Palermo 247 A Khachkar from Armenia 250 Nature in the Earthly City 251 Monte Cassino and Sant’Angelo in Formis 251 The Monastery in Daphni, Greece 254 San Clemente in Rome 258 The Heavenly City in Nature 260 Christianization of Stone Worship at Monteneuf 260 Monsters at Church: Sheela Na-Gigs and a Capital from Chauvigny 262 Cistercian Manuscripts and Toiling the Earth 265 237
TABLE OF CONTENTS І Box 6.3 Period Text: Bernard of Clairvaux, Apology 267 Marvelous Materials in the Sanctuary 268 Herriman and Ida Cross 268 The Portable Altar of Roger of Helmarshausen 270 Ivory Plaque of St. Aemilian 271 The Landscape of Pilgrimage and Crusade 273 Santiago de Compostela: Pilgrimage and Geopolitical Landscapes 273 Cluny III: Monasticism and Pilgrimage 275 Box 6.4 Medieval Goes Pop: Virtual Pilgrimage and Ecotourism 276 Autun Cathedral: Building Pilgrimage 278 The Abbey of Mary Magdalene in Vézelay: Pilgrimage and Crusade 279 Conclusions and Questions for Discussion 282 Cross-Temporal Exploration: Nature and Landscape 283 Selected Bibliography 283 CHAPTER 7 CRUSADE AMD CONQUEST: 1140-1230 _ _ _ _ _ _ 285 Approach 285 Box 7.1 Thinkers: Postcolonialism 286 Audience 287 Box 7.2 What’s in a Name? Geographic and Religious Identities 289 Queen Melisende 290 The Melisende Psalter 290 The Holy Sepulchre 291 The Tomb of the Virgin Mary 294 Box 7.3 Medieval Goes Pop: Kingdom ofHeaven 296 Hisn al-Akrad (Krak des Chevaliers) 296 Relocating Sites Sacred to Christians 298 Abbot Suger and St. Denis 298 Box 7.4 Period Text: Abbot Suger, De Administratione (On What Was Done During His Administration) 304 Lalibela, Ethiopia 305 San Marco in Venice 308 Reliquaries and Manuscripts in the Holy Roman Empire 311 The Stavelot Triptych 311 The Shrine of the Three Kings 313 Hildegard of Bingen’s Scivias 316 Herrad of Hohenbourg’s Hortus deliciarum 318 Courtly and Crusading Imagery 320 The Troubadour Casket 320 ХІ
xii I TABLE OF CONTENTS Modena Cathedrals Sculpted Archivolt 322 The Cult of the Virgin Mary at Chartres Cathedral 324 Chartres, the Virgin, and the Sedes Sapientiae 324 The Royal Portal of Chartres Cathedral 328 The Labyrinth at Chartres 329 Conclusions and Questions for Discussion 330 Cross-Temporal Exploration: Postcolonialism 331 Selected Bibliography 331 chapter 8 NARRATIVE AND DEVOTION: 1230-1320 Approach 333 Audience 334 Box 8.1 Thinkers: Narrative Theory 335 Narrative in the Cathedral 337 Box 8.2 What’s in a Name? Gothic 338 Chartres Cathedral: Architecture and Stained Glass 338 The Jubé of Chartres Cathedral 344 Naumburg Cathedral 345 Reims Cathedral 347 Box 8.3 Medieval Goes Pop: Medieval Times 352 Narrative in Devotional Spaces 353 The Regensburg Pentateuch 353 St. Maurice at Magdeburg Cathedral 355 Nicola Pisano, Siena Cathedral Pulpit 356 Norwich Cathedral Cloister 358 Box 8.4 Period Text: Thomas of Celano, First Life ofSt. Francis 361 Franciscan Narratives 362 Bonaventura Berlinghieri’s Altarpiece of St. Francis 363 San Francesco, Assisi 365 Cimabue’s Crucifixion 367 Narratives for the Nobility and the Wealthy 369 Cantigas de Santa Maria 369 The Douce Apocalypse 370 Sainte-Chapelle, Paris 372 The Arena Chapel, Padua 375 Conclusions and Questions for Discussion 377 Cross-Temporal Exploration: Narrative 378 Selected Bibliography 379 333
TABLE OF CONTENTS CHAPTER 9 IDENTITY AND PERFORMANCE: 1320-1450 Approach 381 Box 9.1 Thinkers: Gender and Queer Identities 382 Audience 382 Domesticating Devotion 384 The Hours of Jeanne d’Evreux 384 The Très Riches Heures of Jean, Duke of Berry 386 The Hours of Catherine of Cleeves 387 The Golden Haggadah 389 Objects of Medieval Love 391 Box 9.2 Period Text: Sir Gawain and the Green Knight 391 Ivory Mirror Back 392 An Ivory Comb 393 Women on Top: Aristotle and Phyllis and Bawdy Badges 395 Box 9.3 Medieval Goes Pop: Modern “Rom-Coms” (Romantic Comedies) 396 Celebrating Birth 400 Salvation, Illness, and Healing 401 The Facade of Orvieto Cathedral 401 The Triumph of Death at the Camposanto in Pisa 404 The Strozzi Chapel 406 Opicinus de Canistris 408 A Medical Manuscript 410 Devotion and Intimacy 412 The Wound of Christ 412 The Man of Sorrows 415 The Rohan Book of Hours 417 Sculpture of Christ and St. John the Evangelist 418 Shrine Madonna 419 The St. Wenceslas Chapel in Prague 422 Conclusions and Questions for Discussion 424 Box 9.4 What’s in a Name: The End of the Middle Ages? 425 Cross-Temporal Exploration: Gender and Queer Identities 426 Selected Bibliography 427 Glossary Of Terms 428 Credits 437 Index 441 I 381 xiii |
| adam_txt |
viii I TABLE OF CONTENTS chapter լ MIGRATIONS AND MATERIALITY: 600-800 _ _ _ _ _ _ _ _ _ _ _ 97 Approach 97 Audience 98 Box 3.1 Thinkers: Materiality 99 Monasticism and Spiritual Migration 100 Box 3.2 What’s in a Name? Insular, Hiberno-Saxon, and Anglo-Saxon 101 St. Augustine’s Abbey in Canterbury 102 The Monasteries of St. Peter’s in Wearmouth and St. Paul’s at Jarrow 103 Box 3.3 Period Text: Bede. The Lives of The Abbots of Wearmouth and Jarrow 105 The Monastery of Skellig Michael 106 Monastic Saints and Their Relics 108 St. Cuileáin’s Bell 108 The Cathach of St. Columba and Other Relics 110 The Relics of St. Cuthbert 113 The Persistence of Buried Objects 115 Sutton Hoo and the Tomb of King Raedwald 115 The Staffordshire Hoard 119 The Ardagh Chalice 120 Sculpture in Stone and Bone 122 The Ruthwell Cross 122 The Franks Casket 124 The Matter of Manuscripts 127 The Book of Durrow 128 The Lindisfarne Gospels and the Codex Amiatinus 130 The Book of Kells 134 Box 3.4 Medieval Goes Pop: The Secret ofKells 136 Conclusion and Questions for Discussion 137 Cross-Temporal Exploration: Materiality 138 Selected Bibliography 139 CHAPTER 4 IMAGES AND EMPIRES: 750-900 _ Approach 141 Box 4.1 Thinkers: Appropriation 142 Audience 143 Box 4.2 What’s in a Name? The Carolingian Renaissance 145 Recreating Imperial Tradition 146 141
TABLE OF CONTENTS І Charlemagne’s Palace Chapel 146 The Godescalc Gospel Lectionary 151 A Carolingian Ivory Book Cover 153 The First Bible of Charles the Bald 155 An Equestrian Sculpture 157 Crystal Objects and Royal Patronage 159 Iconoclasm in the Byzantine Empire and the Carolingian Response 162 Box 4.3 Period Text: Theodulf of Orléans, Opus Caroli Regis 164 Theodulf’s Oratory in Germigny-des-Prés, France 165 The End of Iconoclasm in Byzantium 167 Box 4.4 Medieval Goes Pop: Costumes and Fashion 169 Building Monastic Traditions 171 The Monastery of Saint-Riquier 171 Abbey Church at Corvey 173 The Plan of St. Gall 175 Monastic Manuscripts: The Ebbo Gospels and the Utrecht Psalter 178 Islam and Christianity in Spain: The Great Mosque of Cordoba 181 Before the Mosque: The Church of St. Vincent 181 The Construction of the Mosque 183 The Tenth-Century Mihrab and Later Changes to the Mosque 185 Conclusion and Questions for Discussion 187 Cross-Temporal Exploration: Appropriation 188 Selected Bibliography 189 CHAPTER 5 ENCOUNTERS AND EXCHANGES: 900-1030 Approach 191 Box 5.1 Thinkers: Race and Medieval Studies 192 Audience 193 Box 5.2 What’s in a Name? Mozarabic 195 Connections: Art on the Move 196 The Cuerdale Hoard 196 Byzantine Ivories 196 Box 5.3 Medieval Goes Pop: Vikings on the Screen 197 Leire/Pamplona Casket 199 Magdeburg Ivories 200 Conversions, Conflicts, and Co-existence 202 The Holy Lance 202 The Jelling Stones 203 191 ІХ
X I TABLE OF CONTENTS San Miguel de Escalada 204 Box 5.4 Period Text: Hallfreör Óttarsson (the Troublesome Poet) 205 Beatus Apocalypse Manuscripts 208 Power and Alterity 211 The Marriage Charter of Theophanu 211 The Lothar Cross 212 St. Michael’s of Hildesheim 214 Bernward’s Bronze Doors 216 Muiredach’s Cross 220 Bodies and Difference 222 Gero Crucifix 222 Image of Bishop Petros from Pachoras, Nubia 223 Gospels of Otto III 226 Menologion of Basil II 228 The Wonders of the East 231 Conclusions and Questions for Discussion 233 Cross-Temporal Exploration: Encounters and Exchanges 234 Selected Bibliography 235 CHAPTERS NATURE AND LANDSCAPE: 1030-1140 Approach 237 Audience 238 Box 6.1 Thinkers: Ecocriticism 239 Box 6.2 What’s in a Name? Romanesque 241 Maps, Architecture, and Claiming Land 242 The Cotton World Map 242 The Bayeux Embroidery 244 Durham Cathedral 245 Palatine Chapel, Palermo 247 A Khachkar from Armenia 250 Nature in the Earthly City 251 Monte Cassino and Sant’Angelo in Formis 251 The Monastery in Daphni, Greece 254 San Clemente in Rome 258 The Heavenly City in Nature 260 Christianization of Stone Worship at Monteneuf 260 Monsters at Church: Sheela Na-Gigs and a Capital from Chauvigny 262 Cistercian Manuscripts and Toiling the Earth 265 237
TABLE OF CONTENTS І Box 6.3 Period Text: Bernard of Clairvaux, Apology 267 Marvelous Materials in the Sanctuary 268 Herriman and Ida Cross 268 The Portable Altar of Roger of Helmarshausen 270 Ivory Plaque of St. Aemilian 271 The Landscape of Pilgrimage and Crusade 273 Santiago de Compostela: Pilgrimage and Geopolitical Landscapes 273 Cluny III: Monasticism and Pilgrimage 275 Box 6.4 Medieval Goes Pop: Virtual Pilgrimage and Ecotourism 276 Autun Cathedral: Building Pilgrimage 278 The Abbey of Mary Magdalene in Vézelay: Pilgrimage and Crusade 279 Conclusions and Questions for Discussion 282 Cross-Temporal Exploration: Nature and Landscape 283 Selected Bibliography 283 CHAPTER 7 CRUSADE AMD CONQUEST: 1140-1230 _ _ _ _ _ _ 285 Approach 285 Box 7.1 Thinkers: Postcolonialism 286 Audience 287 Box 7.2 What’s in a Name? Geographic and Religious Identities 289 Queen Melisende 290 The Melisende Psalter 290 The Holy Sepulchre 291 The Tomb of the Virgin Mary 294 Box 7.3 Medieval Goes Pop: Kingdom ofHeaven 296 Hisn al-Akrad (Krak des Chevaliers) 296 Relocating Sites Sacred to Christians 298 Abbot Suger and St. Denis 298 Box 7.4 Period Text: Abbot Suger, De Administratione (On What Was Done During His Administration) 304 Lalibela, Ethiopia 305 San Marco in Venice 308 Reliquaries and Manuscripts in the Holy Roman Empire 311 The Stavelot Triptych 311 The Shrine of the Three Kings 313 Hildegard of Bingen’s Scivias 316 Herrad of Hohenbourg’s Hortus deliciarum 318 Courtly and Crusading Imagery 320 The Troubadour Casket 320 ХІ
xii I TABLE OF CONTENTS Modena Cathedrals Sculpted Archivolt 322 The Cult of the Virgin Mary at Chartres Cathedral 324 Chartres, the Virgin, and the Sedes Sapientiae 324 The Royal Portal of Chartres Cathedral 328 The Labyrinth at Chartres 329 Conclusions and Questions for Discussion 330 Cross-Temporal Exploration: Postcolonialism 331 Selected Bibliography 331 chapter 8 NARRATIVE AND DEVOTION: 1230-1320 Approach 333 Audience 334 Box 8.1 Thinkers: Narrative Theory 335 Narrative in the Cathedral 337 Box 8.2 What’s in a Name? Gothic 338 Chartres Cathedral: Architecture and Stained Glass 338 The Jubé of Chartres Cathedral 344 Naumburg Cathedral 345 Reims Cathedral 347 Box 8.3 Medieval Goes Pop: Medieval Times 352 Narrative in Devotional Spaces 353 The Regensburg Pentateuch 353 St. Maurice at Magdeburg Cathedral 355 Nicola Pisano, Siena Cathedral Pulpit 356 Norwich Cathedral Cloister 358 Box 8.4 Period Text: Thomas of Celano, First Life ofSt. Francis 361 Franciscan Narratives 362 Bonaventura Berlinghieri’s Altarpiece of St. Francis 363 San Francesco, Assisi 365 Cimabue’s Crucifixion 367 Narratives for the Nobility and the Wealthy 369 Cantigas de Santa Maria 369 The Douce Apocalypse 370 Sainte-Chapelle, Paris 372 The Arena Chapel, Padua 375 Conclusions and Questions for Discussion 377 Cross-Temporal Exploration: Narrative 378 Selected Bibliography 379 333
TABLE OF CONTENTS CHAPTER 9 IDENTITY AND PERFORMANCE: 1320-1450 Approach 381 Box 9.1 Thinkers: Gender and Queer Identities 382 Audience 382 Domesticating Devotion 384 The Hours of Jeanne d’Evreux 384 The Très Riches Heures of Jean, Duke of Berry 386 The Hours of Catherine of Cleeves 387 The Golden Haggadah 389 Objects of Medieval Love 391 Box 9.2 Period Text: Sir Gawain and the Green Knight 391 Ivory Mirror Back 392 An Ivory Comb 393 Women on Top: Aristotle and Phyllis and Bawdy Badges 395 Box 9.3 Medieval Goes Pop: Modern “Rom-Coms” (Romantic Comedies) 396 Celebrating Birth 400 Salvation, Illness, and Healing 401 The Facade of Orvieto Cathedral 401 The Triumph of Death at the Camposanto in Pisa 404 The Strozzi Chapel 406 Opicinus de Canistris 408 A Medical Manuscript 410 Devotion and Intimacy 412 The Wound of Christ 412 The Man of Sorrows 415 The Rohan Book of Hours 417 Sculpture of Christ and St. John the Evangelist 418 Shrine Madonna 419 The St. Wenceslas Chapel in Prague 422 Conclusions and Questions for Discussion 424 Box 9.4 What’s in a Name: The End of the Middle Ages? 425 Cross-Temporal Exploration: Gender and Queer Identities 426 Selected Bibliography 427 Glossary Of Terms 428 Credits 437 Index 441 I 381 xiii |
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| spelling | Thompson, Nancy M. 1968- Verfasser (DE-588)1051411394 aut Medieval art 250-1450 matter, making, and meaning Nancy M. Thompson, Anne F. Harris New York ; Oxford Oxford University Press [2022] xxvi, 454 Illustrationen, Karte txt rdacontent n rdamedia nc rdacarrier Geschichte 250-1450 gnd rswk-swf bisacsh / ART / History / Medieval Art, Medieval Art and society - History - To 1500 Kunst (DE-588)4114333-4 gnd rswk-swf Kunst (DE-588)4114333-4 s Geschichte 250-1450 z DE-604 Harris, Anne F. Verfasser (DE-588)1028794487 aut Erscheint auch als Online-Ausgabe 978-0-19-049970-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032873722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thompson, Nancy M. 1968- Harris, Anne F. Medieval art 250-1450 matter, making, and meaning bisacsh / ART / History / Medieval Art, Medieval Art and society - History - To 1500 Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 |
| title | Medieval art 250-1450 matter, making, and meaning |
| title_auth | Medieval art 250-1450 matter, making, and meaning |
| title_exact_search | Medieval art 250-1450 matter, making, and meaning |
| title_exact_search_txtP | Medieval art 250-1450 matter, making, and meaning |
| title_full | Medieval art 250-1450 matter, making, and meaning Nancy M. Thompson, Anne F. Harris |
| title_fullStr | Medieval art 250-1450 matter, making, and meaning Nancy M. Thompson, Anne F. Harris |
| title_full_unstemmed | Medieval art 250-1450 matter, making, and meaning Nancy M. Thompson, Anne F. Harris |
| title_short | Medieval art 250-1450 |
| title_sort | medieval art 250 1450 matter making and meaning |
| title_sub | matter, making, and meaning |
| topic | bisacsh / ART / History / Medieval Art, Medieval Art and society - History - To 1500 Kunst (DE-588)4114333-4 gnd |
| topic_facet | bisacsh / ART / History / Medieval Art, Medieval Art and society - History - To 1500 Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032873722&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT thompsonnancym medievalart2501450mattermakingandmeaning AT harrisannef medievalart2501450mattermakingandmeaning |